
UPDATE 2PM: As expected, NBC’s series were adjusted down in the finals which the NFL game in Baltimore was taken out. Community, The Office and Outsourced slipped a tenth each to 2.0, 3.6 and 2.6, respectively; 30 Rock and The Apprentice dropped two tenths each to 2.4 and 1.4, respectively. Adjusting up was $#*! (2.9/8), up a tenth from its series-low fast national number. Private Practice and The Mentalist were unchanged, keeping Private Practice as the winner in the 10 PM hour among 18-49.
PREVIOUS 9 AM: What goes up must come down. After posting double-digit gains last Thursday, ABC’s dramas and CBS’ comedies slipped last night. With its lead-in, a Grey’s Anatomy rerun (1.0/3), down 17%, the Grey’s Anatomy (4.0/10) original at 9 PM was down 7%. And after surging by 44% last week with the heavily promoted episode dealing with the sexual assault of Charlotte King (KaDee Strickland), Private Practice (2.9/8) was down 26% but still edged CBS’ The Mentalist (2.8/8), at least in the fast nationals, for the top spot at 10 PM among adults 18-49.
CBS’ Big Bang Theory (4.2/12, 13.1 million) was down 9% from its fast national demo result last week when it featured the return of star Kaley Cuoco and a guest appearance by Eliza Dushku. (The hit comedy always adjusts up by a tenth in the finals). Big Bang still ranked as the highest-rated series on Thursday among 18-49. After posting its best delivery since the premiere last week, freshman $#*! My Dad Says (2.8/8, 9.7 million) was down 18% for a season/series low in 18-49. CSI (2.8/7, 12.9 million) was down 15%, while The Mentalist (2.8/8, 13.8 million) at 10 PM was down 7% to its lowest 18-49 rating this season. The crime drama still ranked as the most watched program of the night, and CBS once again won Thursday in total viewers (12.7 million) and adults 18-49 (3.0/8).
NBC was preempted in Baltimore for an NFL game, so the fast national numbers for the network’s series are probably inflated by a tenth or two. Community (2.1/6) was up 11%. 30 Rock (2.6/7) was up 8%, The Office was up a tenth from its fast national last week (Like Big Bang, the flagship NBC comedy always adds a tenth in the finals). Freshman Outsourced (2.8/7) was also up a tenth, while The Apprentice rose two tenths or 14%.
Fox’s dramas Bones (2.5/7) and Fringe (1.8/5) were both flat with their performances last week, as were the two CW Thursday dramas, The Vampire Diaries and Nikita.
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CBS should have called that series SHIT THAT’S UNWATCHABLE.
I like it. A lot. Makes me laugh. Shatner is great. Sasso and Sullivan are a riot. It’s a sit-com. Relax.
You say that ‘Private Practice’ beat ‘The Mentalist,’ but then say that the latter was the most watched program of the night…. ?
There’s a difference between demo and total viewer numbers that you don’t understand.
Private Practice won in the demo. The Mentalist had more overall viewers.
Can 30 Rock get any more brilliant? They keep raising the bar!
Agreed. 30 Rock is smart AND funny. They should give Tina Fey some sort of award. Oh wait…
30 rock has been unwatchable this season not only is the writing cartoonish but the director is a hack who is responsible for a manic, ugly mess of overacting
PP beat Mentalist in the 18-49 demos, Mentalist was watched by more people overall.
Fringe last night was probably one of the best hours of tv I have seen in a very long time.
Quite good.
JJ and Orci know whats good.
Should Fringe be worried? Once again it’s by far the lowest rated original of the four nets in 18-49.
The pilot was laugh-free, but I decided to check it out again all these weeks later… “$#*! My Dad Says” has actually gotten worse.
