
EXCLUSIVE: Director Andrew Adamson has begun production on an enterprising family-oriented feature film that marries James Cameron’s 3D wizardry with the precision and spectacle of Cirque du Soleil. I’m told the untitled film is a hybrid combining narrative storytelling with Cirque performances that are being captured in 3D from different themed Cirque du Soleil shows in Las Vegas. Those performances serve as the backdrop of a magical world where the film’s lead character has been transported.
The film is being financed primarily by Cirque du Soleil, and Cameron is serving as producer. Also producing are Reel FX Entertainment partners Cary Granat and Ed Jones, Cirque du Soleil, and Adamson’s Strange Weather Films’ partner Aron Warner. The intention is for this to launch a series of family features that incorporate Cirque du Soleil into their storylines. Adamson, who directed the first two installments of the Shrek and Chronicles of Narnia franchises, hatched the story for the first film. He’s currently in New Zealand, shooting the narrative sequences that will give the movie its shape. He has also worked with Cameron already in capturing some of the Cirque du Soleil footage using 3D cameras.

The project is about one-third completed, and I’m told that major distributors have been shown sample footage. Several are interested in making a deal, and I’m told that a distributor will likely be locked before production wraps. It is unclear whether they will make a deal beyond domestic, though.
Cameron, who recently committed to direct two more installments of Avatar, is separately producing two other high profile 3D films. There is a remake of Fantastic Voyage at Fox, and the Guillermo Del Toro-directed adaptation of HP Lovecraft’s At the Mountains of Madness at Universal. Adamson is executive producer of The Chronicles of Narnia: The Voyage of the Dawn Treader, which opens Friday.


This will be Amazing! Way to lead the charge Jim, not to mention the audience expansion for Cirque!
Mercy. Haven’t we gotten enough of 3D? I sure was hoping so.
If only they could collaborate with the Blue Man Group – then they could call the film Avatar 2!
*cheezy drum riff* I’ll be here all week folks.
Awesome.
And to all the 3D Haters, sorry John, you’re all dinosaurs. Embrace our generation’s ‘technicolor’. You really think studios are making films for anyone over the age of 25 now? Nope. They’re looking to hook that 6+ demographic where 3D is all they know… And will grow up with.
Welcome to the next evolution of cinema. Embrace it old people.
A fair comment to make. That said, John Wayne’s “Hondo,” was shot in 3D along with many other older films, and this “new” technicolor process didn’t last. And, considering it didn’t work with the last generation of “old people” (who were likely easier to impress with new film technology). Who has the right to give the final word that it sticks around this time, and doesn’t just resort to being merely another tool in the filmmakers belt?
Perhaps you speak some truth. The gatekeepers will continue to propagate 3D until they can figure out how to make even more money off people like you, Captain.
Cirque tried this before a few years ago but it didn’t really work. It was sort of lame. Cirque just doesn’t translate well to film. Hopefully James Cameron can work his magic.
I cannot wait to see the pastel costumes and hear the soft jazz in 3D. The performers of CdS are top notch. If the filmmakers can stay out of their way and keep them center stage then this should be a fantastic record of an amazing troupe.
I hear they are going to convert the live shows into 3D as well.
Excellent! Add stereo and they should be good to go.
They should definitely film Zumanity in 3D. There’s a million possibilities to keep people from falling asleep.
I hope his producer Jon Landau is involved. He is the guy that keeps the wheels on, trains running, lights on. And he is like a trapeze artist himself.
BTD
This is a cool use of 3D. An awesome idea. To the anti-3D folks, I say that 2D isn’t going away. There’s obviously still a place for it. 3D should be reserved for appropriate applications — like this project, which sounds like a tent-pole spectacle. I think the studios are learning their lesson after the backlash reactions to sloppy 3D post-conversions. But I have to say: I recently watched Toy Story 3 on DVD and while I love, love the movie — I definitely prefer the 3D version. That was an interesting compare and contrast for me….
Way to go, Deadline! Adamson and Cameron have only been back and forth to Vegas for pre-prod and then prod for the past few months. Good scoop. I hope the film turns out. After what Adamson has done with Narnia, I’m not so sure he’s the right guy for Cirque. Let’s just say that the storyline is a bit obvious.
“Captain Awesome”, you sound like a tool.