
After crying wolf before, Martin Scorsese now plans to follow through and direct The Wolf of Wall Street with Leonardo DiCaprio, with Boardwalk Empire‘s Terry Winter having adapted the Jordan Belfort memoir. They will announce financing and a start date in Cannes. Scorsese plans to make the film after he finishes post on Hugo Cabret and then films his dream project, Silence, an adaptation of the Shusaku Endo book that now has Bencio Del Toro attached.
Scorsese and DiCaprio were keen to do the project together several years ago, but it stalled in a tug of war between Warner Bros, which controlled the project, and Paramount, which had a rich deal with Scorsese that entitled the studio to share the film. When that dragged on, Scorsese and DiCaprio made what turned out to be a great decision: they instead did Shutter Island. That turned out to be a big hit for each. Most recently, Ridley Scott made plans to board the picture as director, because Scorsese didn’t think he’d have time after committing to the 3D Hugo Cabret, and mulling The Irishman, a Steve Zaillian scripted adaptation of the mob memoir I Heard You Paint Houses, with Robert De Niro, Al Pacino and Joe Pesci starring. Scott instead committed to the science fiction film Prometheus and Scorsese has swung back around to make his fifth film with go-to guy DiCaprio. DiCaprio will play a Wall Streeter with a raging drug habit and hard partying lifestyle that ultimately brings him down. Belford spent 22 months in federal prison for stock market manipulation. Despite the sound of that, I’m told the script is funny, dramatic and fast paced, and manages to make something of a sympathetic character out of a stockbroker who supervises a cadre of brokers who squeezed clients to buy stocks that paid off–for the brokers, who used the funds to live extravagantly until they were brought down by the feds. It actually sounds a bit like Goodfellas, and it’s not hard to imagine the Wall Street crowd of the 1990s taking the place of mobsters.
Alexandra Milchan, Appian Way and Scorsese are producing. Said Belfort: “After almost four years in development, I can’t begin to tell you how thrilled I am to finally be working with Leo and Marty on this. They’re the ultimate dream team, and it was definitely worth the wait.” Belford has been sober 14 years and makes a living as a motivational speaker and corporate trainer. DiCaprio is currently starring for Clint Eastwood in J Edgar, the biopic of FBI head J. Edgar Hoover.
Scorsese’s plan to finally do Silence would also bring to fruition a project Scorsese has been burning to direct since 1998. The director and GK Films nearly had the pic together with Del Toro, Daniel Day-Lewis and Gabriel Garcia Bernal in the Jay Cocks-scripted saga of Jesuits who face danger as they preach Christianity and try to find their mentor in 17th Century Japan.


Great, another role that is out of Leo’s league. Marty, please find a new actor to be your BFF. It worked with DeNiro, but Leo is NO DeNiro. I’d rather see Leo playing an older justin bieber.
You are an idiot. DiCaprio may not be your cup of tea, so to speak, but like every other dufus on these boards you are snarky, hyperbolic and utterly wrong. DiCaprio is not DeNiro. No one is. But he is very talented and experienced. He makes his costars better, he works hard, he is amazing more times than not and makes terrific choices. Technically, he’s as real as anything and still dramatic. Hard to pull off and he does it time and again.
Really? Leo’s last bad performance was in Rome and Juliet. Other than that he’s been killing it since he was 22 (Gilbert Grape)
That may be the most ignorant comment ever posted on this site. Leonardo DiCaprio has played so many great roles, it’s amazing to say what you said. Catch Me If You Can, Shutter Island, The Aviator. Even his older work like The Basketball Diaries, What’s Eating Gilbert Grape. There is a reason a legendary genius like Martin Scoresese chose him to be his “muse.
The Aviator? Oh, man. Like Gangs of New York, not helpful evidence for your case.
DiCaprio is solid often enough, but often badly cast given his limited range.
The sad truth of the matter is that while Hollywood pays lip service to loving Scorsese, the iconic director doesn’t have the clout to get those projects made without matinee idol heartthrob Leo D.
It isn’t the 70s anymore and hasn’t been for a long, long time. Imagine Taxi Driver without DeNiro because the studio made him cast Burt Reynolds. This is basically what Marty has to live with now. (See Cameron Diaz in Gangs of New York.)
