
After dropping out of the Alfonso Cuaron-directed Gravity, word is Robert Downey Jr is eyeing Inherent Vice, an adaptation of the Thomas Pynchon mystery novel. Downey would play Larry “Doc” Sportello, a private eye based in Los Angeles in the late 1960s. He’s a believer in the psychedelic free-love era, and his case involves an ex-girlfriend, her real estate billionaire boyfriend and a kidnapping. Downey is next booked to star in Iron Man 3, and has given his blessing to his Kiss Kiss Bang Bang director Shane Black to replace Jon Favreau. Not surprisingly, there was no comment from Downey’s camp. CAA will piece together the funding for Anderson’s next film, and the director likes to be discreet about them. He had been attached to direct The Master, with his Boogie Nights buddy Phil Seymour Hoffman attached to play a guy who hatches a belief system that mushrooms into a religion, and Jeremy Renner was eyeing the role of his right-hand man. Reese Witherspoon was also in the loop. That project got dropped by Universal, which choked on a $35 million budget, but a combination of Warner Bros and Cross Creek Pictures and another financier was in place to fund a streamlined version of the picture. Stay tuned. Downey just wrapped the Sherlock Holmes sequel at Warner Bros.


Really like this pairing of book/director/talent…This could be Downey’s answer to Bridges’ “The Dude”.
Not that The Dude demands an answer,’cause the dude just is.
I am loving that Downey is now a clean and sober major movie star. He has more charisma in his pinkey than most young actors do in their entire body. Collaborating with Paul Thomas Anderson on this project sounds amazing
God smiles on us all. Shane Black directs Robert Downey Junior in Ironman 3, then Downey Junior heads off to do a Pynchon adaptation with PT Anderson. Try saying that sentence when you were watching Downey Junior guest in Allie Mcbeal.
God smiles on us all.
Be great to see RDJ in the hands of PTA – wow. Wondering: did Universal really “choke” on a 35Mill budget, or did they “choke” on the controversial material and the possibility of alienating H-wood Scientologists?
The Uni in Universal stands for Eunich -.-
They need to take a risk on someone as reliable as PTA. They will win Oscars and break even AT WORST. They’re such morons I swear.
I don’t know about everyone else, but I’m sick of the sight of Downey. He already has two franchises (Iron Man and Holmes) and he’s spreading himself way too thin with all his other projects. He should just disappear for the next five years.
You’re not alone. Sure the guy’s got a lot of charisma but he stopped acting years ago. (Not since Kiss Kiss Bang Bang maybe? Which is why Shane Black and Iron Man 3 gives me a small ray of hope.)
This is the perfect role for Downey it’s a great part for him. It reminds me of Richard Dreyfus in the Big Fix that was also the late 1960′s a very colorful era that’s always fun to see again. The private eye is always a great narrative engine because the audience gets to see the mystery get solved through his eyes, if the actor is good and the part is good and the mystery is entertaining you always get a really good movie out of it.
Since this is a Pynchon book–does the mystery actually get solved?
So The Master isn’t dead after all?
It’s kinda cute when anyone in Hollywood acts like they know anything about Thomas Pynchon.
PTA is back!!!
Next to Cohen’s and Darren A, Fincher, David O., this guy is above all of them imo. He could be another Marty S. if he keeps doing good and original work. In fact, he’s my favorite director. Only misstep so far, and I blame the lead, and not him was Punch Luck-Love. I blame it on a terrible performance by Sandler.
But what did you expect w/ a no talent like that. In a perfect world he would have won for There will be Blood and the Cohen’s win it this year.
Agreed, though the Coens, Darren, Fincher and Nolan are just a small step below…but I jest on the Punch Drunk Love comment. Phenomenal film…though it doesn’t measure up to Boogie Nights, Magnolia and There Will Be Blood.
It sounds like you have not seen Hard Eight aka Sydney, PTA’s first feature. It seems to be very underseen and kind of disregarded, which is a shame because it is a fine film. Not quite on the level of his later works but certainly indicative of the even finer work that was to come..
Re: financing; why does CAA need to “piece it together” – I thought Megan Ellison was just writing PTA a check for both Inherent Vice AND The Master – which, for a billionaire with good taste doesn’t seem like a bad investment IMO.
Shes financing half of each. Even she needs to cover her bets. His films don’t make money. He makes art.
It’s the COEN brothers and PunchDRUNK Love.
And I tried to read Inherent Vice and gave up. Noir Weak.
Since when did Pynchon warm up to Hollywood?
I hope The Master gets made. Whatever PTA does next, he’s a remarkably talented filmmaker, one of the best to come from his generation, and if anyone’s crazy enough to take on the LRH’s reign of terror, it’s him.Whatever he does next, I’m sure it will be good no matter what.
I don’t think it was just the budget that put Universal of, maybe the subject matter. A $35m Awards calibre movie co-starring Reese Witherspoon isn’t exactly expensive.
this pynchon novel fizzles…
Since it’s a book adaptation, PTA will by his very nature monkey with it (in a good way)… TWBB was an EXTREMELY loose adaptation of Upton Sinclair’s OIL!
Pt will be able to get his fun but sometimes impenetrable novel right, though its a weird choice after Blood. Still weirder is thescene chewing downey in this shaggy dawg tale, which for my money should have cast an older more rumpled character than the supremely fit abstinance fueled rdj. But any pt film is a cause for joy and cheers, so don a straw hat and hawaiian shirt and light up a fattie to celebrate. Now, if i can just fi ish that book…..