
We are saddened to report that filmmaker Gary Winick died Sunday at age 49. Winick died after a long battle with brain cancer. While he has transitioned to such studio films as Letters to Juliet, 13 Going On 30, Bride Wars and Charlotte’s Web, Winick has long led the charge for independent films. He directed Tadpole and was also the founder of indie company InDigEnt.
Winick received his B.A. degree at Tufts University and his MFA degree from the University of Texas and the American Film Institute. He taught at NYU’s Tisch School of the Arts for seven years, and in 1999 teamed up with John Sloss and IFC Productions to create Independent Digital Entertainment (InDigEnt) to produce digital video feature films for theatrical release.
Said his longtime manager Rosalie Swedlin: Many people will write about Gary Winick’s extraordinary talents as a mentor, a director, a producer, and a pioneer in the independent cinema world, but perhaps his greatest talent of all was his genius for friendship. He turned professional relationships into lifelong friendships, and he gave endless support and enthusiasm to lifelong friends. In the immortal words of E.B. White in Charlotte’s Web, “It is not often that someone comes along who is a true friend and a good writer.” Gary wrote a most “radiant”, “terrific”, and “humble” life which his many friends and associates had the gift of sharing.”
Winick’s producing credits include Final, directed by Campbell Scott; Chelsea Walls, directed by Ethan Hawke, which premiered in the Director’s Fortnight at the 2001 Cannes Film Festival; Tape, directed by Richard Linklater; Women In Film, directed by Bruce Wagner, which premiered at the 2001 Sundance Film Festival; Ten Tiny Love Stories, directed by Rodrigo Garcia; Wake Up And Smell The Coffee, directed by Michael Rauch; Personal Velocity, directed by Rebecca Miller, which premiered in the Dramatic Competition at the 2003 Sundance Film Festival; Kill The Poor, directed by Alan Taylor; and November directed by Greg Harrison, which premiered in the Dramatic Competition at the 2004 Sundance and won the Cinematography Award.
Other producing credits are Pizza, directed by Mark Christopher; Land Of Plenty, directed by Wim Wenders, which premiered in the Dramatic Competition at the 2004 Venice Film Festival and won the UNEXCO Award; Lonesome Jim, directed by Steve Buscemi, which premiered in the Dramatic Competition at the 2005 Sundance Film Festival; Sorry Haters directed by Jeff Stanzler, which premiered at the 2005 Toronto International Film Festival; Flakes, directed by Michael Lehmann; and Puccini for Beginners directed by Maria Maggenti, which premiered in the Dramatic Competition at the 2006 Sundance Film Festival.
He also directed Curfew (1988), Out of the Rain (1991), Sweet Nothing (1996) and The Tic Code, which won the Glass Bear at the 1999 Berlin Film Festival. Winick directed two digital feature films, Sam the Man (2000) and Tadpole, the latter premiering in the Dramatic Competition at the 2002 Sundance Film Festival and won him Best Director Award.


RIP Gary.
Such sad news. I had the privilege and pleasure of working with Gary on three films. He didn’t talk about doing something. He got it done. He was uncommonly generous and loyal and will be missed.
Very sad. Way too young. RIP and condolences to family and friends.
Cancer is still our No. 1 enemy. Takes away too many of our family, friends and colleagues.
RIP. I loved the movie Letters to Juliet. I send prayers and condolences to his family and friends. He died much too young.
Very sad news for anyone that grew up dreaming of making independent films. A talented filmmaker, wonderful human being, and caring teacher. When I think of Gary, I think of NYC in the late 90′s when anything seemed possible with a digital camera and a dream. Thanks for inspiring a generation.
one of the good guys in the business. i wrote a script for gary back in the mid 90′s about his club days in the late 70′s/early 80′s. he was enthusiastic and generous, talented and ego-less.
i saw and loved all of his films mentioned in this article. he was such a talented young man. my condolences to his family.