The power is seldom where it should be.
Agreed.
That is with the first comment. Can’t disagree more the two other responses. DiCaprio has about as much emotional depth as a puddle. The movies kinda-sorta-work, but I never find Leo all that compelling.
marty picked leo because we live in a “justin bieber” culture that needs to be bitch slapped badly.
marty lost it when the coke ended.
I’d rather see Marty work on The Irishman, than yet another movie with Leo.
Amen.
WAR. Medical Crack-Cocaine.
I would personally prefer The Irishman get shelved, and it gets made. The term muse is valid, but it is also a great mentorship. Scorsese saves DiCaprio from the bimbos he dates and the pin up boy shadows in terms of career and public image that could justly compare him to a Beiber-up to his neck in the worst of Babylon. It’s a mentorship.Done right Appian Way will take the seat Martin leaves behind. I wish them both the best of luck.
I think it’s a good project. Better than a Tarantino rumour regarding DiCaprio. I don’t like the tempo and collective voice of Hollywood. Scorsese breaks that which is probably why he does need DiCaprio’s clout.
DiCaprio is like DeNiro in that he has improved with age as well.If he was a bubble gum star, that would not be happening. Give DiCaprio another decade.Mogul in the making.
no one wants to see a film about Wall Street crooks right now!
Certainly not this tired music video; let’s have a movie about the titans of Wall Street corruption (Dick Fuld, Lloyd Blankfein etc.), not a distraction with some minor league piker the feds went after while repeatedly refusing to investigate politically-connected Madoff for years and years.
I think the story and script feel tired. It reads like style is covering the lack of substance. I’m sure Scorcese can give it visual style like he did with the emotionally dull Boardwalk Empire and cast great actors which will cover the deficits in the story telling. Not sure why this movie even needs to be made.
Ahem, Gael Garcia Bernal perhaps?
Gael, is that you?
Sorry if this is off topic, but I Heard You Paint Houses is such a badass title, why do they have to change it to something as lame, vanilla, and run of the mill as The Irishman? Bummer. With Marty, De Niro, Pacino, and Pesci all attached, you could call the movie ‘Generic Gangster POS’ and it’d still make more money than the Bible. Let’s have some fucking fun with our movie titles.
Yeah, “I heard you paint houses” is a fucking sick title. That said, Winter’s draft for “Wolf of Wall Street” is fucking amazing. I hate Boardwalk Empire, but he knocked the adaptation out of the park.
And what’s “out of Leo’s league” – seriously? Have you read the book? or the script? or seen anything of DiCaprio’s? Playing a black man in an African war would be out of Leo’s league. This is perfectly suited to him.
Jesuits in 17th century Japan? How will that movie make any money?
3D plus Samurais
Awesome news. The more films with Leonardo the better. Wonderful talent.
So when is he doing the Irishman? Wolf sounds good but De Niro and Pacino aren’t getting any younger!
i actually would pay to see leo play a black man in an african war. and i’d pay to see a scorcese-directed infomercial. this is a great team and will be another great film despite the so so script.
I concur, I loved body of lies and blood diamond.
Great team, but this script is pathetically cliche. Makes BOILER ROOM read like GOODFELLAS…
… haven’t read it, but this book is god-awful. Not sure how they could do anything interesting with the movie given the dourness of the source material. The author’s self-aggrandizement is insane, especially in light of how two-bit his various operations were. Bottom line, the book is EXACTLY Boiler Room, and somehow less entertaining. But I don’t know, maybe Winter can pull it off. The fact that the book is so boring (yes, a book about a drug addicted con man somehow manages to be boring) and the actual Belfort so unlikeable that Winter will just do his own thing with it (a la Sorkin’s brilliant work on The Social Network). Hey Belfort, I bet you’re reading this: Go fuck yourself you fucking crook. Way to rip off a bunch of pensioners and retirees. You weren’t smart at all, just incredibly evil.
thank you for saying this so i know i’m not the only one. bought the book in an airport (looked promising) and had to put it down on the plane it was so bad.
