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R.I.P. Aron Abrams

By | Wednesday December 29, 2010 @ 10:15am PST

Aron Abrams was a Los Angeles TV comedy writer with credits including Everybody Hates Chris, Grounded For Life, and 3rd Rock From The Sun. 2ND UPDATE: His friends now tell Deadline that Abrams died of a heart attack on Christmas Day during a family vacation on the Big Island. He was 50.

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IMAX Box Office Almost Doubles For 2010

By | Wednesday December 29, 2010 @ 9:53am PST

According to the current estimated 2010 figures for IMAX box office to date, I’m told that grosses essentially doubled compared to 2009 with North American theatrical film grosses for 2010 about $544 million (compared to 2009 at $270 million).

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Tuesday: Holiday Box Office Update

WEDNESDAY AM: Here are unofficial numbers from my sources for Tuesday’s box office as the holidays continue. The Weinstein Co’s Blue Valentine (4 theaters), and Sony Pictures Classics’ Another Year (6 theaters) both open today. Christmas weekend actuals are here:

1. The Little Fockers (Universal) Week 1 [3,536 Theaters]
Monday $8.4M, Tuesday $7.7M, Cume $61.2M
2. Tron: Legacy 3D (Disney) Week 2 [3,451 Theaters]
Monday $6.3M, Tuesday $6.3M, Cume $100M
3. True Grit (Paramount) Week 1 [3,047 Theaters]
Monday $7.1M, Tuesday $6.1M, Cume $49.3M
4. Yogi Bear 3D (Warner Bros) Week 2 [3,515 Theaters]
Monday $3.5M, Tuesday $4.5M, Cume $43.9M
5. Chronicles Of Narnia 3D (Fox) Week 3 [3,350 Theaters]
Monday $3.5M, Tuesday $3.7M, Cume $69.7M
6. Tangled 3D (Disney) Week 5 [2,582 Theaters]
Monday $3.2M, Tuesday $3.6M, Cume $150.5M
7. Gulliver’s Travels 3D (Fox) Week 1 [2,546 Theaters]
Monday $2.6M,Tuesday $2.9M, Cume $11.9M
8. Black Swan ( Fox Searchlight) Week 4 [1,466 Theaters]
Monday $2.4M, Tuesday $2.4M, Cume $33.6M
9. The Fighter (Relativity/Paramount) Week 3 [2,511 Theaters]
Monday $2.4M, Tuesday $2.2M, Cume $31.3M
10. The Tourist (GK Films/Sony) Week 3 [2,756 Theaters]
Monday $1.8M, Tuesday $1.7M, Cume $44.4M

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Spider-Man: Spinning Web Of Drama, Or Spinning Out Of Control?

Mike Fleming

The saga of Broadway’s Spider-Man: Turn Off The Dark continues to spin a web of intrigue that has little to do with building positive momentum toward its February opening. The saddest development is that Natalie Mendoza, poised to make her Broadway debut with a showy villain role created especially for the musical, has officially exited. These tough breaks happen occasionally for all kinds of reasons both onstage and onscreen–imagine how Emily Blunt feels now, locking up the Black Widow role in Iron Man 2 and subsequent sequels and spinoffs, only to bow out when Fox enforced an option and dropped her into Gulliver’s Travels, for instance–but losing a lead in a big Broadway show to a concussion suffered during the first preview performance is particularly unfortunate. Besides safety issues that have dominated the headlines, the show’s new crisis is the prospect that reviewers won’t wait for opening night to pan the musical. Bloomberg’s Jeremy Gerard did just that on December 27 after paying $292 for an orchestra seat. Gerard, a seasoned critic and theater writer for New York Newsday and The New York Times among other places, expresses sentiments that don’t flatter the show. While beginning his critical assessment by revealing that Broadway’s most expensive show was “hardly the worst show of all time,” Gerard declared that “It is, however, an unfocused hodge-podge of story-telling, myth making and spectacle that comes up short in every department.” As for the … Read More »

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Host Kevin Pollak’s TV Game Show Curse

By | Tuesday December 28, 2010 @ 11:21pm PST
Nellie Andreeva

UPDATE: At Twitter, Kevin Pollak replies:

Really, I’ve enjoyed your insights/musings for quite a while, but your angle on my recent work/luck has me questioning yours.

