The reviews are in — and London’s critics are swooning after sitting through two nights of director Danny Boyle’s production of Frankenstein at the National Theatre. Boyle had actors Benedict Cumberbatch and Jonny Lee Miller playing the parts of Dr. Frankenstein and the Monster on Tuesday night. Then the thesps swapped roles for Wednesday night. The Guardian called Boyle’s production “a bravura triumph … a stunning evening”, while The Times has called it “a theatrical coup”. Oscar-winner Boyle’s work, the paper continued, “is the equivalent of jamming your fingers into a plug socket”.
Charles Spencer in the Daily Telegraph’s review concludes: “Boyle, returning to the theatre after his Oscar-winning success with Slumdog Millionaire, pulls off something truly spectacular here. The Frankenstein story has become so familiar that it might seem an impossible task to make the old story seem fresh. Yet somehow Boyle does just that.” The Daily Express struck the only sour note, saying that Nick Dear’s script “often dragged as badly as the Creature’s foot when he learnt to walk”. The National Theatre will use high tech to beam Boyle’s Frankenstein production from the London stage to the U.S. in hi-def to 85 cinemas on March 17th and then on March 23rd. Audiences in Los Angeles will be able to see it at the Mann Chinese 6 in Hollywood. (For more background, see Danny Boyle Does Frankenstein On UK Stage.)


Boyle is unstoppable. He finds truth and beauty and energy in absolutely every subject matter there is.
And he makes you feel it.
He’s the type of director that just makes you want to quit, b/c you say, “I’ll never be THAT good.”
Thank God he’s around, though…:)
Oh, please.
There’s a world of difference between theater and movie direction, and anyone who doesn’t get that, doesn’t deserve to be making movies.
“Sunshine” lifted obviously from a plethora of other, far superior science fiction movies.
“28 Days Later” was a direct crib from plot points from “Day Of The Triffids”. It was fine, but let’s be serious here.
“127 Hours” wasn’t really that good. “Buried” did more with an even more restricted venue.
Between Fincher and Boyle, the preening acolytes are out in force this year.
Boyle deserves all the accolades he’s getting just for the mere fact that he’s trying something different every time he directs something and the final result is always good or even great.
I’m very glad that people like Boyle and Fincher and a few others keep making “real” movies, otherwise we would have only “dreck” in the multiplexes.
Nice of you to leave out his masterpieces Shallow Grave and Trainspotting… oh yeah he also directed a best picture winner.
Seriously with this?
Boyle is an obvious talent and saying that he “lifted” something is so short sighted it’s inane. Trainspotting was a defining moment in cinema indie or otherwise that has been lifted many times over.
Your comment about stage tells that you haven’t worked it. I wish more young directors had some stage background – performance, theme, pace and even editing are things learned from working with just a frame and an audience.
Go see some theater and get yourself some perspective.