EXCLUSIVE: Comcast and the Writers Guild of America are battling over union organizing. Over the last several months the writers of Comcast Entertainment Group have quietly engaged the Writers’ Guild of America West for the purposes of collective bargaining with their employer. CEG is the cable entertainment wing of Comcast: it includes the E!, Style!, and G4 networks, as well as Versus, Sprout, and Fear Net. Here’s what we’re told is happening:
Inside the company our title is Script Consultant, Story Editor, Producer or anything other than Writer. We decided to send this note to Deadline.com to let you know that collectively we write countless hours of television across E!, Style, & G4. This is scripted television work that deserves the benefits of coverage by WGA contracts.
Instead of honoring our request for recognition, Comcast has chosen to stall and push this off until they feel it is convenient to them, [which is] long past the time they expect the merger with NBC Universal to close. While they work to reorganize their executive staff as if the merger were a fait accompli, we sit and wait for what is, by law, our right. Now, rather than adhering to their promises of good labor relations they made to the WGA, the U.S. Congress and other Hollywood unions and their acknowledgement that Hollywood is a union town, they have chosen to ask for an election with a lengthy hearing process — in spite of the fact that over 80% of the CEG writing staff has signed cards. Anyone who has ever worked in this industry knows that we do NOT go to election. We can’t even recall the last time an organization effort in this town had to go to vote. We are simply asking for the same recognition the Comedy Central writers got from Viacom three years ago. If Comcast is willing to circumnavigate traditional entertainment industry procedures in this manner, we can only imagine what they’ll try to get away with in the future.
Today, Comcast sent an email to the entire staff of Comcast Entertainment Group filled with misleading information about the Guild’s cordial efforts to engage them in a civil dialogue. It appears that Comcast would rather have its E!, Style, and G4 writers in a non-unionized environment, working alongside union writers in our future family networks of SyFy, Bravo, USA and others. Clearly, this second-class citizenship for CEG writers doing the same work as union writers is an unacceptable solution.
We strongly encourage Comcast to come to the bargaining table and act like the responsible Hollywood player we hope they are.
Sincerely,
The Organized Writers of Comcast Entertainment Group
Here the text of the all-company email which the Organized Writers of Comcast Entertainment Group received this afternoon:
To: All E!, Style, and G4 Employees
From: Kathy Mandato, SVP Human Resources
Date: November 18, 2010
Re: WGA Organizing EffortI have some news I’d like to share today affecting a small number of employees.
The Writers Guild of America West (WGA) has adopted an agenda of organizing employees who write programming for basic cable, and have set their sights on E!, Style, and G4. Recently they informed us that some employees have signed authorization cards indicating their interest in union representation.
The National Labor Relations Act long ago established a process by which employees can form or join unions. The National Labor Relations Board (NLRB) oversees the administration and enforcement of this process. If a union wants to represent a group of employees, it files a petition for an election with the NLRB. The NLRB then schedules and supervises a secret ballot election to determine whether the employees want to be represented by the union.
The WGA requested a different process. They asked us to bypass a government conducted secret ballot election, to simply recognize them, and thereby automatically have the union represent these particular employees.
We believe that our employees need to exercise their right to vote on a matter as important to them as union representation. Therefore, today we advised the WGA that we are not willing to instantly recognize them. We want employees to learn all the facts about union representation before voting as to whether or not they want to be part of a union.
We look forward to reaching out to those of you who would be part of the units that the WGA want to represent. We will discuss how a unionized environment may affect you. We believe that after hearing both sides, and understanding all the facts, you will decide that it is in your best interest to continue to maintain your current relationship with your supervisor and management team.
While we go through this process, we are committed to providing all employees with current, relevant and truthful information about the issues the union will raise as part of their campaign.
Please feel free to contact me, Steve Dolcemaschio, or Steve Blue with any questions you may have.
Thank you.
