
EXCLUSIVE: Matt Tolmach, the former Columbia Pictures co-president of production who transitioned to a producing deal, has acquired rights to The Kitchen Sink. That’s an Oren Uziel script about the unlikely alliance between a high school-aged vampire, zombie and human as they try to save their town from invading aliens. The script was a top choice on the recently released 2010 Black List. While Tolmach left his executive job and jumped right in to produce the Spider-Man reboot with Laura Ziskin and Avi Arad, he hoped to find the time to discover new voices. “I’d hoped one of the luxuries would be having time between Spider-Man setups to read scripts and rediscover writers,” Tolmach said. “I’d asked friends to send me scripts and when I read this, I was surprised nobody had bought it.”
The title’s a self-aware reference to the fact that the scribe has thrown every known and currently popular movie menace into a story that is at its core a coming of age tale. “I love high school movies, and sparked to the authenticity of these characters,” Tolmach told me. “It’s more in the spirit of The Breakfast Club than anything, but you get an idea of the title in an early scene where two kids are running from zombies. Those zombies suddenly are attacked by vampires. Just when they are all facing off, there’s a bright light overhead. You realize the aliens have landed and these groups have to band together, suppress the urge to kill each other, and it becomes thematically the enemy of my enemy is my friend. That makes it different than your usual zombie, vampire, or alien movie. I know from experience how quickly scripts either get bought or not, and it often has no bearing on whether they’re good or not. This one is like the talented kid passed over in the first round of the draft. Thank goodness for the Black List.”


And how much did it go for, praytell?
Great news for Oren Uziel and for any other hopefuls who made the Black List.
WTF? Really?
the amazing thing about this story is that tolmach read a script
Great for Oren, but unfortunately, he probably didn’t get much for it and there are no guarantees in terms of what happens next. Still waiting for him to have the opportunity to write MORTAL KOMBAT.
I’m sure it was a free option with unlimited number of free rewrites. Standard “arrangement” these days.
These companies have the express intent of MAKING MOVIES, so they open offices overlooking Wilshire Blvd, and somehow have the funds for seven-figure leases and a few execs and assistants, oh and of course to pay the valets and the people who empty their trash and scrub their toilets, but don’t be silly — OF COURES they don’t have ANY money to pay a writer to write the movies they’re supposedly in business to make.
So, they end up with their pick of trust fund baby writers (who else can afford to spend several months working for no pay?) to work on spec or just give them a free option, then get shocked and bored when they don’t get a masterpiece of a first draft after three months.
And even if by some miracle the movie does get made, the writer gets scale in what was an essentially an interest-free loan to the people with the offices overlooking Wilshire.
And people wonder why movies mostly suck.
Welcome to the new Hollywood.
This should be a sticky post for all new writers to read. You have no idea how many of these sham “producers” I’ve met who have money for the office and the staff but don’t have a fucking dime for the writers they torment for not just months, but years.
It’s like a con game.
I met one who exec produced a major flop at Fox last year and his company is beyond sleazy. They change creative execs yearly so if you’re in the middle of a script with them and the exec changes, he comes in and craps on your script and you’re off with a new set of notes based on the new empty headed moron he hires.
I’m done with these kind of charlatans. I thought I needed to work with them but you’re better off writing on spec for yourself if you have an agent or manager who can take your work out to the marketplace.
New writers beware of these types. Especially, if they approach you with the idea that they will also manage you.
Good for Oren and good for Tolmach. It sounds like a fun teen comedy and the best part is that now everyone who passed on it can look in the mirror and tell themselves they’re much smarter than Tolmach is.
Actually sounds like it could be a cool script, but this Tolmach guy sounds like an airhead. “I really like how this thing happens and then this other thing happens and then this other thing happens after that!”
Cowboys Vs Aliens pt 2?
It’s this kind of puerile, gimmicky crap that is ruining the movies. It’s a logline, an ad campaign, a trailer but not a movie. If you want anything to do with real people, real situations, real emotions, with rare exception (The Social Network) it’s to be found on TV more and more.
A lot of bitter people commenting. Execs at studios are, for the most part, execs at studios. They aren’t your friends, they aren’t your loved ones, they really don’t care about you being teased all during middle school. Get over it. This is the business. Go teach if you don’t want to play.