
EXCLUSIVE 2ND UPDATE: Two days after buying English speaking rights to Another Earth, Fox Searchlight has acquired worldwide rights to the film. That makes Searchlight’s minimum guarantee commitment around $3 million. Relative to its $150,000 budget, Another Earth walks away with one of the bigger commitments to a small film in recent memory, maybe since The Blair Witch Project. The picture has received glowing reviews for director Mike Cahill and the script he wrote with Brit Marling. She stars with William Mapother in a drama with sci-fi elements. Foreign buyers responded, and the sellers scheduled a screening in Hollywood today. Much to the
chagrin of buyers, it has been canceled, after Searchlight stepped up last night and closed in a deal with WME Global’s Graham Taylor, Preferred Content’s Kevin Iwashina, and Andre Des Rochers. It is one of two WME-brokered pictures expected to go today. The other is the Dito Montiel-directed The Son Of No One. Despite a trade slam piece, the movie has five distributors circling, and the auction is around $2 million so far, I hear. The deal could be done before the film’s official premiere this evening. WME is brokering that deal with Cassian Elwes.
EARLIER, WEDNESDAY, 3:57 AM: Fox Searchlight is closing a deal for Another Earth, the Mike Cahill-directed drama that premiered Monday. The deal for English-speaking territory rights is around 1 million. It has been a busy fest for Searchlight, which also acquired Homework, Martha Marcy May Marlene, and remake rights to The Bengali Detective. WME Global brokered the deal, with Kevin Iwashina, after yet another all-night bargaining session. In the drama, an MIT astrophysics student leans out her car window to glimpse a newly discovered planet and slams into a minivan and kills the family in it. After a prison stretch, she tries to gain closure by meeting the surviving father. The new planet also factors in to the drama. (Sharon Swart is assisting Deadline’s Sundance coverage)


Brit Marling who wrote and stars is an incredible young woman with a huge career in front of her. Industry prepare yoursefl.
I met her once she is pretty enchanting..
Cassian working on his own has put together more deals than Graham Taylor’s whole dept. What up with that????
What’s the difference between Preferred Content and WME Glbal? Is Iwashina acting as additional agent to different parties involved split between WME Global or is it a different thing all together.
It seems like both parties help finance and advise, broker. So is Preferred the same as WME Global but just on a more independent scale?
Is Iwashina still repping CRANE: THE TOWNIE? The script was good, about this Cape Cod appliance salesman who dupes some trust fund kids into thinking he’s one of them.
“Relative to its $150,000 budget (producer Hunger Gray denies that figure)”
So WHO or WHAT is the source/evidence that would lead you to declare a film’s budget over THE ACTUAL PRODUCER??
Yes, I’m aware film budgets are a slippery game and different parties have different interests in inflating or deflating what they want a particular audience to think a film’s budget is, but c’mon. If you’re going to flat-out contradict and dismiss a producer who’s actually going on the record you gotta SOURCE SOURCE SOURCE!
I really wonder about what goes on “journalism”-wise on this site sometimes.
Congratulations Kevin!