
Specialized distributor Rialto Pictures has acquired the U.S. theatrical rights to Martin Scorsese’s PUBLIC SPEAKING, the director’s portrait of author, social critic, and acerbic wit Fran Lebowitz. The company will open the acclaimed new documentary on February 23 at New York’s Film Forum, with special engagements in select U.S. cities to follow throughout 2011.
Directed by Oscar-winner Martin Scorsese and produced by Vanity Fair editor Graydon Carter, an Emmy- and Peabody-winning documentarian, and Margaret Bodde, the feature-length documentary spotlights Lebowitz’s experiences and sardonic world view. Made in the energetic style of Scorsese’s early documentaries Italian American and American Boy, PUBLIC SPEAKING captures Lebowitz in conversation at New York’s Waverly Inn, in an onstage discussion with longtime friend Toni Morrison, and on the streets of New York.
The film was recently nominated for a Gotham Independent Film Award in the Best Documentary category.
Lebowitz offers insights on social issues like gender, race, and gay rights, as well pet peeves including celebrity culture, smoking bans, tourists and strollers. Gender, she says, is “a very big piece of luck… Any white gentile straight male who is not President of the United States failed.” Of aging, she says, “At a certain point, the worst picture taken of you when you were 25 is better than the best picture taken of you when you’re 45.”
Fran hit the New York literary scene in the early 1970s when Andy Warhol hired the unknown scribe to write for Interview magazine, with stints as a writer for Mademoiselle and a contributing editor at Vanity Fair to follow. She is also the author of two bestselling collections of essays, Metropolitan Life (1978) and Social Studies (1981), and the children’s book Mr. Chas and Lisa Sue Meet the Pandas (1994).
Described by the Los Angeles Times as “the gold standard of reissue distributors,” New York-based Rialto Pictures was founded in 1997 by Bruce Goldstein. Adrienne Halpern joined him as Co-President a year later. A specialist in the release of movie classics, Rialto holds rights to films by Godard, Federico Fellini, Jean Renoir, Jules Dassin, Luis Buñuel, Costa-Gavras, Carol Reed, Alain Resnais, Akira Kurosawa, Michael Powell, Jean-Pierre Melville, and many others. 2007 marked Rialto’s tenth anniversary, a milestone celebrated with a retrospective at New York’s Museum of Modern Art.
Says Martin Scorsese, “I’m thrilled that audiences will have a chance to see the picture in a theatrical setting and that it’s being handled by Rialto, which built its reputation by bringing great movies like The Third Man, Grand Illusion, and Breathless back to theaters. I’m also happy to see Fran joining Rialto’s stable of international icons like Jeanne Moreau, Jean Seberg, and Brigitte Bardot.”
PUBLIC SPEAKING is an HBO Documentary Films and American Express Portraits presentation in association with Consolidated Documentaries and Sikelia Productions. Directed by Martin Scorsese. Produced by Graydon Carter, Fran Lebowitz and Martin Scorsese. Producer, Margaret Bodde. Executive Producers, Ted Griffin and John Hayes. Edited by Damian Rodriguez and David Tedeschi. Director of Photography, Ellen Kuras. Supervising Producer, Jenny Carchman. Associate Producers, Erin Edeiken and Chris Garrett. A Rialto Pictures release.


This is great news. I caught this on HBO and it was brilliant and hilarious. Couldn’t understand why it wasn’t On Demand — guess I now know why.
Fran Lebowitz is the Kim Kardashian of the New York intelligentsia. Famous for being famous. Produces nothing.
ha that’s funny Kramer. Except that she produced two best New York Times selling books in the 1970′s and wrote for Andy Warhol’s Interview, and for Graydon Carter, she is also a renowned public speaker, and was lauded as a modern day Dorothy Parker. I hardly think the Kardashian’s will ever live up to that status in their lifetime.
Exactly. I said “produces.” Present tense. The fact you have to cite Andy Warhol’s magazine and two books from the 70s kind of proves my point. Citing Grayden Carter only proves my point that she’s a scenester. Citing the fact that she’s a “renowned public speaker” and “lauded” as modern-day version of a scenester/socialite from a different era only proves what I was saying — she talks and is talked about. And that’s about it.
She doesn’t produce. Doesn’t write. Doesn’t produce or shape ideas. Isn’t even ASSOCIATED with any big movements or ideas. She’s associated with other PEOPLE.
I never said she was exactly like Kim Kardashian, I said she was the Kim Kardashian of NY intelligentsia — managing to parlay precious little output into an enormous amount of attention. But if attention is the game she is a big winner.
She admits she doesn’t produce much. But this piece just reeked of Waverly Inn we’re-fabulousness. Pass.
My question is: why release this theatrically? Anyone with an interest in FL would already have HBO and have seen it. What else has been released theatrically following its TV/cable premiere? This seems odd to me…
Agreed. I had to re-read this as I’ve already seen the doc, twice, on HBO (regular and again on ON DEMAND). I guess it’s bc it’s Scorcese but someone should have put it in the theatres or VOD first — bc I ain’t going a third time.
Good question WriteBroad. It was ok to watch on HBO since I already have it but I have no idea why a boutique distributor with limited funds would want to spend it on this. She’s hardly compelling – she’s just outspoken. I’d rather watch a doc that’s enlightening or certainly more entertaining. Scorsese’s name ain’t gonna put that many fannies in the seats. Good luck Rialto.