EXCLUSIVE: Last April, Deadline posted a very harsh “goodbye” email sent WME Entertainment agency-wide from an African-American ”floater” working in its NYC office.
It generated some of the most contentious comments which Deadline has ever experienced. (WME Floater Sends Harsh Goodbye Email) The subject of the floater’s email was the lack of diversity (specifically, no black or latino agents and only one Asian out of more than 50 white execs) in the WME office and the lack of opportunity for his advancement. Although this floater had brought a music client to the agency before he even started there — 7-time Grammy nominated artist Jazmine Sullivan — he was not rewarded. When he finally got fed up and told WME brass he could make this a much larger issue, he got the agency to pay him for 5 months to basically look for another job. (Afterwards, WME carried out a witch-hunt: Mass Reprimands, 4 Firings At WME Over That Floater’s “Goodbye” Email) Now that floater, Marcus Washington is a pro se litigant suing WME for racial discrimination and seeking $25 million. (“Pro se” legal representation means advocating on one’s own behalf before a court, rather than being represented by a lawyer.) “Race is nothing but a social construct and has meaning only because we have allowed ourselves to be defined by it,” Washington said in a statement to Deadline. “It doesn’t determine ability or one’s capabilities and this case challenges this divisive myth that has allowed the human race, and particularly this country, from ever reaching its full potential. We must no longer allow our past to define our future.”
I’ve been given these following details about the current allegations against WME:
With his PR agency saying he is “standing up for his civil and human rights”, Washington is suing WME for “disparate impact and treatment racial discrimination, aiding and abetting and retaliation” in the 80-page complaint filed in the Southern District Court of New York filed in late December. “Founded in 1898, the William Morris Agency’s (now known as William Morris Endeavor Entertainment) struggle with race has paralleled that of America. This largely influential company operates mostly behind the scenes in creating societal and cultural ideologies, norms, values and stereotypes through powerful tools of conditioning and persuasion such as television and film under the guise of ‘entertainment’, has continued to engage non-exclusively in a pattern and practice of individual and systemic discriminatory policies and practices for over a century, resulting in the non-existence of minorities from working at the decision making level of its business – even in one of the country’s most racially and ethnically diverse cities, New York City.”
According to a description of the complaint provided to Deadline, at the start of Washington’s employment in September of 2008, he was the only African American hired into the Agent Trainee program:
There were zero African American or Hispanic Agents and there was one Asian Agent out of more than 50 White executives. Although Mr. Washington’s credentials surpassed that of any of his peers, including receiving a Masters in Music Business from the University of Miami in May of 2008 and most notably working for two years as the former co-manager to singer/songwriter Jazmine Sullivan who is now a 8x GRAMMY nominated recording artist and client of William Morris, he was forced to start at the bottom of the racially homogenous company in which advancement is based largely on networking and mentoring, not actual merit and ability.
Over the decades, there has been a shift in how discrimination manifests itself. No longer overt, it generally operates today in a covert fashion that’s mostly out of the sight of consciousness – creating a complex and tangled web when identifying the source of the problem, although its intended goals are still achieved. Individual acts of discrimination have continued in large part because the organization’s structure and its institutional practices encourage it. This is evident in the numerous examples provided in the complaint detailing specifically how Mr. Washington was deliberately and intentionally targeted by various staff and Sarah Winiarski and Jeff Meade of Human Resources because of his race, color and/or national origin, no matter how well he performed.
One instance included Mr. Washington discovering a set of emails in which he was blatantly lied to by a staff member to Human Resources as having showed up a “few hours late” to an appointment. Another in which he was lied on by an Agent after only working with him for an hour, resulting in Mr. Washington soon after being given dead end assignments for 81 out of the next 91 business days. An Agent making a racially insensitive comment after calling Mr. Washington by the name of the other African American Trainee employed, confusing them simply because he saw a “black guy” sitting at the desk. Subjective evaluations which allowed Human Resources to make sure Mr. Washington never rose above the glass ceiling by waiting months to notify him of alleged problems, rating him low in areas he was never given the opportunity to perform in and refusing to comply with the company’s “open door,” “equal employment opportunity,” and “reporting harassment, discrimination and retaliation” policies. After finally speaking to upper management about his belief that he was being discriminated against, his comments were downplayed and he was blamed for his inability to be promoted. After stating that “he could make this a much bigger issue,” he was offered five month salary to “look for another job.” At the time of Mr. Washington’s exit, less than 5 out of the more than 250 Agents/executives (less than 2%) employed at William Morris were African American.
In the years since the passage of the Civil Rights Act of 1964, the unemployment rate for African Americans has remained at a rate double that of whites, while the EEOC reported a record high for the number of complaints for workplace discrimination in 2010 – highlighting both the law’s ineffectiveness and employer’s continued unwillingness to provide equal employment opportunities to people of color in this country. As the nation continues down its slippery economic slope resulting in increased unemployment rates for all citizens, African Americans are being and will continue to be hit the hardest. But as this case will demonstrate, this is not the result of a lack of qualified minority candidates in the marketplace, but part of a much deeper issue that is not adequately being addressed – racism. This statement is supported by the company’s actions after Mr. Washington left the company and filed a complaint with the EEOC on June 3, 2010, in which the company hired five African Americans in one month after receiving a letter from the EEOC on June 9, 2010 when in the year and a half Mr. Washington was employed, only 2 African Americans were hired into the Trainee program.”
According to Washington’s PR firm, he “is using this case as a mirror to the rest of society, reflecting ugly truths and challenging the notion that America has become a ‘post-racial society’, while also attacking the establishment of white supremacy that continues to oppress people of color in a quest civil and human rights.”
Editor-in-Chief Nikki Finke - tip her here.


I’m sorry but as a person of color working in this industry, I’ve NEVER encountered anything worthy of a lawsuit of this magnitude. Whoever was discriminated against was probably just a shitty worker who’s looking for a handout for getting justly fired.
(a) Why do anonymous people insist on writing testimonials on blogs that they expect others to believe?
(b) For the record, yes, the agencies are racist.
(c) Let’s see what the evidence shows after discovery and litigating the issue.
No amount of evidence would justify $25 million. Sorry.
$25 million easily represents the earned income Marcus would have garnered had he been allowed to continue on the career path at WME without racist distractions, plus emotional pain and suffering. WME is the dumbest agency in history if they fired him after he complained of discrimination. That is the biggest no-no ever.
