
EXCLUSIVE: The green light process on At the Mountains of Madness with Universal Pictures has gone on for so long that there is now a very serious rival for director Guillermo del Toro’s next film. I’m hearing that Legendary Pictures is moving fast on a project del Toro likes called Pacific Rim, a Travis Beacham-scripted PG-13 tent pole-sized project with big monsters and the creation of a new world. It could very well be the next film del Toro directs. That picture was developed independent of Warner Bros, and relatively under the radar by Legendary chief executives Thomas Tull and Jon Jashni. Del Toro has been in the loop through this process. He and Beacham almost worked together in the past when the director flirted with The Killing on Carnival Row at New Line. The Legendary-del Toro relationship dates back through the 8 months they put into Pacific Rim.
Universal has been balking over the $150 million budget and R rating on At the Mountain of Madness, the adaptation of the HP Lovecraft tale that revolves around the discovery of thawing alien beings in Antarctica. This despite the fact that del Toro had Tom Cruise ready to star in the film, with James Cameron producing with Don Murphy and Susan Montford, and Cameron god-fathering the 3D process. Del Toro and his team have delivered a stunning visual presentation that met the studio’s budget specifications, but I’m told the studio is still wary about the R rating and price. It’s just a very hard decision. The film is more horror than action adventure and i’m told it would have to generate $500 million in worldwide grosses for the studio to earn its money back. That means it would have to be a Lord of the Rings or Inception kind of achievement, which is a lot of performance pressure to place on an R-rated horror film. I’m told Universal is hanging onto the film in hopes of returning to it, but that the studio is expecting for del Toro to move on to Pacific Rim. I’ve heard that del Toro has asked for an answer by end of business today from Universal, or he is moving on.
It’s a very tough development for del Toro. At the Mountains of Madness is his dream project, one he’s collaborated on with Murphy and Montford for a long time. But after spending several years co-writing The Hobbit and then stepping away from directing the two pictures because it looked like MGM’s financial travails would never end. Ironically, The Hobbit is shooting with Peter Jackson at the helm and del Toro is not. The filmmaker needs to get behind the camera and the clock keeps ticking. He was supposed to have been given an answer before the end of 2010, but the process has stretched and stretched. The studio, which is under scrutiny of new Comcast owners and already has a very expensive alien project in Battleship, wasn’t pulling the trigger. The filmmakers are trying to salvage Mountains by placing it at another studio, and that behind the scenes drama is still playing out. Because of the Cameron relationship, one obvious discussion is Fox.
If this comes to pass, I’m told that del Toro would try to return and do Mountains right after. The hope is that the studio will be in a better place or they will figure out a way to make it PG-13 or for less money than it’s at right now. Stay tuned.


It must really suck for Del Toro that he walked away from The Hobbit and now he can’t get his dream project off the ground – and The Hobbit is swiftly approaching it’s start date. I know how this will play out – The Hobbit will become a billion dollar smash and Del Toro’s Mountains Of Madness will get shelved. Life can be a bitch sometimes, can’t it Guillermo?
It’s a little more complicated than simply saying “he walked away” from it. The studio gave him a catch 22 … direct it doing this and that with x budget. It was impossible
I wasn’t a big fan of the news that he was originally going to direct The Hobbit, but I do like Guillermo Del Toro as a filmmaker. Just not with Tolkien. I sincerely hope that the studio gives him this once chance with a big project like this, and let HIM do it the way he wants to do it, R-rated, with violence and such. If it’s a sci-fi masterpiece, they’ll have no problem generating revenue. This is the problem with studios these days, they’re so afraid of turning off a certain segment of the audience with R-ratings and touchy subjects, that they forget what can happen when you let an auteur do his thing and create a good film on his own. Yes, it’s a gamble, but they should take the gamble and go for it.
It’s a 500 million dollar gamble. Del Toro has yet to have a hit. He makes films that breakout a little bit, but they are niche films. He hasn’t proven he can make an entertaining commercial film yet. Why should they bet half a billion on his quirky sensibilities based on a revered but little known novel. This is not like taking a quirky director like Sam Raimi and giving him a huge brand like Spiderman. Del Toro is a quirky but talented director wanting to make a huge film on a cult novel. Pass.
