Deadline.com and its parent company MMC is embarking on an intensified legal campaign to protect its original content. I began Deadline Hollywood Daily exactly 5 years ago in March and have seen it grow as a very successful and widely respected website of breaking news and analysis and commentary about the entertainment industry. I will not, and can not, allow anyone to rip off Team Deadline’s exclusive coverage. It often can take weeks of working our deep sources to report and write our posts. And yet a proliferating number of blogs and websites without the journalism credentials we have often post our original content 5- or 10-minutes after us without credit and/or linkback and without individually reporting the articles themselves. And merely calling a studio or network and saying, “Is this correct?”, then copying Deadline’s post often word-for-word and slapping a different byline on it, does not constitute reporting in my journalism playbook. Nor should it for you readers.
In 2010, Deadline’s parent company MMC brought separate lawsuits in Federal Court against the owners and operators of DeadlineHollyweird.com and BoxOfficeWorld.com. Both resulted in the owners of those respective websites effectively closing up shop immediately after we filed suit. While those websites still technically exist on paper, they have been completely stripped of all content. We are currently in the process of resolving those lawsuits in a very favorable manner. In particular, the settlement in the Deadline Hollyweird lawsuit won by MMC’s outside counsel Bryan Freedman of the Century City law firm of Freedman & Taitelman will result in, among other things, the defendant transferring the entire domain DeadlineHollyweird.com to MMC.
Now we embark on our next phase of copyright protection. TheWrap.com has had many wholesale staff turnovers since it began in January 2009 and at present is operating with just a handful of reporters — apparently the least amount in its brief history. As one of TheWrap’s reporters emailed to a Deadline staffer expressing his frustration trying to compete with us, “I spend my days following and getting scooped by you.” But that is no excuse for what keeps happening and is even increasing as outlined in this letter which attorney Freedman just sent to TheWrap’s editor-in-chief Sharon Waxman, COO Mark Davis, and board directors Ben Choi (a principal at Maveron which initially funded TheWrap) and Charles Koontz (a media entrepreneur):
February 22, 2011
Re: Mail.com Media Corporation v. the Wrap News, Inc. d/b/a The Wrap.com
CEASE AND DESIST: THEWRAP.COM
Dear Messers Davis, Choi and Koones:
This firm represents Mail.com Media Corporation (“MMC”), the owner of the website www.deadline.com (“Deadline.com”). It is our understanding that the Wrap News, Inc. (“WNI”) owns and operates www.thewrap.com (“TheWrap.com”). I am contacting you because it has become apparent that TheWrap.com and its employees have engaged in a continuous pattern of misappropriating content from Deadline.com, publishing that information on TheWrap.com, passing off that information as its own, and doing so without compensating or even crediting Deadline.com. In many instances, TheWrap.com’s misappropriation involves the wholesale copying of substantial portions of articles posted on Deadline.com. While I want to inform you that MMC and my office intend to closely monitor TheWrap.com for any continued infringement, I also want to stress the need for WNI to implement internal policies and procedures that will discourage future infringement by TheWrap.com, and minimize WNI’s exposure to copyright infringement or “hot news” misappropriation liability.
MMC is concerned that TheWrap.com’s infringement on and theft of Deadline.com content is not an isolated incident. Rather, TheWrap.com’s copying of Deadline.com content, which has been going on for some time now, is only getting worse and is apparently becoming an institutionalized practice. As a result, both MMC and my office intend to make a concerted effort to monitor the TheWrap.com in order to identify and document any infringement of Deadline.com content that occurs on a going forward basis in case formal legal action becomes necessary. Rest assured, nothing will fly under our radar.
