
EXCLUSIVE: The CW is finalizing a deal to pick up Danni Lowinski, an hourlong dramedy pilot based on the German series of the same name. Jennie Snyder Urman (90210) has been enlisted to write the adaptation, which is being produced by CBS TV Studios. While the script is yet to be written, the project is being fast-tracked for midseason consideration with a pilot order based on extensive source material - 13 produced episodes of the original series – and a writer whom the CW has an established relationship with. Feelers have already been sent out to talent agencies for the lead whose casting is considered key to the project. UPDATE: Richard Shepard, who won an Emmy for directing another dramedy pilot, that for ABC’s Ugly Betty, is in talks to direct.
Danni Lowinski is named after the series’ central character: a scrappy hairdresser who has worked her way through law school and finally graduates only to be brushed off by law firms that aren’t interested in her type. Determined to make her way in the professional world, she sets up her own practice in a shopping mall kiosk. The first season of the German series, which stars popular German comedy actress Annette Frier, premiered in April on Sat.1 and earned Frier a couple of national acting awards. In May, the series was renewed for a second season, which will launch next spring.
90210 co-executive producer Snyder Urman has emerged as a key writer on the CW soap. She wrote or co-wrote 8 episodes last season and recently penned this season’s opener. Snyder Urman, who has 4 series credits, has the perfect resume for writing a female-centered dramedy: the 3 shows she worked on before 90210 were Gilmore Girls, Men In Trees and Lipstick Jungle.
The CW is the only broadcast network that doesn’t have a scripted series in store for midseason. For awhile, the CW’s medical drama pilot HMS was in serious contention but the options on its actors eventually expired and its star Megan Boone joined NBC’s Law & Order: Los Angeles. The CW, which for the first time in its history is airing an all-original lineup, launched 4 series with 13-episode orders this fall that could need a replacement: freshmen Hellcats and Nikita, veteran One Tree Hill and sophomore Life Unexpected. Hellcats and OTH have already received orders for 6 additional scripts, usually a precursor to an episodic pickup. Nikita also appears on track for a back order, but LUX, despite its warm critical reception, is in danger as the lowest-rated series on the CW this fall. Additionally, given the serialized nature of most CW dramas, the network may want to avoid long stretches of reruns by bringing in a fresh series in the spring.
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The very concept made my eyes fall asleep. One can only hope they shoot it in German with Spanish sub-titles and Indian actors.
‘Danni’ is a fun series. If they can get a good lead actress then the format could work. Though am already getting the creeps imagining The CW casting very young talents so as to attract younger audiences.
Didn’t MTM do this in the ’80s? “Eisenhower & Lutz”?
This series would be a much better fit for ABC!
But “Danni” is a great homegrown show providing Sat.1 with a much-needed success after they ordered adaptation after adaptation of American and British series which ultimately all failed. At some point, they finally realized that something like a “German CSI” won’t work because the production values aren’t high enough and most of the concepts weren’t credible enough for the German market.
That doesn’t sound awful, I’m curious who they’re gonna cast.
I hope they change the name of the show. Seems like a cute idea, but I am way out of the W18-34 demo, so what do I know?
This does sound like a fun series.
Nice to see. One of us is coming to the USA … Like Sam commented, the only prob is the cast. The Story works .. in Germany at least.
Jennie Snyder is an excellent writer and showrunner. With her at the helm, this will be a hit.
This premise sounds so awesome that The CW should just dive on in . . . and renew Life Unexpected for its back nine.
All LUX really needs at this point is *much* snappier dialogue. They’ve got the plots, they’ve got the actors — it’s the bland dialogue that’s keeping it grounded, away from the heights reached by Gilmore Girls and Juno, the show and movie LUX has been compared to the most.
Also, if it would help LUX’s fate, it’s greatly compatible with its sibling show at Warner, Pretty Little Liars. So perhaps a deal could be made for ABC Family to pair the previous week’s episode of LUX from the CW with the new episodes of PLL when the latter show comes back in January for the second half of its season?
— Rob
Um, they are aware that 90210 is a terrible show, right?
LUX is a great show and perfect as is, recent plot developsments (teacher/LUX, Paige) notwithstanding. It reminds me a bit on MY SO CALLED LIFE. The CW isn’t exactly known for such shows, though. LUX could do much better elsewhere. LUX is more realistic than the worlds of 90210 or Pretty Little Liars.
@ Rob – yeah, right, let’s ruin the dialogue and go artificial to squeeze out some laughs. GILMORE GIRLS, where mother and daughter sounded exactly the same or JUNO with its insufferable wisecracks each char had to spout are two good examples of what not to do to LUX.
Juno got an Oscar for Original Screenplay for its snappy dialouge and Gilmore Girls is a modern classic that’s now in perpetual reruns on ABC Family (which, IMO, should be renamed Warner Family — or, better yet, The WB.) The CW marketed LUX *heavily* on the “Gilmore Girls Meets Juno” comparison, so regardless of whether one likes that pop-culture-laced style, it behooves the show to actually display that one last signature element of Gg and Juno — aside from Gg’s masterful characterization and Juno’s impeccable plotting, both of which the show has IMO brought to the audience — that the show has promised but so far failed to deliver.
At this point, I’d even like to see how the show would handle such a shift in style of dialogue. If, say, Tigelaar & Co are able to display the same patience in gradually introducing that type of verbal dexterity that even goes as far back in CW/WB history as Dawson’s Creek and Buffy as they are in slow-building the characterization of, especially, Lux and Baze. I could see them easily over-correcting with an increase in speed from zero to flippant in 3.4 seconds (ie: the seven days between one episode and the next.)
— Rob