Shit My Dad Says is NOT funny at all, nor does it have any other redeeming entertainment value. In fact, it is so bad that there are cringe worthy moments that force you to turn away from the screen [such as Shatner at a funeral reaching in the casket to retrieve a borrowed jacket from the corpse]. And no one gives a shit about any of the shallow characters, especially those played by Shatner and Sadowski. Bad concept, bad script, bad acting equals crap. And they had to call in a consulting producer to obtain this level of quality? Apparently there is no quality control minimum at CBS or KoMut.
Have seen some positive postings here about the rising quality of Shit My Dad Says so I gave it another whirl. Clearly, you fans of the Shit must work on it. It’s spectacularly bad. Weak set-ups, obvious “jokes,” familiar storylines and pathetic stock characters whose dialogue is forced and fake. Why? Because the writing is lazy. Why? Because it panders to the audience. Why? Because though Big Bang is working (and marginally less egregious) the format isn’t just tired, it’s comatose. I know you’re working hard, Shit people, and it’s not easy, but raise the bar, don’t slink under it. At the very least, Sasso and Sullivan deserve better material.
Where are these “positive postings” you speak of for Shit My Dad Says? I’m not seeing any. In fact, I believe this particular show has been the one thing that’s united everyone on Deadline. It truly is the shittiest show, so it’s aptly titled.
Why blame the format? Shit My Dad Says is bad but it has nothing to do with the multi-cam format, which remains as viable and varied as the low-energy single-cam format (though for some reason bad single-cam writing, and there’s a lot of it, gets more of a pass because there’s no audience laughing at it). It’s people blaming the format who scare off the good writers from working in multi-cam, dooming us to a) bad multi-cams and b) writers sticking with the easier, older, less interesting single-cam format.
I watched the pilot of sh*t and hated it but it’s actually gotten a lot better. It’s become the show to hate because it’s annoying a Twitter page is now a tv show but if you’re actually watching the show, the eps are enjoyable.
Shit is unbearable, agreed– witless, cloying, tired. But its numbers are pretty respectable. End of story. If CBS actually cared about quality they wouldn’t be CBS.
Nikita is flashing all kinds of danger signals. Didn’t it drop over 40% in A18-49 and lost a good chunk of general viewers?
* Glad to see Kaley Cuoco being able to return to The Big Bang Theory before her absence could have killed the show. Her absence and return proved beyond a shadow of a doubt that it’s a three-lead show. Without her (and her cameo last week doesn’t count toward her being back for the sake of this argument), the guys are completely untethered emotionally, resulting in performances that lacked spark and scripts that lacked edge. I hope that Parsons’s peeps keep that in mind the next time they try to renegotiate contracts solo rather than with Cuoco and Galecki.
* IMO, KaDee Strickland should use this week’s episode of Private Practice as her Emmy reel rather than last week’s. While last week’s episode was strong and Emmy-level on all levels, this week’s was even stronger, with even more — *much* more — emphasis on Charlotte’s emotionally journey in the aftermath of her rape. She had more moments (I’ll refrain from using the term “beats”) to play and more different *kinds* of moments to play. Glad to see that the show retained a portion of the extra audience from last week.
* Nikita does respectably (relative to the CW) in young male demos, so I would expect that it’ll get renewed and moved to Friday nights before or after Supernatural next season.
— Rob
Not exactly an excellent BONES episode.
Cammy’s storyline was completely foreseeable including the last scene. Too bad she didn’t at least know beforehand that one of her relatives was on this boat. Too bad Assistant Clarke Edison wasn’t on duty to offer his take and the opportunity for some meaningful dialogue. Apropos dialogue… Now we’re already getting tortured with Mommy-dialogue from Angela? That’s exactly why marriages and pregnancies bring *some* shows down. Very disappointing but what could one expect from that particular couple? Was a bad idea from the word go.
I didn’t appreciate the parallell cougar party boat story one bit. A mail order bride and prospective husband party boat would have made more sense not only in terms of the similar power dynamic but also in terms of how many of those mail order couples do exist. I forgot – what do we call male cougars?
I wonder if networks factor in people watching TV shows online: a lot of people have “cut the cord” so low ratings doesn’t necessarily mean less eyeballs.