
The vote by the Joint National Board of SAG and AFTRA comes a month after the two actors union reached a tentative new deal with AMPTP that includes a 2% wage increase a year, a 1.5% boost to health and pension plans and the elimination of a long-standing provision that required first-class air travel for actors. The board is recommending the deal to the two unions’ membership that will now vote on it. Here is the joint SAG/AFTRA release.
Los Angeles (December 4, 2010) – The Joint National Board of Screen Actors Guild and the American Federation of Television and Radio Artists today overwhelmingly approved the tentative agreement reached with the Alliance of Motion Picture and Television Producers on November 7 – a deal which it is now recommending to the respective union memberships.
Eligible AFTRA and SAG members will vote on the proposed successor agreements to the Producer-Screen Actors Guild Codified Basic Agreement for feature motion pictures, scripted network primetime television and pay television programs; Exhibit A of the AFTRA National Code of Fair Practice for Network Television Broadcasting, covering scripted network primetime and pay television programs; and the CW Supplement which applies to both unions.
The Board passed the motion to approve and send to the memberships a recommendation of a “yes” vote by 89.29 percent to 10.71 percent.
Ratification ballots will be mailed to all eligible AFTRA and SAG members in the coming days with an expected return date in mid-January. Due to the holidays, the time period for reviewing and returning ballots will be extended to five weeks (rather than the traditional three-week time period) in order to afford every member the opportunity to carefully review the terms of the proposed agreements before voting. Tabulation will occur immediately upon the conclusion of balloting.
Additionally, informational meetings for members will be scheduled in select cities across the country including Los Angeles, New York, Chicago, Florida, Washington, D. C.-Baltimore, San Francisco and Atlanta.
The current contracts expire on June 30, 2011. The new three-year agreement would be effective from July 1, 2011, through June 30, 2014.
Highlights of the tentative agreement include:
• The term of the agreement is 3 years, commencing July 1, 2011
• A 6% wage increase over the term of the agreement, with 2% in each of the three years, effective July 1, 2011, 2012 and 2013
• A 10% increase in the current rate of employer contributions paid to the Screen Actors Guild Pension & Health Plans and AFTRA Health & Retirement Funds, bringing the total contribution rate to 16.5% effective July 1, 2011. This represents the largest percentage increase and dollar value increase to the plans under these contracts in more than two decades
• Two additional background positions in theatrical and one additional background position in television in the Western Zones
• An expansion of major role provisions to apply to new pay television series commencing in their second season
• Expanded union coverage over made for new media productions
• Increases in the area of money and schedule breaks
• Improved contract language to increase equal employment opportunities for union performers
Additionally, the unions agreed to modifications to the travel provision that allow for business class (or first class when business class is unavailable) on all domestic flights of 1,000 miles or more and on all international flights, except for Vancouver and Toronto, Canada. Coach class travel is permitted on flights of less than 1,000 miles between a U.S. city and Vancouver, Canada or Toronto, Canada and flights between Los Angeles and Vancouver, Canada. First class travel shall continue to be required if business class is not available and coach is not permissible.
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Screen Actors Guild National President Ken Howard said, “Our most important goal in this negotiation was to protect our members’ ability to have access to strong, reliable pension and health benefits. This contract achieves that by securing the largest increase in decades to our employer P&H/H&R contributions, and I’m extremely pleased that the joint boards of SAG and AFTRA have recommended it to our members for ratification. I’m also grateful to our joint negotiating committee, who worked so closely together to deliver this solid contract.”AFTRA National President Roberta Reardon said, “AFTRA and SAG successfully achieved our primary objective of securing a significant increase in employer contributions to the H&R and P&H funds, as well as a breakthrough on the addition of Major Role minimum provisions to series made for pay television for the second season onward, among other improvements to the contracts. I commend the joint negotiating committee for their solidarity and hard work, and I am very pleased that the joint board recommends it for ratification by the members.”
Formal negotiations between the 26-member Joint Screen Actors Guild-AFTRA Negotiating Committee and the AMPTP began on Monday, September 27, in Los Angeles. Talks were preceded by wages and working conditions meetings held this past summer.
TV Editor Nellie Andreeva - tip her here.



and… ?
…residual;s ?
Yes, yes, you people will still get residuals. Thanks for your support.
other than up front 2% and a few minor items all other 50+ on the shelf item are zero!!!
Thank God!
All working actors celebrate!
On to merger of SAG & AFTRA!
This is a no brainer.