Exactly! You can’t quantify emotional distress and in my personal opinion if a person of color is being so blatantly descrimated against at one of the largest companies in the U.S. than the harm it causes to not only the individual’s psyche but the progress of our nation certainly merits a BIG response and example set for all. If we continue to let these actions go unpunished, we ultimately punish ourselves. Racism hurts a nation. Ultimately, changing the racial mindset of all Americans toward progress is much more wholistically and economically beneficial.
For every person who has made it in Hollywood there are easily a thousand who haven’t. Not one of them thinks it’s because they lack the talent.
How many bad actors have I met? Countless.
How many actors who THINK they’re bad have I met? None.
Marcus, sometimes people fail because they suck. It’s possible you’re one of those people.
Wait a second – this kid DOES know that unless there is some basis for suing for $25 million, the suit WILL be thrown out right?
For those not familiar with the law, there has to be SOME justification (e.g., pain and suffering/medical bills, loss of income due to slander or libel, defamation, etc). There is none here.
WME has nothing to worry about, although Marcus most certainly does.
Move along.
Furthermore, he will never work again in the showbiz industry. Better go get your insurance license, Marcus, because that’s the only legit piece of business you’ll be selling now! And please don’t sue everyone when we don’t want to buy the insurance you’re selling! It’s because we either don’t like you (as a person, not because of your skin color) or another company will have better rates! Happy new year!
So don’t sue anyone or you’ll never work in the business again? THAT just gives companies like WME a free pass to do whatever it wants to do to whomever it wants, including and especially women who also have to fight 10x as hard to make a name for themselves [considered bitches].
What about emotional detriment? Defamation of character? It seems as though MANY false statements in regards to Mr. Washington’s performance and skills. Do those not count as slander? Having a position for such a short time is damaging to an individual’s work history and may diminish potential employer’s opinions of one’s credibility and may cause said employer to not hire them. Yes, it is a giant sum of money but a drop in the hat for WME who seems to have been getting away with such an atrocity as racial descrimation for far too long.
Didn’t they give him 5 months of salary so that he could go and find another job? What is he doing with it? Trying to sue them?
LOL!!!!!!!!
They FIRED him. Plain and simple. Severence or no severance. He was still fired unjustly.
As someone who has worked in the business on the creative side for a number of years I can tell you that this guy’s claim is absolutely based in reality. What no one is talking about — and the dirty secret in Hollywood — is that when they say “white,” what they mean to say is “Jewish.” And Jews don’t hire blacks. In fact, I was doing a TV show and I got to know the Jewish producer pretty well. We were talking about Jews in the biz and he told me that 70 percent of agents were Jewish, that it was higher than that at all top executive levels. I rhetorically asked him why he thought that was. Knowing the answer, I was still shocked by his unapologetic, unhesitating reply: “I will always hire the Jew, Tim.” “Oh,” I replied, “so Hollywood’s not a meritocracy?” And he jsut stared at me nonplused. And for Jews blacks are at the very bottom, right down there with Hispanics and Asians. They do seem to like blueblood Caucasians for some reason — maybe because they’ve long aspired to be in their exclusive clubs. But this — and I’ve seen it time and time again — Jew vs. Black: Ari v. Washington — is alive and well in Hollywood.
yup, we don’t. Way to be anti-semitic. You sound just like this Marcus guy.
“They do seem to like blueblood Caucasians for some reason — maybe because they’ve long aspired to be in their exclusive clubs.”
The Los Angeles Country Club does not allow Blacks, Jews, Asians, Women, Catholics, Hispanics, and NO ENTERTAINERS.
Just WASPS.
You don’t know what you are talking about you moron; and yes I use the word moron. Before you do spreading incendiary lies about institutions you know nothing about, do your homework. The Los Angeles Country Club allows women by admission of its own website.
I stand corrected. It’s acceptable to discriminate Jews, Blacks, Catholics, Asians, and Entertainers from LACC as long as their website states that they accept women for membership.
Yeah, see I don’t need to go to the country club’s website to read a bunch of PR spin – I know several people who have been guests of members and their policy is clear. They are a bunch of low-class WASP bigots. Period.
Yup, Jews hate blacks. Are you kidding me with this? WTF? If memory serves me correctly Jews were are the forefront of the civil rights movement in the 1960s, as they have been in most movements involving social justice. Andrew Goodman, Michael Schwener and James Chaney (two Jewish men and one Black man) were murdered by the KKK in Mississippi in 1964. Their murder and the subsequent investigation into the murders is the basis of the movie “Mississippi Burning.” Assuming that any of what Anonymous Content is true, it really has nothing to do with racism. It has to do with that sells in this country. Like it or not, this country is still majority white and that is who the entertainment industry targets–the majority. While this may come as a shock to some, Most of Hollywood revolves around money and how to make it. It’s called show BUSINESS. If this producer could figure out a way to sell fat purple pigs to the buying public, that is what we would be watching on the screen. And the comment about blue-blooded Caucasians only reinforces this idea. Yeah, Jews put a lot of blond blue eyed women and similar types of men in movies, etc when the industry was growing that is what American looked like and that’s what it generally wanted to see. Again, it wasn’t about some nefarious campaign to not hire blacks, it because the public at large simply isn’t supporting those projects. There may be a problem with race in this country, but it’s not because of Jewish producers and executives; it’s about the larger populous wanting to see themselves reflected on the screen. As the entertainment consuming population gradually reflects society, the composition of what is on screen will also change. And full disclosure–I’m a white Scottish gentile who just calls it like I see it.
I agree with you wholeheartedly for the most part, but singling out Jewish people in the 1960s who were volunteers of the CIVIL RIGHTS MOVEMENT doesn’t equate to the entertainment industry in 2011, an industry fueled by self-centeredness, nepotism, and cronyism. Pointing this out has nothing to do with anti-Semitism and everything to do with the numbers. So all of the “anti-Semitic” reactionary claims really needs to stop.
I think we are in accord. But to say that Jews were just volunteers in the 1960s civil rights movement is just absurd. Everyone, whites, blacks, Jews, gentiles and all others types were all volunteers in a movement supporting social justice. Anonymous Content specifically goes off on a anti-Semetic tangent targeting Jews who he feels put blacks at the bottom of some imaginary list.
Is the industry fueled by self-centeredness, nepotism, and cronyism. Yup. But to say these are characteristics of only Jews is stupid. It’s the industry itself, which is run on greed, paranoia and fear. And trust me when I say that if someone in the industry thinks that America wants fat purple pigs onscreen, that’s what will be on screen. It’s a brutal industry.
I also suppose that less attractive people could say the same thing: Jews hate the less attractive, as almost everyone onscreen but for certain character actors are way above average in looks and body type. That is what people want to see. This whole anti-Semetic Hollywood Jews hate blacks is reductive and banal.