Kevin Pollak is a respected actor-comedian with memorable turns in such movies as The Usual Suspects, A Few God Men and Miami Rhapsody. But in just the past year he signed on to host not one but two TV game shows which then became mired in controversy. The most recent is Fox’s Million Dollar Money Drop which aired during the most recent Christmas week and erupted in an on-air gaffe that cost one couple $800,000. But a year ago Pollak surprised many when he agreed to host Fox’s Our Little Genius. True, it had all the makings of a sure thing: big-name producer – Mark Burnett; killer time slot – airing behind TV’s top show American Idol; and adorable kid prodigies showing off their knowledge for cash prizes. But then, only 5 days before Our Little Genius was to premiere last January 5th, Fox abruptly pulled the show at the request of Burnett over suspicions of contestant tampering. Controversy ensued, and the 8 produced episodes never saw the light of day (though Burnett paid the winners their prizes).

Fast forward to this November: Pollak signed on for a second turn as a game show host on Fox’s Million Dollar Money Drop. This one seemed foolproof: it was based on a British format that had run without a hitch, there were no kids involved, and the show Read More »

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Disneyland Turning Away Visitors At Gates

By | Tuesday December 28, 2010 @ 4:34pm PST

It’s a nice problem to have if you’re the Walt Disney Co — but not if you’re trying to visit the Anaheim theme parks. I’m told that both yesterday and today Disneyland began turning away would-be visitors within hours of opening and then redirected them to California Adventure until that park reached capacity, too. Sounds like The Happiest Place On Earth could be the grumpiest judging by this alert which the Disneyland Twitter site has been sending out regularly:

Disneyland Resort extremely popular today. Disneyland and Disney California Adventure access temporarily limited.

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Sundance Welcomes Back ‘Open Water’ Duo With Late Addition ‘Silent House’

Mike Fleming

The 2011 Sundance Film Festival has added another world premiere. Silent House, a thriller by Chris Kentis and Laura Lau will debut out of competition in the Midnight section. It’s a return to the festival for the filmmakers, who brought Open Water to the festival in 2004 and watched it become a sleeper success. The new film is described as a descent into madness, based on the Uruguayan film La Casa Muda. It stars Elizabeth Olsen. There are now a total of 118 feature films slated for the Park City festival.

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RATINGS RAT RACE: Univision Claims Another Nightly Win With ‘Soy’ Finale

Nellie Andreeva

The finale of Univision’s hot telenovela Soy Tu Duena led the Spanish-language broadcaster to a nightly win among all broadcast networks on Monday in the adults 18-49 demographic. (ESPN was likely the top network overall with Monday Night Football.) Paced by the Soy Tu Duena finale (2.7/7 in 18-49) at 9 PM, which was the highest rated program on any broadcast network last night, Univision topped the night with a 2.0/6 in the demo, edging CBS (1.9/5). CBS, which aired all-repeats, was No.1 in total viewers (7.6 million). ABC, NBC and Fox also aired reruns. With several time-slot wins for Soy Tu Duena and nightly demo wins this and last week against rerun competition, Univision is putting its English-language rivals on notice. Of course, it takes a big ratings performer like Soy Tu Duena to do that. The drama ranks as the most watched telenovela in the U.S. ever and the second highest-rated in 18-49.

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Monday: Better Box Office Despite Blizzards

MONDAY PM/TUESDAY AM UPDATE: Here are unofficial numbers from my sources for Monday’s box office as the holidays continue. Christmas weekend actuals are here:

1. The Little Fockers (Universal) [3,536 Theaters]
Monday $8.3M, Cume $53.4M
2. True Grit (Paramount) [3,047 Theaters]
Monday $7.1M, Cume $43.2M
3. Tron: Legacy 3D (Disney) [3,451 Theaters]
Monday $6.3M, Cume $93.7M
4. Yogi Bear 3D (Warner Bros) [3,515 Theaters]
Monday $3.5M, Cume $39.4M
5. Chronicles Of Narnia 3D (Fox) [3,350 Theaters]
Monday $3.5M, Cume $66M
6. Tangled 3D (Disney) [2,582 Theaters]
Monday $3.2M, Cume $146.9M
7. Gulliver’s Travels 3D (Fox) [2,546 Theaters]
Monday $2.6M, Cume $8.9M
8. The Fighter (Relativity/Paramount) [2,511 Theaters]
Monday $2.4M, Cume $29.1M
9. Black Swan ( Fox Searchlight) [1,466 Theaters]
Monday $2.4M, Cume $31.1M
10. The Tourist (GK Films/Sony) [2,756 Theaters]
Monday $1.8M, Cume $42.6M