Has any of those against this deal ever listened to, read, or looked at the news?
This nation is teeming with unemployed workers.
Welcome: common sense.
Sorry hate the travel changes…. Will miss that perk…
Hardly a perk, in my opinion. I fly coast to coast, continent to continent, and sometimes hemisphere to hemisphere to work. If I’m unable to negotiate 1st class travel into my contracts, I’m going to insist on traveling, and being put up, days in advance of my first work days, so as to have time to recover before appearing on camera. What lunatics are negotiating these contracts, anyway?
I agree with you. When I worked it made a big difference since one was often cast right before departure time. It made for less stress. Made one better prepared. The work was better. This prep time should not now become only the province of those in a position to demand such travel. That’s the real loss – the carving away of the idea that from here to there the artist was employed and working for you.
Each dilution should be seen as a further erosion of the idea of a “guild” with professionals. It’s to the producers advantage to have stars and extras, not stars and supporting actors and extras. A small increase to the Health Care plan should really be irrelvant, since soon more plans will be available to more people and people won’t have to pretend to be a union member in order to get health insurance. That would mean that unions could still think of “guild” like issues.
VOTE NO!! FUCK PRODUCERS!!! They have fucked us for so long. Our commercial contract is a joke and so is the Theatrical.. We need some BALLS in our UNION… AFTRA… AFTRA is a bunch of Producers lovers who will vote for anything the Producers want!! I gave back my AFTRA card and told them they can shove it up their assholes!
I VOTED NO on the past contracts and will again! When we have a contract that catches up to reality and does FUCK the actors, then I will vote YES..
FUCK PRODUCERS!!! They have made TRILLIONS in the past 5 years and the Actors have taken it in their BUTT HOLES!!!! FUCK THEM!!!
I WANT A FUCKING STRIKE!!! SHUT THE FUCKING TOWN DOWN until we catch up to what is fair for all actors!!!
VOTE NO!!
those items that were on the shelf eight years ago to the last W&W are still on the shelf
all the up front 2% does not equal all the back end ,slide over and items from the last W&W.
manipulation by the dais left priorities and the use of a SAV out of the meeting until lunch ,where no one returned to close the meeting(read the transcripts) SAG Members were thrown under the bus
according to many during the lunch..
Gains to over fifty items are zero just so our negotiators can work half as hard….
WHY? those in power believe merger first members last! (how many were at the last national membership meeting? 35+ board and 35+ members down from 1200 !!!) two recommendations from members were out voted by the dais!!!)
Damn our SAG Dais merger merger merger is all on their mind!!
A 6% increase for one day, yes, but with this contract residuals are virtually eliminated. With a one-time paltry buyout for actors for unlimited reruns via the internet to you home TV the producers have eliminated your residuals FOREVER.
If you don’t believe that you haven’t read a newspaper in a long, long time. Internet will be the sole platform for TV delivery and already with sites like HULU boasting $240 million in revenue for 2010 the foothold is secure. Watch Netflix on a stream to your TV today and with this contract=no residuals. Watch a rerun on your smartphone= no residuals. Watch a rerun on your computer=no residuals. Wirelessly stream from your computer to your TV which is readily available on all new TVs= no residuals. Producers make advertising dollars and you will make zero, zilch, nada, nothing.
Bear in mind, these SAG leaders are the folks that told us during last contract talks that HULU was an “unknown quantity” and no one could tell if it would make money. They are either incredibly stupid–which if you’ve heard them speak you know is possible–or lying.
In this proposed contract, SAG actors will get only a one-time paltry buyout giving producers the right to run reruns to all of america’s TV’s through the same cable line that runs into homes today without ever paying actors a cent. The TVs sold are already ready for the internet, your cable company is upgrading the cable box to receive an “internet” signal, and you are not paying attention it seems. You think “internet” means “on your computer.” What it actually means is the signal will be carried over the internet to your TV and that unnoticeable difference when you watch you TV has just excluded you from ever making minimums to qualify for health or pension.
Ken Howard will still make enough to qualify because he hasn’t worked for scale for a long time.
Netflix internet delivery of movies is already an extraordinarily large proportion of ALL bandwidth usage in evening hours. What world are these SAG/AFTRA negotiators living in?