As a person of color you should know to keep your mouth shut until you hear what the actual details of the case are. Because you may not have experienced something in the industry does not automatically mean someone else did not. Unless you are Marcus Washington the fact remains you do not know any more about the case than anyone else at this point. The facts or non-facts will come to light soon enough.
The most sensible post on here.
Let the courts do their job… unless you really feel the need to air your racism/antisemitism as so many of these commenters do.
Here! Here! The more the commenters ramble… the more we see their true nature…
You’re not a person of color working in this industry. You’re just a liar &/or troll trying to discredit someone/something you know nothing about.
People. Why even agree with WME? Look at the ratio of white entertainers in America to the other races. Look at the ratio of white agents to other agents in the business. Heeeelllloooo…isn’t it absolutely obvious what is going on here? Really? Do you people really believe that WME are telling the truth? What a joke. This country hasn’t changed. This country disgusts me!
I’m sure Marcus has been going through these comments and is distraught that the tide of opinion is mostly against him. Marcus, if you read this, here’s why:
1) You got fired for violating WME internal policy. They even gave you 5 months salary so that you could try to find yourself another job. You decided that you wanted to get even, and took out a lawsuit accusing them of being racist for not having many black agents. Who would want to stick up for you?
2) Several posts below go into detail about how talentless, lazy, angry, spiteful and ingrateful you were to the WME staff. There were even a couple of internal names mentioned. I am inclined to believe these people.
3) You took a REAL issue (lack of minorities in Hollywood) and decided only to bring it up after being fired for doing something you were warned not to do. A contract you’d signed. This is offensive to all of the “White” people you are accusing, and all of the minorities you are using as a stepping stone to get even.
You are absolutely disgusting.
What you fail to realize is why did ema give him five month salary to leave? Because they are wrong and know it. Since when do they give money to leave.
Maybe because it would be less expensive to deal with than a frivolous lawsuit would be, which Marcus appears to be attempting here anyway. It’s called, say it with me, opportunism.
@ Damian
So the globe spanning entertainment conglomerate was fearful of the their erstwhile employee bringing to bear the full weight of his world-class team of savvy corporate litigators, that’s why they gave him $3000 to go away instead of standing on principle?
what surprises me is that they didn’t get a waiver and release in exchange for the 5 months severance. That is standard practice. Bad advice from the lawyers
It was bad advice from the lawyers to fire him! The EEOC will tell you themselves that the first rule of thumb is to never fire an employee who alleges harrassment or discrimination… a company has a legal obligation to investigate every complaint. It doesn’t matter if they gave him a year’s severance. The fact that they fired him, is basis for a lawsuit.
It was very obvious during the initial post that sooo many posts were from Marcus himself. After all, your entire life is on the line, as when anyone in life Googles you, it would lead to the story on Deadline, first and foremost. You’re going to post 100 times to make it seem like people are on your side.
Same with this post. It’s so obvious which posts are from his POV. If I had a 25 million dollar lawsuit, my entire life would be based in refreshing this damn page.
And contributing heavily to it.
Thanks, Marcus. You’re making it harder for the rest of us.
First mistake…This is not a business. It’s show business. There are no rules.
Hope he learned lesson number 1.
Any establishment that employs others must follow a code of conduct. There are universal laws governing the treatment of all employees. Show business or not, there is no excuse for racism. Even actresses who do not get cast because they personally believe they are being descriminated against have the right to persue legal action. It’s called AMERICA.
Are you serious? Are you a minority? I’ve been here only 2 years and I can see the blatant racism all around me. As an African American actress and producer, I have encountered many obstacles under the guise of “fairness”. They are more frequently casting “ethnically ambiguous” that look closer to white. I’m ethnically ambiguous in that I have actually been mistaken for Indian, African, Black, Malaysian, Latina, Caribbean, etc. as I’ve travelled across the globe. But only here do they see medium and darker skin people are categorically “Black” and therefore unusable in a global market.
Take a look at the movies being green lit with African Americans or Latinos at the head, less than 5% in my estimation and the quality of roles and stories that center around African Americans leans towards baffonery in most cases and re-inforces stereotypes across the board. Of course, there are exceptions but really, You see NO discrimination.
THE VERY NATURE OF YOUR STATEMENT IS RACIST & leads me to believe that you are either not a minority or you are so brainwashed that you refuse to see what’s in front of you.
I can site certain programs that are meant to give minorities a chance that favor white women, for example AFI Directing Workshop for Women on average has 6 out of 8 white women with only 1 Black each year and none last year.
Another example is the industry awards. Last year, we got lucky because Oprah endorsed Precious and as a result, it received global attention and awards. However, there were a few stand out performances in films such as Halle Barry’s Frankie and Alice, Anthony Mackie in Night Catches Us and Tyler Perry’s For Colored Girls that were grossly Overlooked. So what they were flawed films. Take a look at this year’s contenders, as the brilliant Ricky Gervais pointed out, such as the Tourist that got nominated simply because it starred two well liked WHITE actors. THis year is a white out!
Lack of promotion is another big thing with our films. They promote Madea (Black man in dress), Big Mama’s House and the like but other films are left in marketing limbo so that word of mouth is the only way you hear about and maybe get to see them before they go straight to DVD.
Take a look at the casting for commercials on TV. They are only casting one type of Black woman and she has a meduim complexion and natural hair. That’s great in one sense but limiting in others. We see such a range of white women and men in the media but only a select type of minority is represented. This limits so-called diversity because it narrows the scope of what a minority person can be in the eyes of the general public.
Enough said.
I hear you loudly and clearly, D… Although Marcus will take the heat for this, it will shed light on many of the improprieties in the industry. The racism is there. The imbalance is there. We just have to keep doing quality work and support films like Night Catches Us with our voice and our dollars.
