UPDATE: The Weinstein Company indeed closed this deal, and here are the details. I’m told the minimum guarantee was $7.5 million, with a P&A commitment upwards of $10 million. That makes The Details the largest minimum guarantee of the festival so far, though TWC’s deal for My Idiot Brother (between $6 million-$7 million m.g.) had a larger P&A commitment, around $15 million. Summit’s bid for domestic rights was between $4 million and $5 million. TWC’s acquisition team of Peter Lawson, Laine Kline and David Glasser made the deal with CAA and UTA, which co-repped the picture.
EARLIER EXCLUSIVE, 6:48 PM: A marathon bargaining session is near a close, and it appears The Weinstein Company will acquire worldwide distribution rights to The Details, the Jacob Aaron Estes-directed dark comedy that stars Tobey Maguire, Elizabeth Banks, Laura Linney, Ray Liotta, Dennis Haysbert and Kerry Washington. TWC and Summit Entertainment have been battling vigorously all night, and I’m told this could end up the Sundance Film Festival’s largest deal. The film, repped by CAA and UTA, began attracting suitors right after its Monday premiere at Eccles Theater. It quickly got down to TWC and Summit Entertainment, the latter of which has focused on acquiring domestic distribution rights.
When hungry raccoons discover worms living under the sod in a young couple’s backyard, the result is a chain reaction of domestic tension, infidelity, organ donation and murder by bow and arrow. The deal could reach the level of the one Harvey Weinstein made for My Idiot Brother on Sunday, in partnership with Ron Burkle. Weinstein might have been feeling a bit bullish after The King’s Speech received a dozen Oscar nominations, including Best Picture. Both Harvey and Bob Weinstein met with the filmmakers and pursued the movie. The film’s exec produced by Mickey Liddell (who acquired the Sundance title Silent House) and it’s produced by Mark Gordon, Hagai Shaham and Bryan Zuriff.







…and yet not a single good review from last night’s premiere. I was there…it was awful.
Loved the script. Really looking forward to seeing this one. Definitely not a film that is going to be up everyone’s alley. But, original.
Hmmm the audience loved it.
That’s usually why companies pay $9M for a film… because it’s awful.
Wow. UTA is absolutely killing it at Sundance.
@um okay…read a review or 5.
I did (Variety, AICN, Slashfilm, Collider, The Film Stage). Not glowing. But not awful. Please explain the largest purchase of the festival.
These numbers are bullshit. Show me a copy of that check. You can’t because it doesn’t exist. Harvey does this to make a splash, so everyone will say, “Harvey’s back -bigger and better than ever.” I doubt this will be released theatrically, and if it is, it’ll be in 6 theaters in LA and NY.
exactly. If I were those filmmakers who made that deal, I wouldn’t hold my breath about its release. I’d use the publicity to get to work with other studios who actually properly make and release their movies.
Why shuld anyone show you the check? Right now there are signed contracts with attornies over looking the deal. There is not a check for anyone at Sundance
Tobey vs. Racoons for $8 mill — OK Harvey, whatever…
Tobey? Harvey? grumble, grumble, grumble. lmao. I can’t even imagine what a cynical sad-sack d-boy u r.
i was at the premiere. a lot of people got the movie. some didn’t. there is definitely an audience for a movie like this and the performances are all spot on.
@Sandy…then you explain the largest purchase of the festival.
Other than the Sci-movie, there reviews of every single movie that’s selling have been bad or lukewarm. Cedar Rapids has good reviews, but it’s just debuting, not selling. The state of independent film is in dire straits not because the financing isn’t there, it’s because these movies are all forced quirk, that are neither quirky nor good.
I saw it at the Tuesday a.m. screening. It’s a charming and original story. Laura Linney is amazing. The audience loved it. The Q+A with the director and Tobey made it obvious that it was a creative and colaborative experience.
brilliant script, accurate directing, great performance by Laura Linney, and Ray Liotta
I was at the premiere Tuesday…the film was brilliant. You can’t believe what your laughing at it’s so wickedly funny. I was covering my eyes too at some of the freaky / dark f’ed up shit happening. The performances are some of these fine actors best work. It definitely takes a talented filmmaker to pull that off. I hope the movie finds an audience and kills it at the box office…it deserves it. It reminds me most of Alexander Payne’s “Sideways”.
This film is BRILLIANT. It was by far the favorite (and well deserved I might add) of the Festival. LINNEY, HAYSBERT AND LIOTTA stole the show. Great actors, great film. Harvey is no dummy.
Every year, it’s the same thing. Standing Ovation! Audiences loved it.
The critics universally agree that this is going to be about a 70% on RT.
The Wackness made two million at the box office.
You think America is going to shell out of 10-13 bucks for Tobey Maguire and Elizabeth Banks? When the film is not over a 90%?
why are you comparing it to the wackness? have you seen it? picked a movie that didn’t do well to prove your point.. sweet
Do you know how much money The Wackness made? You don’t, or you wouldn’t leave such an ignorant comments that displays it for the world to see. The Wackness was not a good movie, and it didn’t do well at the box office.
How much did it cost to produce the film? Is that $7.5m cover all the costs and give a little profits? I don’t understand how it works.
loved the move. cracked up and felt sick at times. i think most people will like this film. makes seattle so beautiful!
I doubt this will be released theatrically, and if it is, it’ll be in 6 theaters in LA and NY.
I don’t disagree with you
You could not be more right.