Below is a statement from WGAW Executive Director David Young about the above matter:
“More than 80% of the writers working for Comcast Entertainment Group have signed union authorization cards designating the WGAW as their bargaining representative. The writers hoped that Comcast would behave in an honorable manner and agree to their desire for union representation without delay. Comcast now says they want an NLRB election.
NLRB elections are banana republic elections that are held after a period of delay that employers use to terrorize workers and threaten their jobs. Such elections make a mockery of free choice. Comcast has consistently proven in their dealings with unions nationally that they embrace this model of intimidation. This is one of many reasons why Comcast’s proposed merger with NBC-Uni should be opposed, including via anti-trust litigation.
The WGAW objects to Comcast’s attempt to intimidate their writers and will stand with these writers in their fight for fair wages and benefits for their families.”





David Young is such an embarrassing moron. He’s opposing the merger? Oooh. Scary. Is he also opposing the sun rising?
This company doesn’t have the decency to step up for these writers and yet they expect the entire American population and our elected officials to lay down and let them violate our antitrust laws? Yes, David Young might have a reason to oppose this merger as do most INFORMED people I know…
Amen to that.
Go Writers!
Micah Wright! We’ve got a Ranger on our side now.
Yay! I love these shows, the writers TOTALLY deserve this!
You must be kidding! Comcast has enough money to buy NBC but they can’t afford these people a union contract? Disgusting corporate pigs!
As a writer for Comcast Entertainment Group I’m disappointed that the company is delaying negotiations in this manner. If the company would like to hold a secret ballot immediately – we would all be for it. We, the writers of CEG have clearly indicated that we want the WGA to represent them. An election is redundant, time consuming and expensive.
I support your cause, but feel that an election is NEVER superfluous. Those are the rules that were set up and agreed upon. If there is any way to wriggle out of the situation you can be sure Comcast will find it. Dot all “i’s and cross all “t’s. Don’t let them off the hook.
Those are the rules that were set up and agreed upon… by corporations finding ways to stop unionization. The “election” process you’re talking about will take a year or more, during which time the Network will simply slowly (or quickly) fire the writers they suspect of signing union cards. Those that remain, they will indoctrinate, bully, and threaten with claims that they will shut down all television production if the studio goes union.
These AREN’T the rules that were set up and agreed upon… the rules we operate by are the good rules of the 1920′s-40′s watered down, weakened, and chipped away at by subsequent Republican Presidents. The National Labor Relations Board, especially the division of it that Los Angeles is in, is dominated by anti-union corporate interests.
More importantly, there is NO RULE that says that an election MUST take place. Most employers look at the facts and numbers on the ground and choose not to pick a fight with a union which has 80% of the covered workers on their side.
Why Comcast wants to pick a big union fight on the eve of it’s hoped-for merger with NBC/Universal is utterly mystifying. Once pro-union Senators like Al Franken get wind of this, that drastically threatens their multi-billion dollar deal for… what? Not paying a few dozen writers’ health care & pension contributions? Even if you assume that those (relatively low) fees will cost them a HUNDRED MILLION DOLLARS (which it won’t), that pales in contrast to the $30 Billion that this merger represents.
It’s irrational in the extreme how these corporate morons can claim on the one hand that paying health insurance for their writers will break them while simultaneously spending $30 BILLION DOLLARS to purchase a competitor.
Not to mention the fact that as a Union, the WGA can’t allow half of Comcast/NBC/Universal to be a covered entity while the other half isn’t. That’s a death-spiral which ends with some corporate suit saying “Hey, our writers on E! and G4TV aren’t union… why do we allow our sitcom writers at NBC to be unionized? Let’s put a stop to all that…”
Glad to hear Comcast will finally have to start paying employees what they promised them. Good for the employees who decided to stand up for themselves instead of simply rolling over and taking the abuse.
Writers are an essential part of the entertainment industry. They have a right to representation, and companies must learn to come to the table instead of simply walking away. If anything, this is a poor PR move on Comcast’s part.