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Hot Trailer: ‘The Other Woman’

By | Tuesday December 28, 2010 @ 5:09am PST
Mike Fleming

Black Swan Oscar contender Natalie Portman seems to be everywhere. She plays the heroine in the upcoming Universal comedy Your Highness opposite James Franco and Danny McBride, and stars opposite Chris Hemsworth in the Kenneth Branagh-directed Marvel film Thor, released May 6th. Here’s a new trailer for one that’s been sitting around for a long time. The Don Roos-directed The Other Woman was originally titled Love and Other Impossible Pursuits. It gets a VOD released by IFC on January 1 and limited theatrical release February 4.

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Wikileaker Julian Assange Claims Memoirs Deal Worth $1.5 Million

By | Tuesday December 28, 2010 @ 4:56am PST
Mike Fleming

WikiLeaks founder Julian Assange, out on bail after an arrest for an alleged sex crime, has made a deal to write his memoirs for Random House’s Alfred A. Knopf label, and UK’s Canongate Books. More territorial sales will bring in additional revenue for a guy who has become a world famous figure reviled on Capitol Hill. Assange told Britain’s Sunday Times he’ll get $800,000 from Knopf, and slightly more than $500,000 from Canongate. He’ll use the money to pay legal bills and keep afloat his WikiLeaks website which this fall leaked 250,000 State Department documents that bared frank opinions on world leaders and foreign policy that were considered highly sensitive and embarrassing to the White House. Assange has denied the sex crime allegation and has implied he’s the victim of a smear campaign because of his truth-telling campaign. Most authors don’t disclose their advances, but Assange has made full disclosure of his, even though his publishers would not confirm the amount, according to the Wall Street Journal.

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National Film Registry’s 25 Films For 2010

Mike Fleming

The National Film Registry of the Library of Congress has made its annual addition of 25 films to be preserved for their position as American cultural touchstones. This year, the Film Registry honored the work of the late Leslie Nielsen with Airplane!, and the late Blake Edwards with The Pink Panther. They’ve also gone heavy on 1970s films, choosing seminal films All the President’s Men, The Exorcist, Grey Gardens, McCabe and Mrs. Miller, and Saturday Night Fever. The program started in 1989 and now has 550 films. Here’s the 2010 list :

Airplane! (1980)

All the President’s Men (1976)

The Bargain (1914)

Cry of Jazz (1959)

Electronic Labyrinth: THX 1138 4EB (1967)

The Empire Strikes Back (1980)

The Exorcist (1973)

The Front Page (1931)

Grey Gardens (1976)

I Am Joaquin (1969)

It’s a Gift (1934)

Let There Be Light (1946)

Lonesome (1928)

Make Way for Tomorrow (1937)

Malcolm X (1992)

McCabe and Mrs. Miller (1971)

Newark Athlete (1891)

Our Lady of the Sphere (1969)

The Pink Panther (1964)

Preservation of the Sign Language (1913)

Saturday Night Fever (1977)

Study of a River (1996)

Tarantella (1940)

A Tree Grows in Brooklyn (1945)

A Trip Down Market Street (1906)

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Why These Could Be The Last SAG Awards

Nellie Andreeva

They’re still called the SAG Awards. But the upcoming 17th Annual Screen Actors Guild show on January 30th could just as easily be called the AFTRA Awards in terms of television. That’s because an increasing number of categories, especially among comedy series, are dominated by AFTRA shows. On December 16th when the SAG Awards nominations were announced, AFTRA put out a congratulatory note listing all nominees from AFTRA shows. And while SAG still represents movies and such TV heavy hitters as Mad Men, Dexter, Breaking Bad, 30 Rock, Glee, The Office, and The Big Bang Theory as well as hot awards prospects like Boardwalk Empire and The Walking Dead, AFTRA now boasts top awards TV contenders such as Modern Family, The Good Wife, Curb Your Enthusiasm, and Nurse Jackie as well as Parks & Recreation and Community.