If TheWrap.com’s infringement continues, MMC intends to vigorously protect its intellectual property rights. As you probably are aware, the unauthorized copying and distribution via the internet of even portions of Deadline.com content, without the express permission of MMC, constitutes copyright infringement in violation of Title 17 U.S. Code, Section 106(a) of the Copyright Act of 1976. Such infringement subjects WNI to damages and injunctive relief. Moreover, based on what is undoubtedly willful infringement of MMC’s rights under 17 U.S.C. Section 101 et seq., WNI could be liable for statutory damages as high as $150,000 for each act of infringement as set forth in Section 504(c)(2), as well as attorney’s fees and costs.
Even when TheWrap.com does not copy Deadline.com’s content verbatim, WNI’s misuse of Deadline.com’s exclusive and breaking stories exposes WNI to liability under California’s “Hot News” misappropriation laws. Like many other jurisdictions, California recognizes the tort of “Hot News” misappropriation. See Balboa Ins. Co. v. Trans Global Equities, 218 Cal. App. 3d 1327, 1342 (1990); X17 v. Lavandeira, 563 F. Supp. 2d 1102 (C.D. Cal. 2007). A defendant will be liable under this theory if: (i) the plaintiff generates or collects information at some cost or expense; (ii) the value of the information is highly time-sensitive; (iii) the defendant’s use of information constitutes free-riding on the plaintiff’s costly efforts to generate or collect it; (iv) the defendant’s use of the information is in direct competition with a product or service offered by the plaintiff; (v) the ability of the other party to free-ride on the efforts of the plaintiff would so reduce the incentive to produce the product or service that its existence or quality would be substantially threatened. National Basketball Ass’n v. Motorola, Inc., 105 F.3d 841, 852 (2d Cir. 1997); Lavandeira, 563 F. Supp. 2d at 1105, 1108-1109; International News Service v. Associated Press, 248 U.S. 215, (1918). As TheWrap.com’s sources clearly are not as robust as those of Deadline.com, TheWrap.com attempts to compete with Deadline by free-riding off of Deadline.com’s exclusive information and breaking news. This is underscored by the fact that TheWrap.com frequently posts articles mimicking Deadline.com’s exclusive content shortly after dealine.com breaks such news.
The obvious problem with TheWrap.com’s institutionalized content theft is highlighted by Sharon Waxman’s sentiments towards such practices. Last year, Ms. Waxman voiced her frustration towards the alleged theft of TheWrap.com’s content: “Newser’s conduct violates The Wrap’s rights because: (1) The Wrap generates and gathers time-sensitive information at a cost, including, without limitation, original stories ferreted out and reported by The Wrap’s full-time employees and paid contributors; (2) Newser free-rides on The Wrap’s sweat of the brow by publishing summaries of these stories without affording The Wrap appropriate credit and a prominent link; and (3) Newser is in direct competition with The Wrap. Thus, Newser’s conduct, in addition to amounting to garden variety plagiarism, constitutes unfair competition and violates certain deceptive trade practices statutes.” MMC agrees with Ms. Waxman. Something must be done about these practices.
MMC demands that WNI and TheWrap.com immediately cease the continued publication, use and distribution of the copied and misappropriated content from Deadline.com, and that WNI and TheWrap.com desist from this or any other infringement of MMC’s rights in the future. Unfortunately, it does not appear that WNI has executed policy and procedure necessary to curtail infringement. In fact, WNI’s lack of oversight of TheWrap.com’s staff and contributors seems only promote continued infringement. While we recognize that WNI is faced with the challenge of constant staff turnover, we strongly recommend that WNI take this problem seriously, investigate TheWrap.com’s journalistic practices, and establish guidelines, checks and balances that will hopefully prevent, not encourage, future infringement. If increased oversight is not successful, a more aggressive strategy may become necessary. We sincerely hope that WNI is capable of regulating TheWrap.com’s use of content so as to avoid MMC’s need to take more formal remedial steps.
This letter is not intended to set forth MMC’s entire position regarding this matter. The foregoing, therefore, does not constitute an election or waiver of rights. MMC reserves all of its rights and remedies against WNI.