Perhaps someday STUDIOS and PRODUCERS will pay writers who spend months developing pitches, outlines and treatments. 99% of the time the writer reaps no benefit while the Studio Execs and Producers get their weekly salary while choosing from a huge selection of creative people all working for free hoping to get the actual work.
Look, I’m all for the little man, but corporations also spend months developing things that bring in ZERO revenue until they are sold. Think of advertising agencies pitching potential clients, etc. That’s just the cost of doing business. Every entity has to spend money to make a sale, writers are no different.
Signed
A member of the WGA
Yes, but most often the people working for the corporation are getting paid while this development is going on.
You are 100% right that being entrepreneurial and developing you own projects or writing pitches on the come is part of being a professional writer. But more and more I see writers being asked to develop something for months by a major studio or studio affiliated producer without being paid, while the studio exec or producer is being paid for their work.
Writers don’t expect to get paid for work they do in advance. But they usually don’t even get paid for the paying work. The whole ‘shared risk’ canard should die a thousand deaths. A production entity with heaps of development money can pay salaries. A writer needs a day job.
Before I gave up screenwriting, I was making about 40¢ on the dollar — this as a WGA member, working for the great and glorious studios and major production companies. I couldn’t make it economically viable.
Example: for production company you’ve heard of, I worked on a project for three months building the pitch. Studio bought it. Prodco immediately replaced me with exec’s college roommate. Project died. Repeat this about five times a year and eventually you realize you’re pushing sand uphill.
Now I write novels. The pay is miniscule, but actual human beings read my work, not just a handful of coke-snorting ADD MBAs. And hey — if somebody wants to make a movie out of one of my stories, I get paid handsomely. Then they’ll screw another writer to adapt it.
Whenever I read/hear someone use the phrase “reaching out to…” it makes me want to go brush my teeth. Smarmy and fake.
Besides, it looks like CEG is reaching out with… a steel claw.
Kathy Mandato = USELESS. Typical HR person A sycophant of head of operations. And not very smart. Comes of as sweet and nice but mean and backstabbing. Kind of a barbie doll.
We the writers at Comcast deserve the same rights and benefits that other scripted writers enjoy. Enough said.
Well put kristine – I am not a writer so I will leave it at that
Power to the writers and the WGA! It’s appalling for Comcast to try to deny guild contracts to their own shows’ writers when they’re merging with a company (NBCU) that owns a major studio and a major network both of which employ guild writers! Wake up and smell the Soy Latte, Comcast.
the guild has got to get this town in check. comcast is full of crap as are all non union company’s i.e. biggest loser.
Once Comcast acquires NBC/Universal, the only writers under the new umbrella who will not have a WGA contract will be the writers at E!, Style Network and G4. Are this fair labor practices? Perhaps Comcast should have a secret ballot to see if the NBC/Universal writers would like to make the pittance that E!, Style and G4 make…not to mention the lack of benefits, health insurance, sick days, etc. etc.
The NBC/Universal writers would laugh them out of the room. And for good reason.
Don’t be so sure that the WGA writers currently at NBCU will be sticking around for very long once the merger goes through.
NBCU has dispensed with some writers already. If Comcast is as anti-union as some say, it’s only a matter of time.
That’ll work out great for Jay and his 2,000 paid under the table scab writers.
I support Young 100 percent on this. While some of his decisions in the past have left me cold he’s spot on this time.
Hilarious. The HR rep says “some” employees have signed authorization cards. It’s over 80% in favor!
Transparent-Corporate-spin-dot-com.
I love the phrase “employees who write programming…” Ummm, we’re called WRITERS, Kathy. This “small number of employees” is responsible for writing the vast majority of programming on these networks. We put countless hours of creativity into crafting quality shows, and we take great pride in what we do. All we’re asking for is what’s fair. We don’t deserve to be recognized by the SVP of HR as “employees who write.” We deserve to be recognized as “Writers.”
