
As expected, the much-troubled Spider-Man Turn Off The Dark has delayed its opening night from January 11, 2011 to Monday, February 7. The $65 million musical, which has found itself more under a microscope than just about any Broadway-bound musical because of the record price tag and star creatives, has been plagued by injuries to cast members taking part in acrobatics scenes. The Lion King‘s Julie Taymor is directing a book she wrote with Glen Berger, with music and lyrics by U2′s Bono and The Edge. Preview performances will continue at the Foxwoods Theater on 42nd Street, but the creatives continue to tweak both the songs and the book, per The New York Times. Pushing until they’re absolutely ready is smart; beyond Spider-Man, only a musical like Andrew Lloyd Webber’s delayed Phantom of the Opera sequel Love Never Dies will be welcomed with such an intense level of media and critical scrutiny.
Here is the official release:
New York, NY – Lead producer Michael Cohl announced today that SPIDER-MAN Turn Off The Dark has delayed its opening night (previously set for January 11, 2011) to Monday, February 7. Directed by Julie Taymor and featuring a book by Julie Taymor and Glen Berger, and new music and lyrics by U2’s Bono and The Edge, SPIDER-MAN Turn Off The Dark is now in previews at Broadway’s Foxwoods Theatre (213 West 42nd Street). All performances prior to the new opening night will go on as planned.
In a statement, Cohl said, “The creative team is implementing truly exciting changes throughout the preview process. Due to some unforeseeable setbacks, most notably the injury of a principal cast member, it has become clear that we need to give the team more time to fully execute their vision. SPIDER-MAN Turn Off The Dark is an extremely ambitious undertaking, as everyone knows, and I have no intention of cutting a single corner in getting to the finish line.”
Featuring direction by Tony® Award-winner Julie Taymor (The Tempest, Across The Universe, The Lion King), music and lyrics by 22-time Grammy® Award-winners Bono and The Edge, a book co-written by Taymor and Glen Berger (Underneath The Lintel) and one of the most iconic title characters of all time, SPIDER-MAN Turn Off The Dark is the most ambitious production ever undertaken on Broadway and finds astonishingly fresh ways to tell a story inspired by over 40 years of Marvel comic books. The show follows the story of teenager Peter Parker, whose unremarkable life is turned upside-down when he’s bitten by a genetically altered spider and wakes up the next morning clinging to his bedroom ceiling. This bullied science-geek suddenly endowed with incredible powers soon learns, however, that with great power comes great responsibility as villains put both his physical strength and strength of character to the test. SPIDER-MAN Turn Off The Dark will thrill audiences through a unique entertainment experience in ways never-before-dreamed-possible in live theater.


Broadway’s Heaven’s Gate. Even if they pack the house at the highest ticket value for the near future, they cannot cover their investment.
The thing that gets me is – why does it always have to be a musical? Is there some rule that says any play remotely related to fantasy has to have musical numbers? Even when they did a play in the UK in the 1980s based on Doctor Who they parachuted musical numbers into it. Maybe if they focused on telling a story through regular dialogue rather than dealing with singing, the special effects and acrobatics might be easier to handle.
“This play won’t run a week, Max!”
“Are you kidding? This play is so bad it’s got to close–on page four!”
People who’ve seen the previews say it looks absolutely amazing…
…but Guns N Roses may have another album out before Spider-Man finally does premiere.
It sounds like the big risk with the show at this point is the possibility of the performers getting injured, which is entirely possible and could halt one or more performances, maybe even entirely. I wonder how many understudies there are for this?