
EXCLUSIVE: After getting to within weeks of a production start in China on Ripley’s Believe It Or Not before pulling the plug in 2007, Paramount Pictures is taking another shot at turning newspaper columnist Robert Ripley’s life into an epic film. Oscar-winning scribe Eric Roth has come aboard to do a complete rewrite overhaul. Tim Burton, who had been set to direct that earlier incarnation, is gone. But Jim Carrey is still attached to star as Ripley.
The film is about Ripley’s search around the world for the most unusual people and places that he immortalized in his newspaper column. The locales were exotic and the sights were unbelievable, but the film is about Ripley’s journey to appreciate that the unusual people were more than just conquests to be cataloged. The film was green lit at a $175 million, with a script by Scott Alexander and Larry Karaszewski, but the picture halted when Carrey came up with some ideas for a major overhaul. While Burton liked those ideas, stopping the film’s momentum cost the film its director. Burton went off to do Sweeney Todd, and dropped out of the project. A new version was attempted with Chris Columbus and Master and Commander scribe John Collee, but that too stalled.

The addition of Roth to the mix gives reason to be optimistic once again about the project. Roth, who won his Oscar for Forrest Gump, has most recently adapted the Jonathan Safran Foer novel Extremely Loud and Incredibly Close, which Warner Bros and producer Scott Rudin are about to put into production with Sandra Bullock and Tom Hanks starring. Roth also scripted The Curious Case of Benjamin Button, Munich and The Good Shepherd.
Carrey turned in an acclaimed performance as conman Steven Russell in I Love You Philip Morris and just wrapped Mr. Popper’s Penguins. Carrey hosted Saturday Night Live last weekend.


Jim Carrey is a has been, and judging by his sometimes odd choices of projects recently, he is content with that label (he is afterall a multimillionaire).
Just get another actor on board who will not try to dictate the content of the script. I’m sure its no skin off Carrey’s back.
How difficult is that?
This will never work Eric Roth is much too old to be any good now. Surely Paramount can find a young writer preferably 22 or 23 years old that’s the only way this movie will work with the core demo. Look at Eric he looks old enough to be someone’s grandfather and as we all know if you’re over 50 there’s no way you can write a script that anyone will want to see unless it’s Driving Miss Daisy but even there it would’ve made much more money if Vin Diesel had been cast as Daisy’s driver he could’ve got into drag races with other young hunks the movie would’ve been much more successful. Forget about Eric Roth find a young guy just out of college that’s the only way this movie will be a success.
“much too old to write” doesn’t realize that Eric Roth has scripted even more great movies besides those mentioned in the article. “Ali” and “The Insiders” are just two that come to mind, but he has written at least five others that deserve mentioning. Stars like Tom Hanks, Sandra Bullock, Brad Pitt, will work with him on any project. He is the most gifted writer in Hollywood and age plays to his advantage.
“much too old to write” is being sarcastic.
Too old to write? You (sir or madam) are too ignorant to opine.
Eric is actually too young to be writing this movie. It needs a writer who knew Ripley personally so unless they find a writer who’s at least 100 years old there’s no way the script will be believable. And believability is important in this movie. Or not.
I doubt “some young guy out of college” could really understand what the Ripley name and its history is all about.
Also, at the end of the day, no one outside of Hollywood goes to see a movie because of who wrote it. The writers remain faceless and only their colleagues and family (and IMDb) know they even contributed.
That said, is there really an audience out there that wants to see a Ripley’s Believe It Or Not movie? Costs on this need to be under $75 million, and using Jim Carrey is not wise in any respect.
I would’ve loved to have seen Carrey in a Burton pic. Still have high hopes for this though.
It was called “Lemony Snicket”. Been there, done that. Meh.
What kind of ignorant comment is that? Too old to write? I’d take an experienced, talented writer like Eric Rpth over some inexperienced just out if college writer who hasn’t paid his dues!
I truly hope that your comment was meant to be sarcastic, otherwise it’s a pretty scary sign of the times when a writer is judged by his age rather than skill or imagination.
I agree I am far too old to write this project. I think I’ll take a nap instead. eric roth
Mr. Roth,
As he should be to most of us, is the best writer in town. He’s our Ernest Lehman and I’ll read or watch anything he writes. Period.
I read that original draft back in the good ol intern days… I’m wondering what Carrey’s ideas were cause I really enjoyed it.
With that said, I don’t hate on Carrey like others do. He’s quite good when he wants to be.
And Roth too old to write? Get a 22 year old? Whatever “much too old to write” is smoking I would like to make an order of the largest amount of the strongest variety I can legally, without a card, purchase. Thanks.
“… Too old to write” – and what – you’re surprised to READ THAT? Oh man, get a clue; because at it’s heart, sometimes the business of ‘writing’ is so full of bias, slant, and prejudice, angle, and plain old silly, it is to wonder.
We don’t need a younger writer. We need a younger Ripley! This should be a major franchise with many sequels. Ripley’s travels are legendary and cannot be fully explored in one film. Thus, a younger lead actor that can stick with the franchise for years to come is critical to success. This is painfully obvious. Don’t mess this one up Paramount!!