Seems like Comcast needs to realize they don’t just own a bunch of dinky cable networks anymore, but are about to become one of Hollywood’s major providers of content. Can this company really expect not to pay guild salaries to their writers? Good luck to those writers. You deserve a union contract.
There is absolutely no good reason why CEG shows should remain non-union while Comcast is looking to purchase the entirely unionized NBC-Universal family. We hope Comcast will be a responsible player in the entertainment industry.
I admire the CEG writers for their unity, courage, and self-respect. I wish them the best.
I’m another WGA member who wishes David Young would do something to improve pay, residuals, and working conditions for current members rather than embarrass himself with another attempt to swell membership (and the dues cookie jar!)–an attempt surely as doomed as his ham-fisted scheme to annex reality TV “writers”. (And if David really cared about workers having their say in a free and non-coercive environment, he wouldn’t shill for card check.)
You say your a WGA member, and yet you reject out of hand the work of dozens of writers working for Comcast.
In just three years I’ve written sketches, jokes, news stories, host wraps and promotional material for CEG — most of it for a daily live TV show. My best guess: I probably have racked up somewhere between 700 & 1000 hours of live TV writing. In three years.
I’m curious — what kind of writing work are you up to that’s more impressive than that? Or are you working on a spec until something paying comes along?
Finally, I would like to wish you, a current member of the WGA, the best of luck in “improving your own pay, residuals, and working conditions” and of course in finding David Young’s email address.
Yeah, why should other writers get their fair share when current writers are only making shitloads.
I mean, seriously, I’m in SAG and WGA and writers have it pretty sweet. If people write in this town, they should be part of the union and those are all scripted shows.
You don’t even know what union means.
The WGA, East and West, has to increase membership in non-traditional writing genres and non-broadcast outlets because pockets of non-union writers inevitably undermines the strength of unionized people.
The rule is grow or die and the struggle has at least two requirements: Fighting for better contracts, and fighting new members.
As for NLRB elections, I’m all for them as long as they’re held hot on the request. The long lag is filled with sophisticated union-resistance strategies by the employer…an energy- and treasury-draining exercise for the union, and a dispiriting, frightening experience for the people trying to organize. On the other hand, card-check, the way my group organized, was fair and fast.
TROLL ALERT: That guy isn’t a WGA member. No union member in this business would protest expanding our coverage, when non-union work like reality and animation and videogames is the biggest threat to our union’s future. Can you say “Company Shill”?
I used to write for Comcast and have close friends there — I have been following this all along. In light of the merger, Comcast will have to go WGA. This stalling is embarrassing for them and doesn’t speak well of their future. But it says everything you need to know about their attitude toward their employees. Horrible, incompetent, bullies.
All the more reason for WGA wrtiers to go on strike. And this next strike is gonna be THE BIG ONE. Be prepared to stay out for twice as long as last time. Bring this city to its knees!
All together now. “What do we want? Residuals. When do we want ‘em? Later!”
I can’t wait to get back on the picket lines. Warm up the coffee, Mary, we’re gonna do it again!
You can’t wait to go back to the picket lines? Dream on.
If you think feature writers are going to go along with another strike to benefit TV writers, guess again. Not happening. Last time we went along but the showrunners (who are are just corporate shills) caved so fast the union had no bargaining power and the strike ended up accomplishing bupkus, except for TV writers who see new $ when their work gets replayed on the Internet. Remember afterward how the networks and TV studios were going to change how they do business (i.e. no more pilots, just go straight to series, and rolling development, and all that other nonsense that never came to fruition?)
Feature writers are the ones who are still suffering from that focacta TV strike. We now have to take one-step deals (a pay cut), have seen our pay cut across the board, fewer jobs as the studios retrenched and now every pissant producer and mini studio insists on free treatments because they know they are so many fewer jobs out there that if you want to work, you have no choice but to do what they want.
Another strike? Forget about it. Feature writers will not take the hit for TV writers again.
