EXCLUSIVE: In the first project he has set at Sony Pictures Entertainment since exiting the co-president post to become a producer, Matt Tolmach is at the center of a preemptive pitch deal for Frankenstein. The film will be a contemporary version of the Mary Shelley novel. Craig Fernandez pitched the project and will write the script. Tolmach will produce through Matt Tolmach Productions.
Tolmach ended his run as co-president alongside Doug Belgrad on October 29 to take a multi-year producing deal at the studio that starts with him joining Laura Ziskin and Avi Arad as producers of the 3D Spider-Man reboot. That film begins production in the next few days with The Social Network’s Andrew Garfield playing the title role and Marc Webb directing.
Fernandez’s credits include the upcoming Lionsgate pic From Prada to Nada, described as a Latin spin on Sense and Sensibility. He also just scripted Everything Must Go, a DreamWorks Animation project based on Terry Pratchett’s The Bromeliad Trilogy, and is adapting the Octavia Butler novel Clay’s Ark for DreamWorks Animation and Shrek producer Aaron Warner. Original Artists’ Jordan Bayer, who brokered the Frankenstein deal, will soon shop Fernandez’ script The Courageous, a futuristic adaptation of Rudyard Kipling’s Captains Courageous that will be produced by Jon Shestack.
While Universal is known for its classic monster franchises, SPE went through its own infatuation with horror classics in the early 1990s. That included the 1994 TriStar period pic Frankenstein which starred Robert De Niro as the monster with director Kenneth Branagh as Victor Frankenstein. Columbia Pictures also made the 1992 Francis Coppola-directed Bram Stoker’s Dracula and the 1994 Mike Nichols-directed Wolf.







Oh yay, another reboot/adaptation/remake.
This is an adaptation and if you don’t like adaptations then I guess you don’t like:
CASABLANCA
GONE WITH THE WIND
THE GODFATHER
JAWS
THE WIZARD OF OZ
BLADE RUNNER
SILENCE OF THE LAMBS
GOODFELLAS
etc.
etc.
Good for Craig, congratulations.
uhh, Frankenstein – real original…..
If they choose to stick with the canon, then yes, it will be very original.
Good for Craig, a great writer, and good for all of us anytime the studios
buy a pitch these days without another element attached.
If there’s anything that can knock the vampire oversaturation off its perch, it’s Frankenstein oversaturation! Can’t wait to not be one of the literally *dozens* of people who go see the *second* F/stein reboot that gets released.
the 1994 version with robert deniro and kenneth brannagh was actually very good and closer to the source material than any other frankenstein film. there is no need to make an adaptation unless it draws DIRECTLY from and stays true to the original novel. I mean look at Mary Reilly in 1996. tried to do a different take on the strange case of dr jekyll and mr hyde and was a complete load of rubbish. people try and do “different takes” on classic stories and end up ruining them. and from the sounds of the writers/producers, it doesnt seem like it will come out the frightening gothic style that would only do justice to the frankenstein story.
The really sad thing about MARY REILLY is that it was based on a really excellent novel by Valerie Martin — which the movie resembles only in the broadest particulars. The novel was part of a wave of retelling of classics from the viewpoint of subsidiary characters [WIDE SARGASSO SEA was a JANE EYRE riff], often with a feminist spin. Unfortunately the filmmakers seem to have missed the point of MARY REILLY, and it’s not one of Ms. Roberts’ stronger performances, not by a long shot. VERY disappointing.
Hasn’t the concept of Frankenstein been reintpreted so much it is beaten like a dead horse?
For land’s sakes, even “Splice” with Adrien Brody was a riff on the Mary Shelley concept.
Really, there are no other public domain classics that can be adapted and set in a modern day? C’mon suits, think outside the box.
Will Frankenstein become the new vampire franchise? This could be the start of a huge Frankenstein wave. I think we can expect plenty of new takes on the reanimated monster story.
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The story is endlessly fascinating. Only true bores would disagree or people who have never heard of Boris Karloff and Mary Shelley.
Every generation needs this tale retold. It would be fascinating to see a period production once more. This sounds like that Dean Koontz abomination.
“Every generation needs this tale retold.”
Spoken like a hack producer. Numbnuts, film is a recorded medium — new generations can see a well-made film from earlier and enjoy it, probably much better, as remakes always get worse and worse appealing to the lowest common denominator.
But don’t while away your time here — shouldn’t you be out there trying to sell your Citizen Kane reboot with Chase Crawford and Taylor Swift?