
Spartacus: Blood and Sand will continue. Ending months of speculation, Starz president and CEO Chris Albrecht confirmed that the costume drama will proceed with Season 2. “We are officially going ahead with the long planned but unfortunately delayed second season of Spartacus,” he said at the opening of Starz’s TCA session. “We don’t have casting news but … we’re very confident where we are in the casting process that we will find an actor who will step in the sandals of Spartacus although we will never be able to replace (cancer-stricken original star) Andy Whitfield.” In November, Starz flew 3 actors to New Zealand, with one of them, Australian Liam McIntyre, still in the running for the lead as he is bulking up for the task.
Albrecht was unapologetic about the channel’s creative direction towards noisy, commercial dramas or as he called it “premium TV-flavored popcorn. “We’re leaving the quiet dramas to other networks.” Here are few more soundbites from Albrecht’s short impromptu Q&A:
- On how Starz is able to do expensive-looking costume dramas like Spartacus and Camelot: “We borrowed costumes from Rome,” a series he once launched on HBO.
- On Starz’s decision to get out of the comedy series business with the cancellation of Party Down: “We’re not a very funny group.” He then added: “We decided to focus on one-hour dramas, those are the kind of productions that travel better. And it takes one to fill an hour, it’s hard to find two comedies that go together. So we will concentrate on the hours to fill out the schedule and see what we get.”
Later during the Q&A session for the Spartacus prequel Gods of the Arena, Rob Tapert, executive producer of both Spartacus: Blood and Sand and the prequel, which premieres on Jan. 21, also addressed the search for a new Spartacus lead. “That role will be recast,” he said. “We feel confident, as does Starz, that we will find the right person to play him.”
Writer-executive producer Steven S. DeKnight added that Whitfield’s illness had no impact on he prequel: “It was a very unfortunate circumstance but the story (for the prequel) was what the story was. Nothing good came from losing Andy. But we had the luxury of building an infrastructure with having the prequel. If there us any upside to Andy’s illness, it is that we are better equipped to support the the new Spartacus. At the session’s conclusion, a rep for Starz said that Whitfied himself “is very supportive of our decision to recast the role.”
During the session for the new Starz/BBC Torchwood, Russell T. Davies — creator of the British series and executive producer of a new series — noted that the incarnation set to premiere in July will be called Torchwood: Miracle Day and deal with a novel new premise: “A miracle happens in the world,” he says. “One day on Earth, no one dies. The next day, no one dies. The day after that, no one dies…No one actually dies, on and on and on. What will society do now? This is what we’ll explore.”
Ray Richmond is contributing to Deadline Hollywood’s TCA coverage.
TV Editor Nellie Andreeva - tip her here.


Poor Andy. I wonder how he’s coming along?
Right on, Chris. No one wants another Larry Sanders, Extras, Flight of the Concords, Mr Show, or Curb Your Enthusiasm or Kids in the Hall.
Come on. More comedies on cable please.
He didn’t say comedy is bad, just that they’re not good at it. Refreshing self-awareness, really.
I agree with this.
We have enough comedies on network and cable.Give me some action, sci-fi and fantasy series that aren’t watered down for general audiences.
I like the track Starz!is on.Spartacus, Camelot, Torchwood and Noir.
Kinda tacky to go on without Andy. But no one ever claimed Chris had much class or any smarts.
Uh, Chris Albrecht was responsible for The Sopranos, Six Feet Under, The Wire, Deadwood, Larry Sanders, Dream On, Entourage, Big Love and True Blood on HBO. So, Albrecht is smart.
Abandoning comedy is just absurd.
A truly successful network has something for everyone.
Not every network has or needs comedy.AMC, TNT and The CW don’t have any comedies.
And anyway, it’s a pay channel.It doesn’t need something for everyone.It can have niche programming.I love that most of their shows are in the vein of action, sci-fi and fantasy.If I’m paying that much for the channel,I’d damn well better be enjoying most, if not all of the shows.
I still miss Party Down. Starz seems to try really hard to keep up with the big boys (HBO, Showtime) but just doesn’t have the innate creativity those networks have.
