Paul Greengrass is reportedly considering an MLK drama he’s written called Memphis, which would be produced by Scott Rudin. I’m told it’s by no means definite, but if Vulture’s scoop happens – it will happen fast, and will be done down and dirty like Greengrass’s United 93. It could push him past several percolating MLK projects, including: Lee Daniels’ Selma; a Ronald Harwood-scripted drama at DreamWorks that has Steven Spielberg producing and is authorized by MLK’s estate; and the HBO mini that Harpo Films is doing based on Taylor Branch’s book trilogy. There is also the film Wesley Snipes signed on to produce (before heading to prison) about J. Edgar Hoover’s campaign to discredit MLK…


Can we just make it easy and do a Paris, Je T’Aime type project, where we get the same actor to play MLK, and each director does a different period, or stance, on his life. That would rock. Like a 6 hr epic. Or how about bring in Todd Haynes and just do a follow up to I’M NOT THERE and have 6 different actors play MLK.
These are all better ideas than having 4 or 5 competing projects that are all going to cancel each other out.
Oh this is wonderful. Another MLK project written by a white writer. And Paul is so qualified to do this American icon in his “down and dirty” fashion. He should get one of Wayans Brothers to play King. That’s about how good the quality of this piece of shit will be.
honest abe, just keep your ignorance to yourself. Greengrass did a brilliant job of depicting the conflict between activism and authority in ‘Bloody Sunday.’ He would do the same with MLK. I would prefer his perspective to a hagiographic biopic any day.
The fact that you think an MLK script cannot be written by a white guy renders you a fucking moron. So I guess in the future, only blacks should write about Obama and Oprah.
Get real….
They better show the complete picture of MLK. Including his treatment of women, his communist ties and racist ways.
Why all the hate? To render the civil rights struggle, an artist should, at the minimum, have had some organic connection to it. The brave people who died delivering freedom to black people in this country deserve that, at the minimum. Taylor Branch, a white writer, did a brilliant job writing about the struggle. He spent 25 years of his life writing about it. He was invested.
The problem with not only Paul but the Selma project as well is that no one involved is invested–not by previous work or academic background.
Have enough respect for the people involved who are still living to at least interview them. Wouldn’t that be nice?
Whenever I hear about one of these projects, I call some of the major people who marched with King and ask, “Did anyone call you, interview you?” The answer is always, no.
As far as the plight of black writers, it’s clear that black writers are not hired to even write black projects, not major ones. Every single King project is being written by white writers. As I’ve said before, if I’m a producer doing the Gloria Steinhem project, the first place I go is to a woman writer. It may not work out. So be it, but that’s the first place I go.
If I’m doing Queen Victoria, or Churchill, the first place I go is to a British writer. Again, it may not work out, but at I’m going to try to find one.
Why? Because one thinks that those writers might have some extra insight into those characters.
So, a Brit wrote Selma (didn’t interview anyone who marched with King), hired by British producers, and they bring in Lee Daniels, to give themselves cover (although their first choice was Haggis).
Paul is a brilliant director/writer. Do we need yet another white man’s interpretation of this black icon?
Black writers in Hollywood either work for Tyler Perry, or don’t work, with rare exception. It’s not right.
So save the hate.
A screenplay on the killing of Martin Luther King was written a while ago by William Sacks. Zev Braun was involved with Turner, till Turner turned it down because of the government, saying that they didn’t want it on the air. Its a great screenplay and a documented project.
This should be viewed.