
EXCLUSIVE: Warner Bros has begun negotiations with Zombieland‘s Ruben Fleischer to direct Gangster Squad, the 40s crime drama that is regarded as one of the hotter scripts in the studio’s arsenal. The film is set in the 40s and 50s and is the fact-based tale by a squad of elite Los Angeles officers who fought organized crime kingpins like Mickey Cohen. It has been compared in tone to period crime films like The Untouchables and L.A. Confidential. The film is based on a series of articles by Paul Lieberman and was scripted by Will Beall, a former South Central Los Angeles cop who wrote the novel L.A. Rex. The project has had such hot directors as Ben Affleck and Darren Aronofsky giving it serious consideration, as well as Fleischer. Dan Lin and Kevin McCormick are producing.
Fleischer made his feature directing debut with the 2009 corpse comedy Zombieland for Sony Pictures Entertainment, and that studio has done a good job keeping the rising star in the fold. The studio is developing a Zombieland sequel, acquired the project Babe in the Woods that has Fleischer attached, and is expected to acquire for distribution the MRC pic that Fleischer is currently directing, 30 Minutes or Less. Fleischer is repped by UTA.


A real mensch. He deserves it.
Awesome. I love these types of films. Zombieland was great. Ruben is a good director. Can’t wait for ZLand 2.
I do hope that someone eventually gets around to do other gritty stuff floating around town — TORSO (Fincher’s long delayed) and that nypd one NEW YORK’S FINEST.
Hey, isn’t this based on the same “Hat Squad” that MULLHOLLAND DRIVE was about?
Did you mean Mulholland Falls, the forgetable Nick Nolte film?
I don’t remember a Hat Squad in David Lynch’s film – I do remember two girls making out
What a great director for Will Beall’s script! Will + Ruben = dyn-o-mite!
Whoa, Ruben is a handsome man! Wouldn’t mind working on the Gangster Squad set.
This should be great. I like both Fleishcher AND Beall.
Another tale about gangsters from the 40′s? How original. I’ll just call it what it is. Yet another project designed to keep “select” writers and actors working with its “lily white” content. What else can it be? It’s not like today’s audiences are history buffs who would know or care about Mickey Cohen to have an appreciation for this. The “good ole days” are gone forever. Now can we move on?