I’m glad somebody finally decided to call out one of the last bastions of racism in the entertainment business– major agencies. WME is at the top of the list. If you read the book “The Mailroom: Hollywood’s History From the Bottom Up” by former WMA agent David Rensin (Ballantine Books, 2004), he chronicles the 112 year history of the William Morris Agency and every significant agent who’s every worked their since it was founded in 1898 up until the book was published. Almost the entire book is done in Q & A form so you are hearing the history straight form the mouths of these agents. None of the agents had to have a degree until the late 1950s. Why? Because right around that time Blacks started applying to be agents and WMA was running out of excuses not to hire them because of new laws that were emerging on the books about discrimination. Well, what WMA did was require that every applicant who now wanted to be an agent trainee had to hae a college degree. This was done specifically to keep minorities out of their company (Larry Auerbach, pag. 9 of the hard back edition). This is in print. By one of the founding agents of the William Morris Agency who is still alive. The company’s first Black agent was Wally Amos. Yes, the same guy who founded Famous Amos Cookies that you can buy in the store. He started with the company in 1960 and trained future moguls like Bary Diller, David Geffen, Jeff Wald and Elliot Roberts but could not get promoted after 7 years of being an assistant and being the only agent with an office in the basement of the building. He was told the studios, networks and record companies were not ready to deal with a Black head agent whereas all of the guys he trained had moved on ahead of him. He finally left the company out of frustration in 1967 and 3 years later started his now-famous cookie company– cookies that he used to bring to work for his colleagues at WMA.(Pages 108-130 of the hard copy).
It baffles me who some people– no matter what evidence you give them– will pretend like discrimination is a figment of the mind of the person briging it up. If you read this kid’s email, he is making some very valid points and raises some serious concerns. How can a company in New York have 50 executives and only 2 are minorites? White people who read this column, do you really think Black and Latino and Asian people are really that dumb? That we’re not smart enough to compete with you? If do, that’s a real shame because there are a ton of very qualified people of color all over the country who are not looking for handouts but for opportunities to not just get in the game but to rise with everybody else. The rising always seems to be the problem, especially for Black males. For some reason, these companies– if they have to elevate a Black– it will almost always be the female.
I encourage my White and Black brothers and sisters on this site to know their history. Not just what you read in school because that history is incomplete and shield White kids from the contributions of people who don’t look like them. Go beyond the school house and read. Read David Resin (a White former agent) book about the William Morris Agency. Go to those pages I mentioned. Read for yourself where the company’s rich history of racism is spelled out in black and white. If you still want to pretend that this young man is much ado about nothin’, so be it. But your choosing blindness over reality is why racism persists in this country.
Until we stop turning a blinds eye to a chronic problem in certain industries like entertainment, specifically when it comes to agencies, we as a nation will never get passed it.
Thanks Spook. I love those that quote history.
I agree with all of your points. While, however, there are many programs for African American Women, I do believe that their’s a struggle much more difficult than those of any other. Yes, they may get “hired” primarily but from what I have witnessed, for them to garner an equal amount of respect from their peers proves to be a more difficult feat. In my opinion, simply because an African American Female is hired for her gender ( to fill a “requirement”), does not necessarily dicatate her progression toward equality. I think it does quite the opposite and perpetuates the overall issue. Statistically, men in general are hired more often than women.
I think you are not being honest with your background. I doubt very much you are a person of color. If you read the story correctly, Mr. Washington was never fired. So this was not the case of a disgruntled former employee.
You’ve been busted.
Oh please, what a joke. Hopefully this whiny baby gets laughed out of court.
This lawsuit will send a shudder through the agency business.
The truth is that only by attaching a serious dollar cost to their de facto whites-only policy will the talent agencies clean up their act. I know a number of black assistants who worked for CAA for years and basically got the message that there was no future there for them. It’s basically the 1950′s (or 1850′s) in talent agencies — they’re closed to black and hispanic people and no one really tries to hide it.
If the price of dragging this industry into the 21st century is a huge settlement to this guy, then so be it. The agencies were asking for it — it was just a matter of time.
You are waaaay overexaggerating everything here, Marcus. There will be no “shudder”. Just more lack of opportunity for you, and as someone else has pointed out, other minority employees, to make a living in entertainment.
@Reality – Wait… what?! So you’re saying that blacks and other minorities will be rightfully punished for Marcus’ complaints. Look, this Marcus guy might be talking out of his ass, but am I to understand that we should all just shut up when we perceive an injustice because “Massa might get angry and punish us all”? LOL… Wow!
“Look, this Marcus guy might be talking out of his ass, but am I to understand that we should all just shut up when we perceive an injustice because “Massa might get angry and punish us all”?”
No. What I’m saying is that, had you read the situation closely, you would find that this kid was ejected due to violation of policy. And now he’s attempting to make this about discrimination. This is a textbook frivilous lawsuit. THIS is what makes climbing the ladder for minorities much more difficult.
I hope that was clear.
Wow, the first smart post so far. Thank you.
@ Reality and Good One:
“THIS is what makes climbing the ladder for minorities much more difficult.”
No buddy, your conclusion that this individual’s action will lead to an lack of opportunities is THE problem. So what your saying is that if you were hiring someone you would be less likely to hire an African American man (or person) because you wouldn’t want to potentially have to deal with a frivolous lawsuit?
Maybe the point of this lawsuit is that certain individuals would rather deal with people that look and act like them. Heaven forbid an “outsider” comes in and shakes things up. And I get it… it is inconvenient. You can’t use your stereotypical gay or racist jokes. You know the ones that end with … “you know what I mean…”
You guys are so funny… and yes, if you really believe what you say, your probably racially inconsiderate.
i agree completely. wake up people- this is disgusting and ought to be brought into light in court. the people who are disagreeing w/this are clearly working for wme
for the record I was a “white” trainee at WME who slaved away through 4 years of empty promises, many similar to those that this person has listed in his above complaint. Rest assured, this is life in the agency world, and is the gamble we take when we jump into this environment. Every trainee and assistant is cautioned when they begin this job, that the likelihood of reaching the end goal of being promoted to agent is highly unlikely. Im my mailroom trainee class, there were 7 white people, 2 African Americans, and 2 Asians. And ultimately, the only one of us who eventually made agent was black (Charles King).
Charles – who is one of the 3 African American agents out of 250 employed at the Company! get out of here!
This is America. If you don’t like something start your own company. Like shut up. I don’t care what the hell color you are, or religion or anything.
Life is hard. It’s not fair. Most people could careless about your race. We’re thinking about it. You’re just using it as an excuse for not achieving things you want to, when we’re all struggling with the same things. Seriously no one cares about what race you are. It’s not something I think about it.
Oprah. Obama. Will Smith. Name three white people more influential and powerful than these people.
right @ Dana. you are proving his point – that there should be more than there are represented in the workplace!
@ numbers:
What are you talking about? I think Dana’s right. Your experience in life is what you make of it. Don’t blame everyone else for your actual shortcomings.
Bill Gates, Warren Buffet, Steve Jobs, Mark Zuckerberg, Henry Paulson, should I keep going?
Has he got any proof that black applicants for agent (or other) jobs were universally rejected across the NYC office? The fact that he was hired himself does not help his case.