I’m now hearing that this could be the last SAG Awards. If even the most optimistic merger scenarios come true, then by the end of 2011 and just in time for the 18th SAG Awards, Hollywood may have a single actors union that would replace SAG and AFTRA. And therefore a newly conceived awards show for the combined actors’ union. The awards telecast would reflects what’s been happening union-wise on the TV side over the past couple of years. Where once TV was populated by virtually 100% SAG-designated series, the pendulum has swung to AFTRA in primetime since the writers strike.

Of … Read More »

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Warner Bros Confirms Stunt Driver Injured On ‘The Hangover Pt II’ Location In Bangkok

By | Monday December 27, 2010 @ 4:30pm PST

UPDATE: I’m told this was a “planned, choreographed, rehearsed” stunt sequence, and that the car crashing into the truck was “entirely accidental” and not part of the stunt. The doctors have Scott McLean in an induced coma to aid in his recovery and that the info received by the studio so far on his status indicates he will recover from the injury. No actors were on set at the time of the accident.

Previous: Warner Bros has stated: ”There was an accident involving a truck and a car on the second unit set of The Hangover Part II near Bangkok, Thailand, at approximately 3:00 AM on Friday, December 17 (Bangkok time). A stuntman was injured during the filming of this sequence. The truck and car were both driven by stunt drivers. An ambulance immediately took the injured stuntman to the local hospital, and he has since been transported to a hospital in Bangkok, where advanced care is being provided. We are awaiting further details concerning his condition.” Australian newspapers have identified him as Queensland-raised Scott McLean, who in 2007 described himself as close to Australia’s top 10 stunt drivers and is now reported to be in a coma. Details are sketchy, but reports suggest that two cars travelling at high speed crashed into each other in Bangkok as part of the stunt.

In another stunt gone wrong earlier this year, Paramount was slapped with a lawsuit in October on behalf of 24-year-old Gabriela Cedillo, the extra on … Read More »

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UPDATE: Martin Scorsese Lends Name To Amnesty International Protest Of Prison Sentences For Iranian Filmmakers

Mike Fleming

UPDATE: Martin Scorsese, who spoke out in support of Jafar Panahi both when he was first arrested and right after he was convicted, has added his support to the petition being circulated by Amnesty International. His participation is reflected in the amended release below.

EARLIER: Amnesty International has gotten involved in protesting the 6-year prison sentence given to Iranian filmmakers Jafar Panahi and Mohammad Rasoulof. As Deadline revealed last week, the human rights advocate has enlisted Paul Haggis, Sean Penn and Harvey Weinstein to spearhead the petition effort meant to create international pressure as the filmmakers prepare their appeal. Here’s the formal announcement:

(New York) — Academy Award winners Paul Haggis, Martin Scorsese and Sean Penn, along with film producer and movie studio chairman Harvey Weinstein, have joined forces with British-Iranian actress and Amnesty International USA (AIUSA) spokesperson Nazanin Boniadi to condemn the harsh sentence imposed on distinguished Iranian film director Jafar Panahi.

Both Panahi and his artistic collaborator, Mohammad Rasoulof, have been given six-year prison sentences after being convicted of “propaganda against the state.” Panahi was also sentenced with a twenty-year total ban on artistic activities. The Hollywood greats have signed a petition, which Boniadi initiated with AIUSA, to urge Iranian authorities to overturn Panahi’s sentence –and encouraged others to go to www.amnestyusa.org to do the same.

“As someone who has often gotten in trouble for opening his mouth, it is hard to fathom the idea of being

Read More »

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RATINGS RAT RACE: Big Turnout For Kobe-LeBron Showdown

By | Monday December 27, 2010 @ 12:50pm PST
Nellie Andreeva

The much hyped  faceoff between Kobe Bryant and LeBron James delivered big ratings for ABC. The Christmas Day game between Miami Heat and Los Angeles Lakers drew a 6.4 fast national rating. This was a 45% increase vs. last year’s Christmas Day Kobe-LeBron matchup (Cleveland/L.A. Lakers – 4.4 rating), and the network’s highest rating for an NBA regular season game since Christmas Day in 2004. That 2004 game (7.3 rating) also featured Miami Heat and LA Lakers and was highlighted by another rivalry – between Kobe and teammate-turned enemy Shaquille O’Neal. In Miami, the Saturday game delivered a 15.5 metered market rating, ABC’s highest-rated NBA regular season game ever. In Los Angeles, the game earned a 15.0 rating, ABC’s highest-rated NBA regular season game locally since the Miami-LA game in 2004 (17.0 rating). Overall, the NBA Christmas Day games lineup on ABC and ESPN delivered its highest cumulative audience ever. Compared to last year’s slate of games, household ratings on ESPN were up 20% (1.8 vs. 1.5).

