Stories about rights-holders fall into two categories: either they’re the bully or the victim. Until recently, crime novelist Michael Connelly fell into the latter category. Michael Connelly finally has back his Hieronymous “Harry” Bosch character which appears in 15 of his 22 books. Harry Bosch is a brooding Los Angeles Police Department detective named, appropriately, after an early Dutch painter known for his eccentric visions of hell. And since 1995, Bosch has been in Hollywood development hell.
Freelance journalist Diane Haithman files this report for Deadline: Until very recently, Connelly, a one-time LA Times police reporter, had been locked in a years-long battle with Paramount over Harry Bosch. Connelly’s first two Harry Bosch books, Black Ice (1992) and The Black Echo (1993) were optioned by Paramount back in 1995. But Paramount never developed either book into a film, to Connelly’s big disappointment. Worse, Connelly had given Paramount ownership of the Harry Bosch character, so the other 13 books couldn’t be made into movies, either. In January of this year, the 15-year option finally expired and Connelly had a one-year window to buy back the rights – as long as he also paid Paramount back for “all out-of-pocket costs, advances and payments” incurred by the studio, plus interest.
But how much was that amount, exactly? In March, Connelly quietly sued the studio to seek what he felt was an accurate accounting of how much Paramount had spent on development in order to come up with an appropriate buy-back price before his window of opportunity closed again. Finally, the lawsuit settled in October just before it was headed to trial. “All I can say on the record is: ‘The case has been settled in a confidential agreement’,” Connelly tells Deadline freelance journalist Diane Haithman.
Because of the agreement, Connelly also can’t discuss what immediate Hollywood plans he has for Harry Bosch, but earlier this year Connelly told me that “Harry could have a life on TV”. “Just about every other year, I write a TV pilot,” Connelly revealed. “I want to get further into the [entertainment] business than writing books and then standing on the sidelines watching them be turned into a movie. I’d like to be more creative. And television really attracts me. But I have not been successful in that.” a decade ago, Connelly did have a TV show on the air – Level 9 about computer crime for the old UPN — but it only lasted a season. Since then, he’s written a handful of TV pilots for different networks or studios, but none have been made into series.
Meanwhile, shooting wrapped in August on Lakeshore Entertainment’s movie adaptation of Connelly’s 2005 novel The Lincoln Lawyer, starring Matthew McConaughey as cynical defense attorney Mickey Haller, a new character created by Connelly. The pic is scheduled for release on March 18th. Connelly’s latest novel, The Reversal, contains both the Bosch and Haller characters who work together. Connelly has had one other book made into a movie: Blood Work (2002), with Clint Eastwood as ex-FBI agent Terry McCaleb. Connelly won’t ever have to worry about getting that character back from anyone: McCaleb is already dead.


I wish Michael luck… and I hope this time he has good legal counsel because whoever made his deal with Paramount made one hell of a crappy deal…
As an eager devourer of L.A. noir, I really enjoyed the first half dozen or so Bosch books. But does anyone else feel like Connelly is cranking them out too fast these days, and quality is suffering as a result? I’d rather have one really great book by him every two years or so than two so-so ones every year.
No, I don’t get the feeling that he is cranking them out (leave that to James Patterson), but living in Florida rather than L.A. may be affecting some of the local color aspects that were always so good in these books. Let’s hope he can move back to L.A. soon.
I don’t know if it’s a question of “too fast” or what, but Connelly hasn’t brought anything interesting to the table in years. I’m not even interested in seeing Bosch brought to the screen, large or small.
Guess these are all old comments but I’ll add mine in case anyone may reply. Other that Michael Connelly and Harry Bosch advise me on some other writer/detective close to as good. I’ve read all the Connelly books and need some suggestions. Not all detective stories but those by David Baldacci are pretty good and his books have improved over the years. Jeffery Archer-great but not writing so much any more. John Sandford I like but have had problems finding books I like as much as his and Connelly’s.
I suggest you try the Dave Robicheaux series by James Lee Burke. They are nearly all set in New Orleans or South Louisiana. Dave Robicheaux is a tough cop with a load of personal issues. He also has a best friend/sidekick who is also a tough guy with personal issues. Burke is an excellent writer and his plots are all fast paced but believable, even if a bit violent. A couple of the books have been made into so-so movies; “Heaven’s Prisoners” and “In the Electric Mist.”
i would suggest Tony Hillerman, his can be somewhat formulaic, but his characters are interesting. Also, i would look up Martin Cruz Smith. He is excellent. he isn’t as prolific as Connelly, but he has excellent character development and his character, Arkady Renko is a similar misanthrope, but without the anger of Bosch.