I think Gary would remind you that anything is still possible with a digital camera and a dream.
And of his studio work, “13 GOING ON 30″ is a tremendously charming movie.
As a young film student at Texas in the late 1990s, I struck up a mostly e-mail friendship with Gary. He was wonderful, encouraging and gave heartfelt, useful advice and feedback. When we finally met, I was quite nervous, but he was just as approachable and free of ego. I feel out of touch with him for the last six years and I am so saddened by this news. He was true visionary and really believed filmmaking was a beautiful art that anyone could and SHOULD be able to do.
I was looking forward to seeing him again someday. I guess I might still. God speed, brother.
Sad news, indeed. I always liked several of his films. It sounds like he was a really gracious guy with an enthusiastic, pioneering spirit. R.I.P. Gary.
13 going…sucked balls. But Gary was a great guy and his work with real material cannot be denied.
RIP, Gary.
There’s another Gary Winnick out there spells it with 2 ‘n’s. Wonder if that guy has as many fans on deadline H.
Gary was a smart, talented and funny guy, I had the privilege of working with him, and am deeply saddened by his loss. RIP Gary, God Bless!
Gary produced a script of mine as a low-budget feature. He was generous, warm, intelligent, and kind. I’ll miss you.
Shocking and extremely sad news. A very fine director. RIP
One of the good guys.I will miss Gary and his films.
This is very sad. He taught a producing class I took at NYU in the mid 90s. He was SO nice, helpful, AND encouraging. That is a rare trifecta, particularly in film school. He will most certainly be missed.
RIP dear Gary. This is a sad day.
What a lovely man. Rest in Peace Gary.
A few years after leaving UCLA’S MFA SCREENWRITING program, and writing one spec script after the next; sending out query letters for representation, etc.,
I was very fortunate enough to meet Mr. Winick by accident at a local Hollywood coffee shop. I didn’t know who he was at the time; but he overheard me having a conversation with an aspiring actress about breaking down the doors of the system. The three of us talked foreign and indie movies, drank more coffee and talked about movies over and over. He gave me lots of great advice on writing — which really came down to rewriting over and over. Never settling for anything but telling the best story I possibly could, and never forgetting who I was really writing for…those strangers in the audience, coming together to see and hear and feel a great story being told to them.
Thank you Mr. Winick. For simply sharing coffee and wisdom with a struggling writer. My condolences and prayers to his family and friends. And students of all kinds everywhere.
Condolences to the family. He’s a great talent that will be missed.
Have wanted to write something for a couple of days. It was lame of me to wait. I’m sorry Gary.
I worked with Gary on a project that was a truly miserable experience. The real deal where people don’t come out of trailers, people are banned from the set, the studio is on the phone every five minutes…and in the middle, with his boyish mop-headed quirky NY way, he sweetly negotiated peace treaty’s and made everyone simmer down…Then, he would go off in the corner and have his own private meltdown…come back five minutes later but his arm around someone yell, action. Gary-I hate that you had such little time left and it was wasted by all those self centered idiots that didn’t even let you make the movie you wanted….especially when there were so many movies that you still wanted to make. I hope that wherever you are, it resembles the vibe of Cafe Loup circa 1996 and the frites are warm. You deserve nothing less then an eternity of NYC best nights and brightest lights.
As unit publicist on The Tic Code, I spent a lot of time talking with Gary, and came away with a sense that this was a good man–creative, intelligent, thoughtful, and kind. That sense that was reinforced by occasional encounters in ensuing years. It was a pleasure to cheer for his successes, and I’m sad about the loss of this lovely and talented person to our business. Heartfelt condolences to Gary’s family and colleagues for their personal loss.
Seemed to run into him in on the street in NY all the time, even as he moved on to larger projects in Los Angeles. He was interested in all his friend’s projects as much as his own. Gary really inspired young filmmakers and students. Loved to talk about the creative aspects and box office. I’ll really miss those chats.