The actual book The Wolf Of Wall Street is stupendously awful. Like the guy read Tom Wolfe once and said, “I can do that.” Unfunny, uniformative garbage. The real Belfort of the book is unlikeable. Fucking Duchess and her loamy loins. Hope Winter pulled it off, and if he did, I’ll assume he took major liberties on the adaptation.
I have read both books, The Wolf of Wall Street and Catching The Wolf Of Wall Street. There pretty good, and I think a genius like Scorsese is what this film needs. I’m curious to see who they get to play his ex-wife, she is a former beer commercial model. The supporting cast could turn out to be a very important aspect of this. We know Leo will be Leo.
Scorcese’s in retrograde. Bad sign.
Crack Cocaine is not BAD! That was Nancy Reagan propaganda!
Wolf of Wall Street is an AWESOME script – it made the black list the year it was written.
Script is not great. Very cliched. Dull. Not special. Like the writing on BoardwalK Empire became as the season progressed.
Why Marty! WHY!!!!!! Find new blood man. There’s a multitude of young actors dying to work with you.
Seriously, why is he going to usurp a potential pairing with DeNiro, Pecci, and Pacino, a virtual dream team of actors for this Hollywood schmuck?
I’m sorry folks but Leo is just an okay actor that can pronunciate his dialogue very well. He is not the second coming like most have professed. He screams. He sulks. He frowns. Flashes an occasional smile. But that’s it. The dude is LAZY!!! He’s even admitted during the press junket for Sh(i)utter Island. He’s failed in my book repeatedly to live up to the promise he made with ‘Gilbert Grape’. A role where he was totally immersed in. The only thing that comes near that performance for me is ‘The Departed’. But that’s it. He doesn’t have or has lost the stamina to fully inhabit a character anymore. Watching him I’m constantly reminded that I’m seeing an actor perform a scene. ‘Revolutionary Road’ anyone?
There are too many up and comers who can clean his clock on any take of a shooting schedule any day of the week. Look at Inception. Easily outmatched by the likes of Joseph Gordon Leavitt and Tom Hardy and that Hindu actor who was the chemist. And I don’t even think JGL is that good, but you sure as shit were more interested in what he was doing in that movie than what Leo was doing.
Well said. How about Wesley French?
Yes, having to share those intense scenes with Kate Winslet highlighted a lot of his shortcomings.
You definitely saw Winslet bringing the truth and Leo acting a part. Then again not many actors could go toe-to-toe with her in those kinds of scenes and hold their own, but Leo definitely couldn’t.
Leo can play anything he wants to perfection. Period. I was once doing Body Guard work protecting Leo and as we walked Leo actually started doing me. I am a black guy with street edge when I need too. Leo added my street edge and walk without without him actually realizing he was doing it. It came so natural to him like drinking a glass of water.
He should do “Silence” all these other potentials are hype (great cast in all of them) but we’ve seen all these them before! “Hugo” is going to an amazing flick too, – so why not go for something original and controversial.
I think Leo is a fine actor, the problem is he is indicative of a larger Hollywood trend, which is the Ascent of the Boy Men as movie stars. You know who I’m talking about — Leo, Tobey, Jake, now continuing with Pattinson and Efron, etc…the new mold of the pretty and somewhat de-masculinized leading man.
And the pretty man-boys can do just fine in certain roles, the problems arise when they’re cast in the more man’s man roles. I’ve worked on several action-thriller films lately where the lead was kind of your rugged man’s man, and let me tell you trying to cast those roles is a bitch. You’ve basically got your action movie lunkheads (Statham & co) and your pretty man boys, and most of the true men who used to inhabit these roles (Willis, Harrison Ford, Kurt Russell, etc…) are aging out of those roles.
We’ve got Russell Crowe and Gerard Butler, but really, you wanna cast a name actor in a man’s role and you’re stuck with a list of the pretty man boys. Discouraging.
The problem with Gerard Butler is he’s terrible and has never been likable in a film, let alone made a good film (some people may argue for ’300′, I’m not one of them.)
Great book. Have been looking forward to and hoping the movie would go for a long time.
So what is happening with “The Irishman”? Is that on hold, or is Scorsese going to squeeze it in with all of these other projects he’s working on?
Anyone else worried that he might be spreading himself a little thin? With this rate of output, it’s only a matter of time before the quality of work suffers.
this going to be a great movie