Another good read… all of Arnaldur Indridason’s crime fiction, featuring the protagonist Detective Erlendur.
you know he is just as good a writer now as he was back a few years ago and Harry is getting older, so assume daughter will start becoming a cop. or least cop school.
keep them coming MC
Quite the opposing view, The books are great! Connelly cannot crank them out fast enough. The Harry Bosch I see does not look like Billy Burke. No one does. Mark Harmon is too good looking to play Harry. What a problem.
So, what did those silly little Paramount nitwits accomplish by keeping Harry Bosch off the market? Well, it forced us to actually take these terrific books in hand and read them! Can’t wait for the next one! Way to go Michael Connelly! Hieronymous would be proud!!!
As much as I’d like to feel bad for him, sounds like he has had steady work since the development hell. It’s not like it was his “only show” in town. But at least he got back his rights.
“Connelly won’t ever have to worry about getting that character back from anyone: McCaleb is already dead.”
Nobody heres heard of prequels?!
What a waste. William Petersen would have made a good Bosch, but now he’s too closely identified with Grissom. In 1995 he would have been a good fit.
You might be interested in knowing there is a DVD out there called Michael Connelly’s Los Angeles (or some similar title) and the narrator is William Petersen. So there is a connection. I think Petersen could still do Bosch. Look at William Shatner, everyone thought he was type cast as Capt. Kirk, but he came back as T.J. Hooker and other characters. Petersen could become Bosch.
In “The Reversal” Bosch and Haller (half-brothers it turns out) are actually working on the same side of the law – prosecuting a child killer after his conviction is reversed by DNA evidence. It is the best of both worlds – Harry’s hard-nosed police procedural, and Mickey’s skills in the courtroom. But the reversal, beside the conviction of the bad guy, is that Haller is the prosecutor in the retrial.
I cannot see McConaughey as Haller – but there is no one right now who could play Harry and make the fans of the character happy. Too complex a role in an entertainment world that likes “simple” leads.
I think McConaughey will be a good Haller, I was skeptical about it at first but I think it will work
Thanks for giving away the book, Ace.
I agree. I watched the trailer for Lincoln Lawyer and was unimpressed with McConaughey as Haller.
I was a little upset when Clint Eastwood played Terry McCaleb because, honestly, Eastwood looked like he could be someone’s grandfather, but in A Darkness More Than Light McCaleb has a baby. If he was really so old as he was portrayed in the movie, then the sex scene just got really disturbing!
We can never get a real good feel on an actor as our beloved characters, though, because the actors don’t read the book. They read the script and create their own character, as opposed to what we as readers do, which is read the book and envision a character that Michael Connelly creates for us.
Uhhhh, don’t forget that around the same time as that movie, Clint Eastwood did in fact have a new baby in reality. Is that disturbing? It happens all the time.
With McConaughey playing Haller, how about Hugh Jackman as Bosch? They are similar in age, and similar enough to be brothers. And Jackman has quite the acting range … he looks like a young Clint Eastwood, so pretty much perfect for the part.
Hugh Jackman is a good choice but I like Ethan Hawke. Wiry and a little dirty looking.
given that bosch has been described as looking like gregory house, i’d say hugh laurie has a lock on the casting of harry bosch, though it’s somewhat disturbing to imagine harry bosch acting like bertram wilberforce wooster.
I don’t think so. Laurie is a great actor, but he has a “Nimoy” (as in “I am not Spock”) problem — a hazard of the trade, a cost and consequence of great success, especially with long-running episodic prime-time television shows. The actor become the character he plays and the audience won’t accept him/her as anyone else. “ER”, for example: Anthony Edwards (Dr. Green) has done what since leaving the show? Maura Tierney (“Abby Lockhart”) and Noah Wyle (“Dr. John Carter”) left and moved on to … what?
It’s worse than type-casting, actually. I recall seeing Wyle sometime after he left “ER” on a crime-genre TV show. He tried to play the heavy, against his ER-type. It didn’t work. Every time he materialized onscreen or opened his mouth I saw “Dr. Carter”. It didn’t matter what he said or did — I expected Dr. Carter. When Dr. Carter failed to materialize that breached the suspension of disbelief required to make a movie work; cognitive dissonance at its worst.
Miley Cyrus (“Hannah Montana”) has the same problem — probably one reason why she’s misbehaving so openly (if not to say “ostentatiously”). She’s trying to break the “Hannah Montana” mold. I suspect it’s part of a deliberate plan to recast her public image so her career doesn’t end at 18. She doesn’t want to end up like Shirley Temple.