They don’t have any development executives from which to develop. Carmi is terrific but he’s essentially a one man show and his background isn’t in creative. It may say everything about how nothing will happen without Chris’ hands in it, but although he’s not been given enough credit for overseeing creative at HBO and Carolyn has gotten all the love, the truth is he had Carolyn and they complimented each other. Chris should really think about someone creatively and do more development from ground up than acquisitions or “smart” deals for exisiting projects. Signature shows often emerge from the inside out and because of the vision of a focused individual and their team.
Yes, how is Andy? He was a great Spartacus.
I disagree. If a network says they don’t do comedies well then by all means don’t attempt to force the issue. They’re a young channel, let ‘em do what they know best.
I’m not going to deny that I do miss Party Down, a bit. But the choice was logical — I mean, pretty much all of the key cast members were departing from the show in some way or another (Adam Scott for Parks & Rec, Jane Lynch for Glee, Lizzy Caplan for movies) so it does make sense that pulling the plug on the show was a good idea considering the show wouldn’t have been the same without them (especially Lizzy & Adam).
I am looking forward to what Starz has on the horizon. Boss, Magic City, and Vigilante Priest all sound really interesting and I hope they actually make it to air by the end of the year. It does make sense to start with hour longs and then work there way back to comedies. Because, when you think of it, with TV Land starting to enter the cable comedy biz, it’s not like cable doesn’t have enough comedy and HBO, these days only seems to be picking up comedy shows (they did pass on All Signs of Death & The Miraculous Year, which featured big name talent both on and off the screen), so, the decision, by Chris, in mind seems agreeable.
Although, with how cheaply Party Down can be made at, I’m surprised they didn’t keep it around, a revovling door cast does make sense for the show. Gravity, on the other, was just terrible and I’m glad the show’s off the air.
Everyone should keep in mind that Chris was the brains behind the success of HBO original programming for years. He didn’t get hired away from Lifetime or CW. I’m sure he knows exactly what he’s doing. The question will be whether John Malone gives him the bucks to keep up with the HBO’s of the world.
The one thing broadcast channels still do really well is the half hour comedy — The Office, Modern Family, etc. But if a cable channel wants to show it has clout, it almost has to be with one hour dramas. Dexter, The Tudors, Mad Men, Breaking Bad, The Walking Dead, Sons of Anarchy, True Blood, etc. HBO had a great run of comedies– Dream On, Larry Sanders, the early years of Curb Your Enthusiasm, but most half hour comedy-dramas on cable today aren’t that good (Bored to Death, The Big C, etc.) Lesson for cable programmers: If you don’t have a solid schedule of hour-long dramas, you’re in trouble. Half hour comedy dramas may be easier to produce (I’m looking at you, Showtime and HBO), but they don’t have the same power as a Dexter, or Walking Dead, or True Blood.
Don’t forget Boardwalk Empire whose final 3 episodes were fantastic.
Eastbound and Down is by FAR the funniest half hour on televison. Not an ounce of drama in it, pure comedy, pure genius. HBO always has one up their sleeve.
Steven S. Deknight sounds like a complete prick — “If there us any upside to Andy’s illness, it is that we are better equipped to support the the new Spartacus.”
Note sure what to think of the new Torchwood plot. Sounds kinds boring, but considering how excellent Torchwood: Children of Earth was I have high hopes.
Chris knows what he is doing, been it this sandbox longer than everybody else. Party Down had to be canceled, do you imagine after 2nd season cliffhanger, a 3rd season without Adam Scott, Lizzy Caplan and Ryan Hansen? Gravity… Seriously, the guy who greenlighted it should not be able to find work forever. The truth is that average Joe has a terrible taste in comedy. Success of Modern Family is very comforting, but this is rarely common. You can’t start your programming with “quality commedy” because it will tank, smart written commedies don’t deliver high ratings. Modern Family is delivering because of buzz and awards, ofcourse cables also may take a gamble and pray for awards but it’s not that easy.
Build a solid lineup on dramas and then go towards commedy.
I do understand why they have to recast the role of Spartacus. Andy Whitfield is an absolutely amazing actor. But you cant have a cast of so many people depending on his (at this time) fragile health. I pray for Andys recovery and hope to see him acting in a movie or another series in the future when he does recover. Totally looking forward to Spartacus Gods of the Arena.
Shouldn’t we get our priorities straight. Our main focus should be on Andy Whitfield right now. I pray that God will ease his suffering and the suffering of his family. My prayers are with you.