Hypothetically, I’d pay more than once to study this hard R, Lovecraft dream project in 3D. 3D! And I’m indifferent to 3D, and increasingly, movies in general. Hypothetically this movie would probably cure my Tom Cruise aversion. In 2011, a studio that overlooks OGD – repeat film vieweings due to Obsessive Geek Disorder – is unfortunately not tuned in.
MAKE IT!
pacific rim is something HUGE!!!!
i heard something little about this and that little is that this is something we have never seen before with a huge,huge budget of 250,300 mill.
+1
When’s the last time a studio bet $150 million on an R rated film? And that’s not even including advertising and marketing. In today’s movie marketplace, that doesn’t make the smallest bit of sense. Sad but true folks. Not to mention they want to do it in 3D!? Every fantasy fanboy in the country could come out for this and Universal still wouldn’t make their nut. It either gets reduced to PG-13 or it gets permanently shelved…
There might be some HPL stories that you could do PG-13, but I really doubt Mountains is one of them. I’m sure most HPL fans would much rather the film not be made than be made sub-par.
Universal have so many flops under belt that this is understandable.
Having the chance and the means and yet NOT making great films is understandable – only in Hollywood.
The story is much more complicated according to what I have heard. Comcast met with them Tuesday and based on the $300 million Battleship movie they put a sixty day freeze on Universal greenlighting ANY movies.
Someone said to me that unless Battleship does ‘Transformer sized business’ (which it won’t, the script is the worst ‘studio level’ script I’ve read in FIVE years) Comcast will slash away at Universal Studios until there is almost nothing left.
Sad but true.
“The studio, which is under scrutiny of new Comcast owners and already has a very expensive alien project in Battleship, wasn’t pulling the trigger.”
I hear the budget for Battleship is anything between $220m and $270m and still RISING.
Lots of luck to everyone at Hasbro’s Film Division (formerly known as Universal Studios), you’re going to need it come May 2012.
Studios are more risk averse than ever, and I fear their attitude isn’t going to change for some time. The difference between a PG-13 and R rating is literally one of life or death to certain projects getting made. Perhaps if the ratings system was abolished altogether (with perhaps the exception of NC-17 films) studios would be more inclined to take risks. Parents who wish to find out if a movie is suitable for their children don’t need to look at the rating; they can find out far more by checking out any of the bazillion websites online.
Dude, GTD- just make it PG-13. HP Lovecraft abhorred graphic violence, so it’s not like it won’t be faithful to the novella with the absence of gore.
This just pisses me off! Universal is willing to spend 200 million on a Battleship movie starring Rihanna and a Ouija movie from the writers of Tron Legacy, the producers of the Friday the 13th and Nightmare on Elm Street remakes, and the director of Terminator Salvation but they won’t let two visionary directors, Guillermo del Toro and Gore Verbinski, make R-rated films (At The Mountains of Madness and Bioshock) that will be unlike anything audiences see. The reason Universal is having so many flops is that they are putting out films people are tired of seeing (The Dilemma, The Wolfman, Leap Year, Get Him to the Greek, Land of the Lost, Cirque du Freak, and Charlie St. Cloud). If they really want to turn things around go big or home and let directors make films that are going to surprise and captivate audiences by showing them something they do not see from studios.
two words, Donna Langley. Flop maker, who ever put her in charge should be banned from Hollywood. She’s so dumb and in over her head, the evidence is the movies.
LOL – that list was laughable wasn’t it?
It’s Hasbro that is paying for most of the production budget on the Battleship movie, not Universal.
That really doesn’t matter. If true that only means Hasbro must make its money back before Universal sees any profit.
This is so completely not true. I really don’t know where to begin.
Sony is willing to spend $125M on “Girl with the Dragon Tattoo” as a hard “R” with David Fincher at the helm and an unknown in the lead. Why can’t Universal?
Why would “The Girl with a Dragon Tattoo” cost nine figures?