The best part of this story is that “The Black Echo” actually made it to screenplay form, with a draft by Ted Talley, who had won an Oscar for his adaptation of “The Silence of the Lambs.” just a few years before. The guy was a brilliant writer, Connelly loved the script … so of course nothing happened. I hope the buy-back included rights to that screenplay.
Oh, that sucks. I read Tally’s adaptation of Joe Lansdale’s “Mucho Mojo” (which was at New Line) and it was just awesome, too, but of course didn’t get made even though I think Ratner was attached at one point.
“Black Ice” is so, so good. Sucks to be Connelly, but better to get it made right than a bad version that kills the character forever. How sad is it, btw, that Block’s Scudder books aren’t movies?!
The Scudder books are awesome! One bad film killed the franchise. Maybe someday we’ll see another version.
Good for Connelly he’s a solid guy and Bosch is a terrific character for tv or film.
A contract that ties up the character rights shoulda been used as toilet paper and sent back to the lawyer who wrote it.
Good for him. The first couple of Bosch novels are nearly as good as anything Raymond Chandler wrote.
I learned about a couple of obscure jazz artists because of Bosch!
Now what about development on Lee Child’s Jack Reacher character, which I believe is also at Paramount?
Another studio horror story:
” … Connelly had a one-year window to buy back the rights — as long as he also paid Paramount back for “all out-of-pocket costs, advances and payments” incurred by the studio, plus interest …”.
I assume he had to pay back his option premium plus interest plus all sorts of padded fees for phantom work (to screenwriters, various producers, etc …), including costs from other productions bundled with it.
My late daddy used to say, “lawyers are idiots and bankers are fools, accountants are bores and agents are whores ….”, begging the question: what legal-idiot could possibly sign off on a deal with such a man-trap embedded in it?
I shudder to think how the rest of the contract read.
I’m confused. A 15 year option? Or did he keep renewing with Paramount? If so why did he continue to stick with them? Surely after five years he should have realized they were never going to make Bosch into a movie. Why continue with them?
Chris Cooper would make a fine Harry Bosch.
for Harry i like either
Brain Cranston
Michael Pare
In his first novel, The Black Echo, it’s mentioned that Harry was able to afford his house in the Hollywood Hills because of a made-for-TV movie about one of his earlier cases. Clint Eastwood’s Blood Work adaptation is mentioned in several of Connelly’s novels (in this fictional universe it was based on actual events) making for some interesting “meta” commentary. It would be surely be entertaining to see how Connelly references any real-life TV/film projects based on his characters in future novels.
Bosch is back where he belongs! Way to go Mr. Connelly! Bosch is my favorite. I hope to see him on the screen!
@bounder – 8 Million Ways to Die was made in the 80s – Jeff Bridges as Scudder.
Word to novelists. Sell the book, DON’T sell the characters. They get the characters, they cut off future books and can cut you out of the loop and run with the characters. No matter how good the
$ look – do NOT sell off your characters.
Ryan is quite right. I spoke to an author once whose contract with a publisher gave them the character rights – as opposed to ‘first look’ of the series. The result was that the publisher divorced him, kept the characters and assigned them to another novelist!
No novelist should ever give, sell, lease or loan the rights to their characters. You may be poorer if they walk away from the deal because of it, but you will be poorer, more aggravated and more incapable of enriching yourself elsewhere if you sign off on them.
Good for Connelly; sounds like he got screwed on the initial deal, but way more people need to be suing the studios for their “accounting practices.” Honestly, this shit needs to be brought out into the sunlight and disinfected.
Ask Art Buchwald’s family how that went: paid out $1.6 mil in fees to gain $800K in damages…and no change at all to studio contracts that the judge said were clearly unconscionable. In the future I predict…more studio bankruptcies because of their woeful inability to curb piracy.
This has come from the mind of…NOSTRILDOUCHUS.
This is a cautionary tale for every hungry author who wants to see his or her books on the screen – would love to know what agent got Connolly to sign off on this. Was it his literary agent? Great folks overall, lit agents are, but the book world is not The Coast and even the best lit agents do not know how to swim with the sharks.
Sean Penn would’ve been a great Bosch.
Sean Penn is too dorky looking to be Harry Bosch, you need a man’s man, like Russell Crowe. If only, he would be considered he can really excel at any part he plays.
I guess Donald Westlake had the right idea when he sold his Parker novels to the movies. They got to use the stories, but not the character, which is why the lead in all the movies based on those books is Walker, McCain, Earl Macklin, Porter, etc, but never Parker.