
EXCLUSIVE: The green light process on At the Mountains of Madness with Universal Pictures has gone on for so long that there is now a very serious rival for director Guillermo del Toro’s next film. I’m hearing that Legendary Pictures is moving fast on a project del Toro likes called Pacific Rim, a Travis Beacham-scripted PG-13 tent pole-sized project with big monsters and the creation of a new world. It could very well be the next film del Toro directs. That picture was developed independent of Warner Bros, and relatively under the radar by Legendary chief executives Thomas Tull and Jon Jashni. Del Toro has been in the loop through this process. He and Beacham almost worked together in the past when the director flirted with The Killing on Carnival Row at New Line. The Legendary-del Toro relationship dates back through the 8 months they put into Pacific Rim.
Universal has been balking over the $150 million budget and R rating on At the Mountain of Madness, the adaptation of the HP Lovecraft tale that revolves around the discovery of thawing alien beings in Antarctica. This despite the fact that del Toro had Tom Cruise ready to star in the film, with James Cameron producing with Don Murphy and Susan Montford, and Cameron god-fathering the 3D process. Del Toro and his team have delivered a stunning visual presentation that met the studio’s budget specifications, but I’m told the studio is still wary about the R rating and price. It’s just a very hard decision. The film is more horror than action adventure and i’m told it would have to generate $500 million in worldwide grosses for the studio to earn its money back. That means it would have to be a Lord of the Rings or Inception kind of achievement, which is a lot of performance pressure to place on an R-rated horror film. I’m told Universal is hanging onto the film in hopes of returning to it, but that the studio is expecting for del Toro to move on to Pacific Rim. I’ve heard that del Toro has asked for an answer by end of business today from Universal, or he is moving on.
It’s a very tough development for del Toro. At the Mountains of Madness is his dream project, one he’s collaborated on with Murphy and Montford for a long time. But after spending several years co-writing The Hobbit and then stepping away from directing the two pictures because it looked like MGM’s financial travails would never end. Ironically, The Hobbit is shooting with Peter Jackson at the helm and del Toro is not. The filmmaker needs to get behind the camera and the clock keeps ticking. He was supposed to have been given an answer before the end of 2010, but the process has stretched and stretched. The studio, which is under scrutiny of new Comcast owners and already has a very expensive alien project in Battleship, wasn’t pulling the trigger. The filmmakers are trying to salvage Mountains by placing it at another studio, and that behind the scenes drama is still playing out. Because of the Cameron relationship, one obvious discussion is Fox.
If this comes to pass, I’m told that del Toro would try to return and do Mountains right after. The hope is that the studio will be in a better place or they will figure out a way to make it PG-13 or for less money than it’s at right now. Stay tuned.


What I honestly don’t understand, and maybe someone smarter than me can educate me here, is why don’t the studios release these kind of movies in both R and PG-13.
Most of these type of event films appear on multiple screens at the theaters these days. I’m just wondering why they can’t do a TV edit for the PG-13 crowd and then release the R rated directors cut at the same time.
We already buy movies in regular and directors cuts so the public is already familiar with the distinction.
For instance, when Prometheus is released there would be a huge market for the R version, but Fox could make buckets of cash by releasing a tamer PG-13 as well.
I know the fear is the kiddies are going to buy PG-13 and sneak into the R, but who cares as long as the tickets are sold for the right movie?
I’m sure it would be confusing, but it would take a smart studio to come out with a knock out marketing campaign that notified the public they can see the movie in both rating formats so everyone can enjoy the movie.
I also think directors would be more willing to make the cuts for ratings knowing their original vision is out there for the age appropriate audience.
Just a thought.
Poor Adam Fogelson and his team at Universal. They took over a struggling Universal film division…have done little to take charge and green light good projects…and, they are stuck in the ‘limbo’ of the Comcast takeover.
At the end of the day, chances are all these folks will be gone within 24 months as the new NBCUniversal takes shape…and, chances are under Comcast it will get worse before…if ever…it gets better.
Del Toro is not the only filmmaker who must deal with this current culture…mired in corporate confusion and doubt.
Beacham’s script is actually pretty amazing. In GDT’s hands, this thing will blow people’s minds. And the folks at Legendary have a pretty astounding track record. I’m in.
Couple points:
–For all of his attributes (there are many) as a filmmaker, del Toro has not delivered a blockbuster film or anything close. He isn’t owed or doesn’t “deserve” $150M to make a movie. He is one component in a very large business decision.
–”Mountains of Madness” is an iconic work, yes, but for such a small segment of the population that its pre-awareness value is next to nothing. This may as well be a spec from that perspective.
–Anyone familiar with Lovecraft’s work knows there is no reason this movie needs to be rated R. No reason at all.
–all that being said, yes it is depressing that Universal can find the money to throw at “Battleship” but not this project. “Battleship” will probably be more horrifying than anything del Toro could ever come up with.
Some Q’s:
o What was the highest-grossing “R” movie, ever?
o If you’re a Comcast subscriber, are you happy about how your cable fees are being re-invested into Universal’s films? (Or in this case, “not re-invested.”)
o Why didn’t James Cameron talk del Toro out of an “R”…if everyone thinks the source material doesn’t merit it?
How about he makes it pg-13 and get it out, there is always the unrated directors DVD to fall back on!
I really don’t see why an R is necessary for At the Mountains of Madness. The story has no violence whatsoever except off screen, the language is clean, and no sex at all. Blood, tits, and the f word are the only differences between R and PG-13.
But anyway, who the hell thought it was a good idea to make a movie based on a board game? That’s one of the dumbest things I’ve ever heard, and 200 mil shouldn’t be necessary for 2 sets of five boats.