It’s a relief that we, the actors, can accommodate the struggling studios in a time of national hardship. They’ve been having such a hard time, especially the executives. I’m glad to do my part for them. So if no one minds, I’m going to lift my trousers from my ankles and see if I can get some health insurance because apparently, you need to make enough wages to actually qualify for SAG Health coverage. And who needs wages when you don’t get residuals (re-runs anyone?)? I’m so excited about the cable contract too! Thanks Ken and Roberta. I’m going to go watch Hulu now with everyone else. We got a great deal on that one and it makes me feel like I’m making a living in a functional business.
The awesome power of a combined SAG and AFTRA! NOT.
SAG used to be the most feared union in Hollywood. If SAG members vote for this lousy contract, they will be ratifying a contract that will pay them less than the wimpiest of the actors unions (AFTRA). For three years! What was the point of joint negotiations?
The conglomerates have had two years of record profits and the economy is improving. The current contract doesn’t expire until July 1, 2011. Why not at least hold out for contract parity with AFTRA? How about business class travel across the board, instead of 1st coach? Will the studios shut the town down over those two minor details? C’mon ya sissies. Why are you making it easier to send jobs from Hollywood to Canada?
Was there ever a more misleading name than Unite for Strength? I’m starting to see what it will be like when SAG and AFTRA merge.
Did the UFS/Aftra stranglehold allow for a minority report ?
A little point / counterpoint ?
They keep crowing about the gains in P & H / H & R contributions but
if the contract continues to eliminate residuals
many actors won’t be able to qualify for the P&H/H&R benefits.
So what is it worth ?
This was no skin off the AMPTP’s nose.
These people keep boasting about securing contracts,
but each time they do they give more and more away.
Back in the day Louis B. Mayer asked his employees to take a 50% pay cut
with tears in his eyes.
There was a depression on and if they didn’t cut costs the studio would go under.
He later asked a confidant, “How’d I do?”
All an act.
Some people saw through his bullshit and formed the Screen Actors Guild.
It’s the same bullshit today.
Billionaires pleading poverty.
I swear if the corporations would take half of the money they spend on lawyers every year
and give it to the various guilds and unions in pay and benefits we’d all be happy.
Everybody but the lawyers, of course.
Wake up people.
Your dopey union leaders are giving away the store.
“Unite For Strength and Aftra – We’re ruining actor’s lives one contract at a time!”
This contract is the result of the brilliance, strength and bravery of Ken Howard (one of the most inspired and inspiring leaders a union can ask for), Roberta Reardon (Isn’t it a wonderful that an actor with absolutely no acting credits can be the greatest president of the second largest actors union in the world), and SAG leadership under the strategic genius of Ned Vaughn and Amy Aquino. Those of you who voted UFS into power really deserve our thanks and gratitude. What a fantastic job they’ve done.
We should all remember them in the next coming weeks and send them our thanks. I know I will because I am so thankful for the miniscule residual checks I receive each month for my work streamed continuously on the internet, the amount of AFTRA jobs I’m forced to take, the losing of my SAG health insurance and not earning enough to qualify for AFTRA health insurance and so many other things.
And from I read and hear, this new contract is just like the old one. In fact, it’s worse. You’ve got to hand it to UFS, Ken Howard and AFTRA. They were able to kiss and make up, creating a fantastic amount of leverage (just like they promised us) and actually come back with a deal WORSE than the last one!! That’s fucking commendable. That’s not easy to do. And what’s even more amazing, they pulled it off 7 1/2 months before the contract was to expire. WOW!!!! Talk about holding the employers’ feet to the fire. Talk about threading the needle. Talk about waiting until the 11th hour. Job well done ladies and gentlemen.
So, who cares if 1st class travel is gone. We selfish actors don’t deserve it. Don’t you know that there are entertainment executives who are forced to fly 1st class but without foot booties or feather pillows? We should all do our share and help the industry bounce back from near bankruptcy. Don’t believe what you read about record breaking profits and outlandish CEO bonuses. It’s all for show. They are hurting and they’re just too damn proud to ask for help. So, SAG and AFTRA took the initiative and provided that help. We are, once again, putting aside our own selfish needs like health insurance, pension plans and some semblance of a middle/working class existence to help those who are less fortunate. I know I’ll be able to sleep better at night knowing that I’ve made life a tad bit easier for Les, Sumner, Tom H., Clooney and the others. Again, thank you Ken. Thank you Roberta. And Ned, don’t know where we’d be without your leadership, intelligence and always fresh and spit shine clean appearance. God bless you all.
This contract offer is no surprise to anyone. There is no united strength in these two guilds. Did you really expect that to happen? AFTRA hasn’t toughened up, SAG has merely been brought down to AFTRA’s weak level.