If he does not win this case, or if he cannot get WME to settle (which is most likely what he’s hoping for), his name will be on the “do not hire” list in entertainment for the rest of his life. Pretty big gamble to make.
I hope this turns out alright for him. Does anyone know this gentleman personally? Is he actually a good/talented worker? Or is he mostly a drama queen who kicks up dust when provoked?
“Or is he mostly a drama queen who kicks up dust when provoked?”
I hear it was this.
I worked with Marcus at WME. I was in the mailroom with him for a bit, and then when I got promoted to an assistant on a desk he was one of the available floaters. I can tell you that Marcus was by far the laziest and least competent floater. The reason he was never selected to float on agent’s desks had nothing to do with some large racial conspiracy from the top down – it was because NO assistants wanted him to float on their desk while they were away. When you are going to take a day off the HR department contacts you the day before and asks you who you want to float for you. They give you the options of available floater and then the ASSISTANT chooses who they would like. They choose the floater who will make their life the easiest so they can enjoy their day off. When Marcus was your floater I can tell you that it was not a pleasant experience. You were constantly worrying that he was going to screw something up, and when you came back you had way more work to do as a result of his incompetency. All the assistants talk and they know who does a good job. Once all the assistants started to realize what a horrible floater Marcus was, nobody would request him. This is how it works. HR and the agents had little to no involvement. Not only was he horrible as a worker, he was also a miserable person who made enemies with many of the assistants. He was confrontational and generally just a bizarre guy who weirded everybody out. It was his own horrible attitude, lack of professionalism and off-putting personality that prevented his advancement, NOT his race.
Really? the once annual black hire just happens to be the laziest human on earth? His mba prevented him from rolling calls and making coffee? And all the assistants worked together to make sure he was denied any opportunity for advancement or self-improvement out of shear loyalty to WME?
Is it not just as likely that the clique of entitled trustfunders who typically populate the desks at the major agencies shared the opinion of their superiors: i.e that someone like him doesn’t “fit in” or “get it” or whatever rationalization some whites manufacture to justify their own prejudice?
But perhaps you’re right. Maybe it was his “attitude” or his “confrontational” demeanor or whatever negative trait that all black males seem to invariably possess when it comes to gaining entree into the business world that caused him to leave of his own accord. I’ve seen white assistants fired after one day because of a screwed up lunch order but you find it credible that the one employee who, by your subjective assessment, was universally understood to be the worst person in the history of people was allowed to keep his job? WME’s commitment to diversity is impressive indeed.
I missed the line under the WME logo that says “An Equal Opportunity Employer.”
Chickens coming home…it is about time somebody called these companies out for being racist. It is so disgusting.
Wow this Marcus character is a real class act. He failed at getting a promotion and instantly assumes it was because he was black. I hope WME countersues this weakling back to his no doubt wealthy parents’ house.
oh this is going to be goooood
Wait, his biggest complaint is being mistaken for the other black guy? Ask any Asian, Indian, how often that happens. When it happens to me, I feel bad for the person who says it, because you know they’re embarrassed as hell. I’m not saying there isn’t cronyism, and the reason you have affirmative action is because when the best minds are contribution to a given society/unit, it benefits everyone, and often, minority groups don’t have the access, the family connections that others have. That is legit. Some Asian kid, even one out of an Ivy, who is personable, well-liked, doesn’t have that uncle to hook him up at the law firm, talent agency, etc. But this kid’s complaint is ridiculous. He’s looking for a settlement, and if I were WMA, I wouldn’t settle.
The fact that you simply accept that being mistaken based on your race as normal and acceptable is a really scary thing. It means that you accept the unfair portrait of your race that society has painted you and it means that you are too sucked into the culture of it all to even fight it. That’s disturbing that you buy into it all. Isn’t that the ultimate kind of white/brain washing?
Are you kidding? You wrote an entire post about being upset because someone confused someone else with another person?
Are YOU kidding? You spent an entire post commenting on AJ’s intelligent argument with a completely unintelligent and unconstructive insult?
If you’re going to insult someone at least add something to the table.
not confusion–but being ignored, uncredited, falsely accused, unfairly treated, because of your race. You know, things that could very easily be excused or skimmed over as “confusion” bullshit.
Why do you think being offended by rudeness or ignorance entitles one to $25 million dollars?
aj (Marcus), I was the one who just called you out on being offended because someone mistook you for the other black guy.
You’re response was some mumbo jumbo about how I’m accepting unfair portraits of my race.
Dude, when someone mistakes me for another Asian guy they’re friends with outside of work, or a co-worker at work, I’m not offended, because I’m a great-looking, well-liked guy, and they’re mistaking me for the other, similar dude. And if they’re mistaking me for a person of my race who is completely different, it’s usually because, hey, people do label others according to traits: Race/sexuality/gender. It doesn’t make it racist. Get over yourself. You can tell that you’re a drama queen by the first story about you, and now this. There was nothing with substance here at all.
You think an MBA from Miami means *anything*. Dude, an NYU MBA is worthless. Columbia? Stanford? Harvard? That’s an MBA.
“Harvard? That’s an MBA.” – George W. Bush
Win! Don’t have an MBA, but I’d add Chicago to that list too, and I can’t believe he forgot UPenn Wharton (after Harvard, definitely the best one).
Kd, do you seriously hear yourself right now? All your remarks are implicitly racist. Firstly you say you aren’t offended for being racially pre-judged because you are a “great-looking, well-liked guy, and they’re mistaking me for the other, similar dude.” Really? You just made a completely unjustified generalization about all asian men. Whether it is a positive stereotype of asian men or a negative one of blacks, that is still racism.
Secondly, you make the assumption that just because I defend Marcus that I am black. Not only is this utterly lacking in logic but also completely false. I am actually Asian.
I just think based off of the statistics, (1/250 agents is an agent of color) Marcus’s case should be heard. Is hollywood implicitly racist? Probably, and we should shed some light as to why that is! People are dismissing Marcus as being incompetent, whiny, in order to discount his case and silence him, but it is an issue worth examining.
Stern (NYU) and Columbia were tied in the past year’s rankings.
I hope whatever judge gets this throws it out immediately. THIS is the type of crap that is bringing our country down. Spending tax payers dollars on this nonsense in a court is just one of the many reasons we are in a major budget deficit.
This kid can’t get a job because he sent a company wide manifesto and is now looking for a payday. I know many of the trainees that came up with him, and the fact is – an MBA from Miami isn’t even close to the type of degree and experience some of these people were holding. So for deadline to print that this kid had credentials far surpassing his colleagues is a joke.