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Blizzards Slow Xmas Weekend Box Office: FEW HOLIDAY GIFTS: ‘Little Fockers’ Soft; ‘True Grit’ Surprise #2; ‘Tron 3D’ Only #3; ‘Gulliver’s Travels 3D’ Bombs As Expected

MONDAY UPDATE: Actuals are in for the Christmas weekend, and the East Coast blizzards took their toll on box office. All the numbers were down 5% to 10% from studio projections, and Sunday’s moviegoing in the Northeast fell about 40%:

Top 10 Actuals
1. The Little Fockers (Universal) [3,536 Theaters]
Weekend $30.8M, Cume $45M
2. True Grit (Paramount) [3,047 Theaters]
Weekend $24.8M, Cume $36M
3. Tron: Legacy 3D (Disney) [3,451 Theaters]
Weekend $19.1M, Cume $87.3M
4. Chronicles Of Narnia 3D (Fox) [3,350 Theaters]
Weekend $9.4M, Cume $62.5M
5. Yogi Bear 3D (Warner Bros) [3,515 Theaters]
Weekend $7.8M, Cume $35.8M
6. The Fighter (Relativity/Paramount) [2,511 Theaters]
Weekend $7.6M, Cume $26.6M
7. Tangled 3D (Disney) [2,582 Theaters]
Weekend $6.4M, Cume $143.6M
8. Gulliver’s Travels 3D (Fox) [2,546 Theaters]
2-Day Weekend $6.3M, Cume $6.3M
9. Black Swan ( Fox Searchlight) [1,466 Theaters]
Weekend $6.2M, Cume $28.6M
10. The Tourist (GK Films/Sony) [2,756 Theaters]
Weekend $5.4M, Cume $40.8M Read More »

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SAG Awards Ballots To Mail December 30

By | Monday December 27, 2010 @ 6:37am PST
Mike Fleming

In a year when all the acting categories are the most wide open they have been in memory, the Screen Actors Guild is ready to get its membership to vote on the SAG Awards. Here is the info:

LOS ANGELES (Dec. 27, 2010) – Voting information to select the recipients of the 17th Annual Screen Actors Guild Awards® for outstanding performances in 2010 in five film and eight primetime television categories and for the SAG honors for film and television stunt ensembles are being mailed via postcard on Wednesday, Dec. 30, 2010 to the entire active membership of Screen Actors Guild across the country–nearly 100,000 actors–by the SAG Awards® official election teller, Integrity Voting Systems.

In keeping with the SAG Awards® commitment to green practices, secure internet eBalloting is encouraged. Paper ballots will be made available only upon request, which must be made by Friday, Jan. 14, 2011 per the instructions on the postcard. All votes must be received at Integrity Voting Systems by noon on Friday, Jan. 28, 2011. Results will be sealed until they are opened onstage at the 17th Annual Screen Actors Guild Awards ceremony.

Recipients of the stunt ensemble honors will be announced from the SAG Awards red carpet during the tnt.tv and tbs.com live pre-show webcasts, which can be seen online from 6:30 p.m. (ET)/3:30 p.m. (PT).

Recipients of this year’s Actor® statuettes for individual performances in motion pictures and television, and for motion picture cast and television ensemble performances, will be revealed during the 17th Annual Screen

Read More »

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OSCAR: Best Director Race May Surprise