Very truly yours,
Bryan J. Freedman
FREEDMAN & TAITELMAN, LLP
ATTORNEYS AT LAW
Editor-in-Chief Nikki Finke - tip her here.







Gee, I hope when I grow up I have “robust sources” too!
Glad to see you guys doing this – now can you get mainstream media to stop doing the same? They’ve become “repeaters” not “reporters.” Good for you guys – glad to see this.
Really? This is actually happening? By your logic, almost every single entertainment news site is copying you. Is “sources say” not enough? Do you feel you must be credited for every little thing to the letter? Sounds like an ego. I like you, and I like your site, but this is ridiculous.
Adrian – your ignorance is hopefully a lack of years, not a lack of brains. Either way, writers defending ownership of their work is not “ego”. Piss off back to your filesharing downloads, let the adults handle this.
Sorry Henry but gawker media has lawyers that will fight back, same with huffpo slate fark and all the other news recycling sites. The wrap is a sinking ship that probably doesn’t have the resources to fight back.
Once again, only news for Nikki butt kissers.
Being upfront like this is the reason I follow deadline over any other. Godspeed.
I can’t wait until the movie about all this comes out, al la The Social Network. Nikki is like the movie industries Mark Zuckerberg, but without the millions of $… yet.
This lawsuit is right on and addresses some serious wrongs going on in the industry right now. We are being choked by a sea of professional plagiarists. It would be a much easier pill to take, however, if the same parent company (MMC) that sent cease and desists would clean up its own house while it was at it. MOVIELINE is notorious for the exact same practices and has no qualms stealing or reprinting the efforts of others while employing editors and writers who refuse to answer or redress the complaints of the writers they’ve stolen from.
The Playlist Blog at indiewire rips you guys off so bad it’s not even funny. They re-report your stories 5 minutes after you post them. They do link to your site but not sure how that makes up for the fact they take your stories, pretty much word for word.
Go, Nikki, go.
I think this lawsuit is right on principle. In the world of media people rip off original sources/stories every damn day and no one gives credit for the entity that had the skill and talent and sweat to break the story.
Local TV news stations across this storied land rip and read from the morning papers with nary an attribution. The much vaunted NPR (especially the local NPR affiliates) do pretty much the same, having in-studio hosts read stories as if they had reported/broken them. On a larger scale, popular news documentaries such as 60 Minutes rip stories off from smaller media outlets all the time and “re-report” them for their audiences which likely never heard the story the first time around — until 60 Minutes added their slick production touch. And, now, the Internet has become a bastion for breathless, shallow websites such as Gawker (and others) that post stories, couched with unbridled snark, as if they had originally reported them.
I wonder what Gawker — or The Wrap, for that matter — would do if they had to cite the Deadline.com or the New York Times or ESPN.com or People magazine every time they used info from them and did not just lazily rely on highlighted links to click on.
that’s a wrap
I’ve read the post in detail and only breezed through the comments but are people reading the post properly?
Some are saying that as long as the The Wrap is crediting Deadline it’s ok. The point that NIkki is making is that The Wrap is NOT doing this. For people that don’t understand this I suggest they read the post again properly.
Ego?
I call it seeking professional etiquette. Nikki has a right to request that The Wrap credits the source- her! Doing so is professional journalism and I’d like to think that the most respectable websites would do this anyway.
I fully support your position, Nikki, and I hope other original content producers follow your lead.
Here’s how you prove your case:
* Set up automated snapshotting (1 min interval) for Deadline, TheWrap and any other sites, with publication time/date and content recorded.
* Match relevant articles, then compile the results/data in a spreadsheet.
* Publish this on a subdomain at deadline.com so that people can see what you are talking about.
If there is a pattern of content stealing, it will show up as clear as day. If a competitor is scraping your site each day and posting content as its own stories, then it’s this PATTERN — not any one individual story — that will allow you to go after them.
I worked at The Wrap for over a year doing a humorous webseries on entertainment news..and then was dumped without notice. I was privy to Waxman’s weird obsession with Nikki finke.