Yes, thank you Jesse! I agree and think this suit is not only a huge waste of time it defies any larger statement Marcus may have been trying to make by sending out that email initially. Is Marcus standing up for the minorities in the entertainment industry? I doubt it because where do those individual people fall into this case? Should he win, Is he going to march into production companies and studios with his money and lobby for the creation of more jobs for minorities there? No. He, like the rest of us, got fed up with being treated poorly and paid little, so he’s deciding to act much like the agents would and he’s selfishly suing for a claim he has… perhaps very small grounds, for making.
Precisely. I don’t see Marcus setting up any kind of fund and/or promotional movement for increasing minority employees in the workplace. This guy doesn’t give a flying f**k about his fellow oppressed, he’s just whipping out the race card in a blatant display of opportunism. You want to know where this $25 million is going to go if won? Straight to the Bentley dealership followed by “poppin’ bottles” until he’s filing Chapter 11 in 3 years.
He’s doing this for himself because HE feels He was mistreated. He doesn’t represent all black people in Hollywood. He’s an individual something few commenters here seem to be able to wrap their heads around. But thanks for the overt racism with the bentley and bottles comment. u r the lolz.
can you sue for being lied to by an agent?! if so i also have a suit against WME!!! Please, being lied to is in their job description. Also i had to start at the bottom of the hollywood food chain even though I went to college and had experience in TV. I got a job as a PA. EVERYONE (less maybe certain high profile people’s children) has to start from the bottom, that’s how this business works. I’m not going to sue because I’m a woman who had to start at the bottom. WAKE UP! That’s not descrimination, that’s showbiz!
There’s no suit here.
The thing that made me curious from the beginning is: if it was so out-of-line and unjustified, then why did WME go through so much trouble to recall the email and erase it from the system?
That makes it seem that they were as thin-skinned as the complainant.
Clarification:
they recalled the email because it was a missive sent by a disgruntled employee. any company would do that. racist undertones, pornographic images, whatever … WME reacted by saying first that they disagreed with his point, and then by firing employees who forwarded the email outside of the building. some inside situation is no one’s business, and other gossipy assistants should not be trashing the company.
But that’s just my point: if an employee at my company sends an inappropriate email, we don’t purge the email because that might be considered actionable later on.
We may purge the person who sent it, but if the company is legitimately outraged by something such as “racist undertones, pornographic images, whatever” then we would send out a follow-up expressing precisely why we disagree with the email…distancing ourselves and taking the moral high ground while simultaneously establishing how company policy works.
WME left themselves an opening in the flank for a wily attorney to dig into the soft flesh – especially with 250 white agents versus 5 of color. Does that sound right to you?
You missed the point
They didn’t purge the email
They purged other assistants who damaged the company by sending the stupid email around as gossip.
Congratulations Marcus! You just made it that much tougher for every other minority starting out (or planning to start) from the ground up in the agent biz…
Your egregious abuse of the legal system is atrocious! Enjoy your 2 seconds in the spotlight pal – Good riddance (WME)!
actually he’s making it easier dumbass. marcus may not get much out of this probably will get the short end of the stick, but i must thank him for making it more difficult for agencies to mistreat minorities.
this PR is very very bad for WME and every other agency that has pitiful diversity percentages.
Which is, most of Hollywood?
Everyone sees this for what it is: a lazy, incompetant person who was fired and is looking for a handout, “or he’ll sue.” No one is fooled, and no one is scared.
Thanks for covering this, Nikki.
nikki,
it would probably make sense to explain the sandy epstein thing a bit more … you keep reporting it as a sexual harassment. you know that NO ONE has ever accused anyone of making a pass at sandy, having sex with sandy, or wnating to have sex with sandy.
she was another, more organized, disgruntled employee who was not happy that she wasnt a better agent
Agreed. Hearing the Archie Bunkers of the online world trolling this thread makes me laugh. It’s going to be a real bucket of water in the face in only a few decades when whites are the minority and blacks and hispanics make up 2/3 of the US population. It won’t be quite so funny when these chickens come home to roost.
What are you planning? Some kind of NAACP world domination? Yes, revenge on the mean ol’ white folk for horrendous crap that occurred generations before any of us were even born is definitely the path to achieving racial equality and harmony…
Idiot.
So…you’re saying there IS still racial inequality and disharmony? And why do you think that is? And do you support ANY measures to change that?
It’s funny…had someone said “AIPAC world domination” instead of “NAACP world domination” they would instantly be labeled an anti-Semite. That is pure media brainwashing, and yes, some of the media is run by Jewish people. But it is what it is and let’s not pretend that the first sentence of this paragraph is not 100% true. If you can’t be honest with yourself for one second about that then you are deluded.
Yes, I do still think there is disharmony. I also think this is partly because white people are sick of walking on egg shells and worrying that no matter how equally and fairly we treat black people, we’re always at high risk of getting cussed out for something our great great great grandfathers did, or being told we’re patronizing, etc. etc. etc. etc. etc. The list goessssss onnnnnnnnn…
Many people say they want equality, but few few few people are willing to let go of the race card in exchange for it. It’s been a crutch. It would be like telling the unemployed that they were all being given jobs right now this very instant, but would have to give up unemployment insurance. No way. The race card is the ace in the hole that no one is willing to part with in exchange for true equality and harmony. There always has to be the notion that the white man is in some way holding everyone down, because no one knows any other way to get ahead in the world without exploiting that notion.
yeah, can’t wait. And when that great day happens blacks and the Spanish speakers will still be complaining about Whitey/Englishy and how racist/ethnicist they are.
Groan. Sounds like the EEOC has taken care of the situation anyway. Why go for yet more relief? Greed? A vendetta?
I’m sorry but I know several people who go into entertainment companies with this same “them against us” mindset and look for opportunities to sue or wrist-slap executives because of the “network, don’t real work” unprinted policies of promotion.
Get over it. If you don’t like it, leave – no one is stopping you. Go to a company that DOES reward employees of ANY race for achievement, and doesn’t rely simply on friendships as a metric of competency. Doing this will only create feelings of resentment and tense relations between all parties involved.
Does Mr. Washington really believe this will change the way studios and agencies work?
All this is going to do is cause this person to be further avoided, as he is apparently a huge HR risk.
Whoa. I never imagined that his infamous email would have led to this. As a person of color, I can’t say I agree with these measures at all. Sure, there’s a noticeable lack of diversity in the agency environment, but is being litigious the solution to the problem?
Though I am sure he will be attacked, I must admit that there is no diversity in the agencies. I worked at two in my past. I cannot speak to his experiences (and neither can anyone), but the underlying point is an important one: it is a homogeneous environment, and one that should include more diverse employees. Diverse workforce brings a variety of taste, talent, and eventually $.