Pete Hammond

At the last Academy Awards, Barbra Streisand ripped open the envelope and revealed that Kathryn Bigelow was the first woman ever to win Best Director. No such groundbreaking moment is expected this year, but the category could offer up several surprises. With a wide open Oscar race, there’s probably a split in the offing between Picture and Director, two categories which traditionally pair up three-quarters of the time. But not always. Voters in the earliest Oscars didn’t believe strongly in a correlation between the Best Picture of the year and the person directing from behind the camera. Since then, there have been scattered years where that aberration occurred (such as for Hamlet, All the King’s Men, An American in Paris, and The Greatest Show on Earth). For Driving Miss Daisy, its director Bruce Beresford wasn’t even nominated. Going by recent history, the split has happened fairly frequently, culminating when Ang Lee took Best Director for Brokeback Mountain but Crash proved an upset Best Picture winner. Will another director be left at Oscar’s altar this year? Will The King’s Speech or The Fighter triumph, while David Fincher for The Social Network or Christopher Nolan for Inception wears the directing crown? An early signal will be the Directors Guild of America choice on January 29th. That group has a strong track record predicting the Director Oscar. Only six times since the DGA awards began in 1948 has the Guild and Academy not aligned. Here’s the alphabetical lineup of likely contenders and their chances this year:

BEN AFFLECK, The Town (Warner Bros.) – This Best Original Screenplay co-winner earned impressive notices for his first directing gig, Gone Baby Gone, and this year’s box office success, The Town, which he also co-wrote and stars in. He has won strong industry respect for his work behind the camera, but is a long shot to make the magic five. However, it looks like he’s becoming the new Clint, and that could eventually lead to his second Oscar — as a director.

DARREN ARONOFSKY, Black Swan (Fox Searchlight) – His intense indie films pull no punches. Now his dark and twisted Black Swan has dazzled the autumn fest circuit and became Fox Searchlight’s biggest box-office opener ever. Although its critical reception has been strong, it may be too much for more conservative Academy members. Nevertheless, Aronofsky’s eye-popping work here could impress enough of his peer group to land a spot in the top five.

DANNY BOYLE, 127 Hours (Fox Searchlight) – The well liked Boyle comes off his 2008 Oscar triumph, Slumdog Millionaire, with this unexpected follow-up. Using dazzling directorial tricks, styling with visual invention, and guiding star James Franco, Boyle pulls off this virtual one-man show. But some voters may be too squeamish to pop the DVD in their players after reports of faintings at early screenings. Plus, he just won, so it may be someone else’s turn.

LISA CHOLODENKO, The Kids Are All Right (Focus Features) – Previous films High Art and Laurel Canyon didn’t prepare the Industry for her confident work as director and co-writer of this warm and perceptive comedy. Showing she could assure superlative performances from major stars should further impress colleagues. But the notoriously male dominated directors’ club may not be ready to make it two in a row for her. An Original Screenplay nod is her best shot.

DEREK CIANFRANCE, Blue Valentine (The Weinstein Company) – This very personal study of the disintegration of a marriage was 12 years in the making for Cianfrance. His first feature, he elicited no-holds-barred acting from leads Michelle Williams and Ryan Gosling. Problem is, it may be too raw and intimate, which could overshadow the achievement. But here’s hoping it doesn’t take as long for this promising director’s second movie to reach the screen.

JOEL COEN & ETHAN COEN, True Grit (Paramount) – The Academy loves this prodigious writing/directing/producing team and have already honored them with four Oscars each, including one in this category. Can a remake of a John Wayne classic put them in contention again? The execution is flawless, and they have returned to Charles Portis’ original novel for inspiration while drawing first-rate performances. But Westerns don’t usually score for directors.

SOFIA COPPOLA, Somewhere (Focus Features) – Coppola lost Best Director for Lost In Translation in 2003 but won for her original screenplay. This latest film represents her second original screenplay and should be put in the writing category, but not necessarily in the directors’ circle again — although she did take the top prize at the Venice Film Festival (amid controversy because her pal Quentin Tarantino was head of the jury). No such problems now.

CLINT EASTWOOD, Hereafter (Warner Bros.) – A two time Best Director winner for Unforgiven and Million Dollar Baby, Eastwood can never be counted out. He didn’t make the cut for his last two attempts, Gran Torino and Invictus. His latest, Hereafter, drew mixed reviews and disappointing box office, so he’s a Director’s category dark horse at best this year. Though, never underestimate the respect from his peers for this 80-year-old icon.

DAVID FINCHER, The Social Network (Sony Pictures) – The director behind such dark but acclaimed films like Seven, Fight Club, Panic Room, and Zodiac finally found an Oscar nod with the challenging crowd-pleaser The Curious Case of Benjamin Button and now this successful Facebook-founding flick. Critics’ plaudits are piling up, and he’s back in the heat of the race, this time going for the win from Sweden where he’s rebooting The Girl with the Dragon Tattoo. Read More »

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