I think this was addressed in Mike’s summary. Universal has already “sunk” $200M+ into BATTLESHIP. Also someone mentioned there is now a 2 month freeze on greenlighting any projects there.
Given how long Del torro has been trying to do at the Mountains. even if he has to take it to fox odds are since he has come so close he is not going to give up on his dream project and if unviersal does not give in and let Del torro make the film the way he wants to make it . then some other studio mostly to work with Del torro may thus making moutains be universals loss of both a new horror film cult classic in the making and also a director of Del torro calibur
150 million, really? If these guys really wanted to get it done, they could do it for 20 million.
Getting rid of Tom Cruise and his obligatory 8-figure paycheck would be a BIG step towards getting that budget under control.
And it would improve the film in EVERY OTHER CONCIEVIBLE WAY, too.
Seriously, he’s all wrong for this, commercially and artistically. Who the hell invited HIM to the table?
Wouldn’t that only cover Cruise’s salary?
If you’ve got a lead pulling in the big money, EVERYBODY’s price gets ratchetted up.
Not this story. Robert Rodriguez couldn’t pull this one off. I can see why they would need such a large budget.
Can you blame Universal for being nervous? It’s a $150 million R-rated horror film, and that budget is prone to climb, with significant gross participants like Cruise and Cameron involved. There’s no way they make any money off of this. And Del Toro doesn’t exactly have a track record of delivering big commercial hits, either.
Seriously. Reduce the price tag. You don’t need $150M. Do it for half of that. At least it’ll get made, and I bet it’ll still rock.
Hope to god Legendary hires someone to rewrite Travis Beakman’s script. It’s a hot mess right now.
Is that really the answer? Travis has created an amazing piece of material to work with, even if it could use some serious revision. Tech we’ve never seen before, vivid world, etc. Always better to stay with one writer whenever possible.
I heard through the grapevine today that “At the Mountain of Madness” went down today.
How the hell is Mountains of Madness “R” Rated? And why 150 million? The First half is communications from the ‘Site B’ team to Base that while blasting for samples (eww! The Scientist in me cringed at the barbarity) they stumble across ‘aliens’ in caverns and drag them back to their base of operations where the lead scientist begins a disection…Then comms goes dead. And Base sends a new team to find out what went wrong and find that all the people in charge went nuts and the ‘aliens’ were team members and the guy in charge of the knife has vanished into the cold…
That right there would be the most terrifying film ever. The Idea that everyone went nuts and turned on each other without even a clue that they were nuts.
And then you fail to realize that the same thing is happening to the new guys as they fly over the rock mountains and down into an ‘ancient city built by aliens’ to confront the runaway Doc…there is no city, there is no giant penguins, there is no thing from the deep…deep down as you leave that theater you need to be thinking the aliens wer not real…everyone was nuts, even the rescuers…
Universal needs to grow some balls.
GO BIG OR GO HOME, monkey boys!
The solution is friggen clear. We need a new rating between PG-13 and R. If ‘Hostel’ and ‘The King’s Speech’ are in the same rating category, then you know the system is fucked.
Thus I propose NA-13. No Admittance for anybody under 13 without parental guidance. C’mon! You know I just solved every single problem with the system with one simple change. Admit it.
They should just bite the bullet and do it. Alien would probably be considered an R movie today and look what happened to it. A literate, quality horror scifi is too hard to come by. I wouldn’t care if it were in 2-d or 3.
Why not abolish internet film piracy instead? I guarantee you we will go back to the glory years of moviemaking and hollywood risktaking.
Sony also spent $120M on “How Do You Know”, the James L. Brooks turkey.
the combined salaries of main talents:
James L. Brooks (director) = $10M
Reese Witherspoon = $15M
Jack Nicholson = $12M
Owen Wilson = $10M
Paul Rudd = $3M
===================
Total = $50M
OTOH, “Lincoln, Vampire Hunter” will have a production budget of $69M
instead of tom cruise, i’ll save the money and hire adrien brody instead.
But I think this has to do more with the Wolfman’s anemic grosses. That pic cost 150 and didn’t do shit at the box office and was a hard R as well. Yet I would love to see this regardless. Universal’s making a big mistake on this.