Not to pile on, but I never heard of this 8 time grammy nominated artist.
And who’s fault is that?
It means WHO the fuck cares about this no-name person you brought into the agency? Obviously they don’t, otherwise you wouldn’t be out on your ass right now.
@duh
if you’re in the agency biz (I’m assuming you’re not), you better know who the grammy/oscar/emmy level artists are. hysterical.
Who’s talking about not knowing who she is?
All people that say this is just how it is…you are part of the problem. THIS IS NOT OKAY. This is a HUGE and very UGLY practice in our business. You think it is “just the way things are.” GROSS! The EEOC is not enough. He is entitled to his legal recourse and whatever is rewarded to him, if anything.
I am a black assistant working for one of the studios, and I can honestly say that there are both white and black assistants that have either been promoted over me, or are still sitting in the positions they were hired in, 3 or more years after being hired.
It does take a certain amount of networking to achieve a promotion, but as stated above, it is not unique to African Americans. This guy Marcus certainly has a jaded view of the process, one that is only going to keep him out of top posts in entertainment for the rest of his life.
Hey Marcus too bad Julia Phillips already used the title of your forthcoming book.
I am prepared to be flamed for this.
25 years in the business. I have been represented by 4 major agencies. I have worked at every studio. I have watched them come and go. Bottom line –this is an ugly meritocracy.
Every studio has tried to promote, hire, recruit black executives. They’ve taken them out of the Ivy League, they’ve taken them out of Howard. Very, very few have survived. I sat for hours once with a studio head who bemoaned the fact no matter where they tried to get black executives, they didn’t do the job. They showed up to Monday meetings, having not done the weekend reading. Not one, not two, not three, but five execs in a row. They gave up and stopped recruiting.
Too many people want these jobs and are prepared to work 80 hours to a week to move up. Anyone moving against the tide to get this far has to be special. They have to believe they’re special. But they can’t act like it.
There is something off about the winnowing process that brings black candidates to Hollywood. The arrogance that Washington complains he had to start at the bottom (like every other trainee) is a sad clue to what’s going one. You’re not special. You’re just black.
Just because you’re a manager with a successful client doesn’t mean you have the skills or personality to survive an agency life. Suing WME for this is pathetic. Wow, people, lied about you, tried to hold you back? Like every other agent in the building. There were insensitive people working at an agency? Really? Work harder, get better, get even, get out, get angry, form your own shop. Hmmm, how did Endeavor get started. Maybe you were in the wrong job.
Nobody looks at John Singleton’s color when they hire him to direct Taylor Lautner. Nobody. They ask how much money they can make. A skilled director who is black. Not a black director.
I don’t want a black agent, or a woman agent, or a gay agent. But I will happily take a great agent who is a black, gay woman.
This is the wrong way to solve a real problem.
Perhaps it’s the wrong person suing for the RIGHT reasons. The ratio sorta speaks for itself doesn’t it?
I’d love a long paragraph on how else you can solve this problem.
That’s how I feel about it too. Hopefully, the suit will force them and the other agencies to go out to the HBCUs and recruit like the Proctor & Gambles do.
If there was the option of a “like” button, I would use it for this post
Bill Johnson cuts to the chase on the clear realities of the situation…well said!
Because he makes racist apologists like you feel better?
Slow clap.
I’m a woman in the agency business who is extremely well connected. Do I expect to enter at the top? Hell no. I started at the bottom of the bottom, despite all the people I knew. Intern, mailroom, floater, and now assistant. I’m proud to be working my way up and I hope to be a trainee in a couple years. I don’t think the agency is holding me back or limiting me because I am a woman, despite the fact that there is a ridiculous ratio of men to women in the agency world. Work hard, be great at your job, and network the hell out of everyone. That’s how you succeed – not complaining because you didn’t get special treatment. It sounds like this guy was treated just the same as the rest of us. Except I’m not going to sue about it – I’m going to work harder.
I agree with you at the end too. One day I will be an agent who is also a women, not a “female agent”. Same with my race or sexuality.
@CL: this would sound pretty smart except you said the following: “I don’t think the agency is holding me back or limiting me because I am a woman, despite the fact that there is a ridiculous ratio of men to women in the agency world.”
That doesn’t make any sense and just further illustrates that there is still a huge problem. Way to go!
It makes perfect sense to me. Maybe you should learn how to read. She’s saying that even though there are more men than women at her agency, she is still able to continue because she is willing to work hard and has dedication to what she is doing.
Well said Bill! I agree, this is the wrong way to solve a real problem.
This “story” sounds ridiculous. There are plenty of Black lawyers and doctors in this country and they have to do way more reading (and more complicated material) than a film exec has to do.
I don’t believe that this exec couldn’t find a qualified Black candidate and by you advertising this story perpetuates the stereotype that Black people are lazy. Shame on you. It’s not even your story, it’s second-hand garbage. And shame on everyone applauding this story.
You missed my point. Completely. The process that leads black doctors and lawyers to success is working. It is a clear path with a defined goal at the end. Once they have passed a certain set of obstacles, they are a Doctor. Or a Lawyer.
The entertainment business is a strange amalgamation of entrepreneurship, scam artistry and actual art. The cultural truth that a bunch of Eastern European Jews who weren’t allowed to own property in the countries they fled, who had grown up in a Talmudic tradition of arguing over crap that didn’t matter, and had nothing to lose prepared them at a certain point in history to enter the movie business is just that — a historical and cultural event.
If you want a sense of this I would recommend Otto Friedrich’s excellent book “City of Nets, A Portrait of Hollywood in the 1940s.”
Obviously this is not to say the Jews run the media. Or should. But a historical continuum has led them become experts at negotiating over the inane. There is no current cultural model that is preparing the black candidates in droves to succeed as they enter Hollywood. The bright kids who want a clear career path aren’t the ones that end up here.
You know why black people can’t play hockey? Cause they didn’t grow up in Minnesota with nothing to do.
Bold Bill Johnson…rings true for me. Very bold…great post.
I find your comments well intentioned and worthy of a thoughtful Fiskian rebuttal
-Your bottom line summation is demonstrably false. An ugly “profitocracy” would be more accurate.
-True, almost every studio has a diversity office i.e a black female (two-fer!) hired to pay lip service to the notion of diversity or otherwise apply some ethnic window dressing. Reading this blog will tell you that very few executives of any racial background survive in this business (and that vast numbers of white execs are grossly incompetent in someone’s estimation). That said, one anecdote from one studi head (who’s biases none here can speak to) grumbling about the 5 people that his company tried to hire can lead to no definitive conclusion other than so deep was their commitment to diversity that they stopped trying after five. All this to say the “there are no qualified blacks out there, we looked for, like, ever” argument does not portray anyone in a good light.