No one quite has the caliber of reporters that Dealine has. Day in, day out when you read the trades, other publications usually regurgitate what you read on Deadline, which is laughable.
Go team Deadline!!!
Hi,
A long-time reader of DHD.
Sharon Waxman is a deadbeat has-been who deserves this.
However, While Jay Penske is doing a steller job creating a digital Conde Nast, this lawsuit, just like the work trying to trademark “Toldja” is what happens when you have too much money to pay expensive lawyers.
Grow up guys.
This is blogging, the place where I remember others writing stories that were lifts from other sources without credit, or simply respun press releases in their earlier days, and lacking links to originating sources; If you’re good (and you are) you’ll succeed, if you’re not you won’t – give your audience credit rather than wasting energy/resources on lawyers if this is anything more than pr.
Yours kindly,
Shakir Razak
Good for you. Theft is theft, and it’s time that IP creators and owners start taking the fight to all the thieves and pirates out there who profit off other peoples’ labor.
Good for you, Nikki. People need to learn that reporting and poaching are two different things.
C Robert Cargil? Also known as Massawyrm from AICN? Another site that takes scoops from this site. Although to be fair AICN always links and gives proper credit. But still this site has killed geek sites. AICN use to break almost every movie news story. But that was 10 years ago and now that’s not the case
Anyone who spends hours researching and writing ORIGINAL CONTENT (as opposed to simply publishing press releases with perhaps an additional sentence, if that) gets ripped off.
But your statement “a proliferating number of blogs and websites without the journalism credentials we have often post our original content 5- or 10-minutes after us” seems to indicate that this behavior was – in general – a one-way street. It is not.
Journalists with credentials also seem to be a lazy bunch, especially when it comes to TV coverage. A large print paper recently hired some bloggers to write for their TV and movie section. It was about time. Perhaps they finally had the bad luck to lift content from a blogger who had the means to hire a lawyer. That’s my educated guess.
If you think it’s frustrating to see your content lifted, just imagine how frustating it must be for jane and joe shmoe who can tell from their traffic stats what big publishers come visit to “get inspired” aka feel the pulse of what’s going on. Citation? Linkback? In your dreams. Needless to say, jane and joe don’t make enough from their blogs to take on those pros. And needless to say, the public would never suspect that BIG GUY ripped off blogger. That’s why I wanted to point this out here.
Oh boy – you are a contentious b**** Nikki, but at least you are a legally supported one.
Get ‘em, Nik. The Wrap sucks. A lot of sites that IMDb links up to in their news section do the same thing. I’m constantly seeing stuff up on there after you report it here. You only get credit about a quarter of the time. The rest link to random other, rip off, sites.
Just file the lawsuit and close it down.
U r being wayyyyyyyyy toooooo nice.
Nice has kept women in the back of the bus.
Isn’t it bad enough that we are still free housekeepers,free homecooks,free childcare workers;and don’t for one second think that men aren’t laughing about it tovtgemselves and to others behind our backs.
The biggest f ng joke. Women r n of the world- John Lennon.
I have only been visiting this site for about 6 months and I am extremely impressed with the hard work and commitment everyone ‘behind the screen’ puts in.
Keep it up and glad to hear that you’re taking positive steps.
A thankful reader.
Go Deadline! We’re all behind you! I wouldn’t turn anywhere else for my industry news.
Cease and Desist you mean put the retainer down for Federal litigation.
No on responds to cease and desist after You tube, Napster etc.
In fact in this law seminar they expose the tangent costs to any digital content.
http://www.broadcastlawblog.com/2011/02/articles/music-rights/using-music-in-digital-media-business-and-legal-issues-a-presentation-to-the-texas-broadcasters/index.html
That’s how Amazon got over Borders with the Kindle.
They can copy your book and send to a friend ala facebook (TM)
Good luck in the lawsuit.