And rest assured fellow actors, there will be NO residuals (and therefore no health coverage) once the AMPTP’s agenda has taken complete and utter effect. The days of making a living as an actor (and receiving benefits) are over. You voted in this embarrassing cadre of clowns to run your union. Remember “Sign the contract and start back to work immediately“? If you were too blind to see that lie for what it was, you deserve what you now have. I said it then so I could say this now: I. Told. You. So.
The guilds’ leaders are short-sighted. With fewer and fewer actors being able to make a living, that means less and less union/guild members to contribute initiation fees and dues (not to mention less and less producer contributions without residuals). And oh yeah, no pensions either. If either guild – or a combined guild – can survive this, the result will be an “organization” that is a shadow of its former self. We should have let AFTRA die when we had the chance. “Sister Union”, my ass.
Further, without a deep well of professional, skilled actors, what will entertainment be like five, ten, twenty years from now? Comic book CGI movies and reality TV, that’s what. Producers blame actors (and all guilds except DGA, really) for keeping production costs so high? Their greed is blinding them to what really fuels the entertainment industry – it’s called “talent”. They don’t have it themselves. They don’t think they need it, while television viewership declines every month.
Everybody loses.
So, only one comment out of 16 in support of the contract. Hmmm… How can that be? Not only that, but comments with patently false assumptions about the contract are posted. (i.e. the one about travel)
I was told by N.F. that prior comments of mine were not posted because that were in her opinion inaccurate. Where’s that truth squad now?
BTW, the unions have not joined yet.
So what is this, Todd, whining that Nikki won’t allow you to post inaccurate information? Someone calling BS on your “facts”?
“So, only one comment out of 16 in support of the contract. Hmmm… How can that be?”
Here’s how that can be: everybody can clearly see how much this contract offer sucks, after swallowing the last one with a promise that this one would be better. Still, it’ll get ratified because both guilds’ members are still scared shitless, and we’ll continue to be lied to about what these contracts mean. Leadership will “neglect” to mention what’s been removed (rolled back) from each respective offer so we will assume those things are still there. And if anyone asks for a list of what has been negotiated out of each contract, all they’ll hear is… *crickets*. And why would we doubt them? Because we trusted our guild leadership to be honest with us. As if.
Agenda.
And BTW: the unions have joined – at the pelvis. And it’s AFTRA’s strap-on that’s doing the joining to, not with, SAG. And the SAG so-called leadership just grabs their ankles as instructed.
I’d rather be flying coach across the country with a better pension deal, then holding out for 1st class in my living room waiting for a strike to end.
Amazing… It’s okay.. Producers one day will end up with only hacks that will make their projects seem cheap and then their revenues will fail. What I mean: Real working actors like myself won’t be hanging around to work for a bullshit wage so Producers can make another billion.. The art of true actors will fade and TV programing will end up with a bunch of Tori Spellings
Producers have made so much money from our economy. Wake up and smell the coffee people.
Actors from both unions must stand tall and STRIKE!!!
Just Voted “NO”! NO NO NO NO! So let me guess Producers can fly around in their private jets & have homes in the Millions and Actors must fly Coach to give the Producers another Porche to drive around in? FU!!!!
NO!!!!!!!!
We need to STRIKE!!! See what happens when AFTRA gets involved.. Grease up Actors and bend over to left Producers bone us in the AHOLES AGAIN AND AGAIN!!!
Have some balls people!!! VOTE NO!!!!
The saddest part is that our body politic was so willing to believe the lie that these two unions wanted to unite for strength. The very purpose of these joint negotiations and the coming merger is to insure that we are, and will forever be, weak. AFTRA stole practically all of scripted basic cable by giving your residuals away. They stole almost all network pilots by demonstrating their willingness to be good little children. AFTRA is a classic Company Union. They exist to protect management from the workers. Now they will swallow SAG whole, and the middle class actor can fend for him or herself. When union leadership turns against it’s membership, it ceases to be a union. We have been told big lies by our elected, now we must react. Vote NO on the contract. Go fi-core in SAG. Go fi-core in AFTRA. Go fi-core in Uncle Sam’s Actors Union, or whatever they’ll call this new neutered entity. Then let’s start our own LA based Film Actors’ Union.
Expres: “Our own L.A.-based Film Actors’ Union” is a very interesting idea. Any ideas how to organize that over the next year? The greatest labor victories have been won in the bleakest economic times in our history.