-About this I will only say that what I love about Hollywood is that, above the line, no one is uniquely qualified or capable of anything. Real estate brokers turned production execs, skateboarders turned directors, comic book writers turned studio heads. Up is down, left is right (but black is still black). With some notable exceptions, most of the now agents, producers & executives I know are just as incompetent, self-absorbed, disinterested and morally dubious as they were when we started in the mailroom 15 years of ago. Still they rise.
-Everyone complains about starting at the bottom. It’s the bottom. The difference may be that a lot of whites have the luxury of starting at the middle alas that’s a separate but related issue. What you call arrogance in a Washington some might call Machiavellian ambition in a Stein. In this case Washington being “just black” may be the problem. Or he may be a jerk. But they can’t all be jerks really can they?
-Because he was a manager with a successful client he looked to be compensated like all the non-black people he sees around him being compensated for the same or less. WM signed this person so they saw something of value and if he was instrumental in that acquisition it’s only fair that he receive something. It’s business after all. I’m not saying make the guy head of talent but if he starts off bringing something to the table…fair is fair.
-I do agree that the suit is ill-advised at best and not the least bit quixotic but I further submit it is largely symbolic as well. I don’t know who is served by chastising the man for his naïve adherence to some semblance of ethical and honest behavior. Whether he was in the wrong job is neither here nor there. It seems to me that he was more or less told that he wasn’t welcome not because of what he could or couldn’t do but because it was decided that he was not the right “kind “of person.
-I imagine they were looking at Singleton’s quote when they hired him. The $20m to Abs of Steel probably quieted whatever misgivings there may have been. And we’ll consider the matter closed with the “black” qualifier is dropped altogether.
-But we shouldn’t pretend that the conversation in studio meetings more often than not sounds like: “Well, according to this [information that confirms my own bias] movies with black leads/black directors don’t sell overseas so we’re not going to ‘go urban’ with this.”
-A real problem that this suit, should it go forward, will do precious little to address, on that we sadly agree.
Bottom line: many white execs over the years also show up to the monday meeting not having done the reading. They are still execs now and no one says ‘white execs never do the reading.’ They are regarded as individuals unlike minorities in the biz. I have known white execs who have not done the reading and not even attended the meetings. They are also still execs. If you are going to single people out then single out all of the people not doing the work. The fact that only minorities are singled out kind of proves the point.
“he was forced to start at the bottom…in which advancement is based largely on networking and mentoring, not actual merit and ability”
Welcome to Hollywood! He didn’t know that’s how this business operates? THEN HE’S IN THE WRONG BUSINESS and no wonder he wasn’t promoted, LOL. He foolishly thought a degree and being a glorified assistant to some mid level artist would buy him a first class ticket to the head of the agency? Bwahahaha!
Look, should there be more diversity in agencies? YES. Hollywood is lacking diversity at ALL levels and that needs to change, but quotas and ABSURD lawsuits that will pad the pockets of disgruntled idiots aren’t the way to achieve it. Forcing someone to hire someone who is potentially unqualified based on race alone is ILLEGAL just as much as throwing their impressive resume aside because they’re non-white is. You cannot discriminate based on race. He thinks they did so against him because he was black, but had they promoted him just because he was black it would have just been reverse racism.
All in all it sounds like he was treated just as crappily as an other low level agent, assistant, or intern at a top cut throat agency in a cut throat industry. He needs to put on his big boy pants and get over it, and these agencies need to be sure they’re open to all races. Are there many minorities trying to be agents? That’s another question to be asked. What if they simply don’t have too many applicants that are non-white? Did he think of that? Sure, all of this should be taken a look at, but this pathetic little Mr. Washington needs to grow up and realize that a degree and an “manager” gig to some mid-level singer doesn’t make him hot sh*t in this biz. And I LOL @ him for thinking it did.
i believe the law says you cant discriminate based on race. i believe the conventional (and perhaps unproven) wisdom is that diversity in staff brings diversity in ideas and eventually more cash.
all that said, i dont think agencies exist to provide opportunities to minority employees. i think they exist to get jobs for talent.
if a black person can get someone a job, welcome aboard … be an agent.
if a black person cant, get lost.
same for a white guy, a jew, a midget, and any other qualifier you can think of.
Some recurring themes I’m struck by:
1) the proffered notion that there are legions of unqualified black people lurking along the margins of HR rolodexes around the country and a constant vigil must be maintained to keep these people we’re absolutely certain can’t do the job from ever getting the chance to actually do the job.
2) the notion that black people have collectively agreed that there are select industries in which they have no interest whatever, hence the supposed dearth of applicants.
3) the notion that one company’s heavy handed and sporadic attempts to “level the playing field” by forcing the hire of some random person of color every time the NAACP holds a press conference, this one time foregoing the proper hiring protocols in a similar fashion to the way your old Sigma Chi brother’s short gets put in your bosses’ inbox somehow amounts to overwhelming advantage to black people.
4) the notion that Hollywood wages are so low that only a privileged white person could afford to work in Hollywood reconciles with less than 3 percent of entertainment executives, directors, writers, etc being people of color.
I just find it curious.
Good for him.
It never ceases to amaze (and amuse) me that entertainment industry denizens who forever yelp about how “liberal” they are, and who love to rail against conservative republicans for being “intolerant,” bend over backwards to exclude anyone who isn’t from their WHITE old boy/old gal/old jewish/old gay network of associates. Hollywood TALKS a good game, but when it comes down to dollars and cents, like libs in general, “diversity” is what they demand of everyone ELSE, while they themselves remain above it all. What a bunch of hypocritical phonies.
BECAUSE of how liberal they are.
The problem in the agencies as well as the studios and Hollywood in general isn’t overt racism per se but the fact that the system as set up involves people working as PAs and assistants for extended periods of time, at wage scales so low that it’s practically impossible to live in LA or NY without family money. So by its very nature, that’s going to limit the diversity of the applicant pool.
THIS. A million times, this.
That’s actually the bottom line. There’s no way anyone can work as an assistant without getting some help from their parents or working a second night job.
Exactly.
When I graduated law school, I went into an agent trainee program, but could not afford it. I simply did not have family members to bankroll me like others in the program. They had family members paying both their rent and car notes. So, they were left with few expenses.
Classic example of pulling the race card. What a fool. Looking forward to WME exposing all his failings.