Let’s not forget that we also struck last time to make sure the internet residuals for FEATURES didn’t get nailed into the 20%-of-20%-of-100% coffin that DVD was nailed into. We got 20% of 100% in internet. That strike wasn’t pointless, NotAgain.
The strike was pointless for feature writers, TV writers made out like bandits. You must be a TV writer, because I don’t know a single feature writer who was happy about the long-term results of the strike. We’re still suffering through abusive managements tactics that the union is powerless to stop, reduced pay, and having few jobs.
Meanwhile, it’s back to the same for TV writers. You can’t argue that all the talk about how the TV biz was going to change turned out to be bunk. Feature writers have suffered, not TV writers.
And to quote The Who, “We Won’t Be Fooled Again”.
@Tort – I can tell a shill post when I see one. Go shag yourself. We walked the lines before, and we’l do it again, but none of us enjoyed it.
@NotAgain – DON’T TAKE THE BAIT! Aim your broadsides at the real enemy. As a fellow feature writer, I know we have our differences with other sections … but we hang together, or we hang separately.
Don’t Fall For It- It’s too late, we’ve already been hung separately. TV showrunners boned the entire union by pressuring their staffs to back off the picket lines and onve the strike was done us feature writers have been the ones made to suffer by management, all because the studios know they can’t abuse their precious TV writers or they wouldn’t have any shows. I have to do twice as much work to make the same money I made prior to the strike, so save me the solidarity BS. TV showrunners and writers screwed feature writers, face up to it. If there’s a whiff of another strike I’ll do a Clooney.
the NLRA allows workers the right to join and be part of a union without holding an election, as long as there is proof of majority support. It disgust me to see management using tactics aimed at delaying, with the hopes of denying these writers thier freedom of choice to join the union.
To those that have signed up to join the WGA,its a great organization and you will be well served as members.
David Young is a joke. I am a WGA member and he bugs the shit out of me. NLRB are “banana republic” elections? What does that even mean? And if he’s serious about Comcast having a history of intimidating employees, give examples. Lastly, I’d like to know what are the other of the “many” reasons why the merger should be opposed.
If you seriously can’t understand why vertical monopolization is a bad thing in this business, you must not be a very successful member of the WGA. Ask Chris Carter why it’s bad when the production company of a show is owned by a distributor… FOX TV sold The X-Files to a Fox cable channel for pennies on the dollar that they could have gotten by having open bids for the series. Carter had to sue the hell out of Fox to get a real payday. Comcast/Universal/NBC represents the exact same thing: a vertical monopoly. There was a reason these things were broken up in the 1950′s.
And yes, NLRB elections ARE Banana Republic elections. They’re unfair, they take forever to take place, and they open the door to intimidation and employee bullying and threats. Just ask the writers who tried to organize at Nickelodeon Animation a few years ago: they signed union cards, and they all got fired… illegal, but Bush was in the White House and the NLRB didn’t do a single thing.
Are Daily 10 and E! News Live a part of this? Comcast should just take some of the $25million they’re paying Seacrest to cover the WGA contracts for those folks. It only seems right.
The Daily 10 was cancelled but yes those shows are written.
If Comcast abides by NLRB requirements, there is no way the WGA can, or should, leverage the merger approval process to circumvent an election.
Profitable networks like E! should be unionized, because writers who write well enough to reach a sustaining audience, however stupid, deserve protection.
Newer, borderline, and just plain terrible networks can be downsized, outsourced, sold, moved online, folded, or revamped and replaced with home shopping if an additional production costs would push them too far into the red. Tread lightly, WGA.
Comcast, you’re not in Bala Cynwyd anymore. If you’ve got ideas about controlling costs out here go for it, before Hollywood becomes the next Detroit. Realize that the most profitable entertainment networks got there with union talent. And also realize that the worst deals the union made, like their early basic cable rerun giveaway, provided the profits and audience base which made the more expensive originals possible later on.