
EXCLUSIVE: Timur Bekmambetov has won a spec auction for Maggie, a script that sparked a spirited auction today, with six bidders. Bekmambetov will produce a film that has a script by John Scott 3, and vfx wiz Henry Hobson set to direct. Why did so many bidders spark to the script? Aside from offering some inventive twists on the popular zombie genre, Maggie is a blueprint for a genre movie that can be made for between $4 million and $8 million. That budget range has suddenly become highly desirable for distributors looking to make genre films in the mold of Paranormal Activity.
Maggie is a 16-year old girl from a town in middle America who becomes infected by a zombie. Much the way that Danny Boyle changed the lumbering zombie stereotype by speeding up the undead in 28 Days Later, Maggie changes the lightning quick infection period evident in most zombie films, where victims become zombies in minutes. It will take six weeks for Maggie to turn, and the film tracks the transformation as she stays with her family. Trevor Kaufman will produce with Bekmambetov.
When he’s not writing scripts, the writer builds commanding for NASA’s flagship X-ray satellite. He works with the Chandra X-Ray Observatory, which takes photos of X-ray photons in deep space. Hobson was trained at the Royal College of Art in London as a graphic designer, and specializes in creating inventive title sequences for films that included Sherlock Holmes for Prologue Films. He was just hired by Sony to direct its campaign for the PlayStation 3 series Resistance.
Both will likely get their first feature credits on Maggie, because the mid six-figure deal comes with progress to production language that puts the film on course to be in production within a year. Bekmambetov moved quickly as producer on the “found footage” pic Apollo 18, which was acquired by The Weinstein Company and will be released by Dimension Films in January.
Verve made the deal. Verve reps Scott, CAA and Energy Entertainment rep Hobson.


I feel bad for the investors who will have the 10th zombie picture come out, after audiences tire. And yes, audiences will tire. It’s so easy to get nominated for an Oscar these days. All you have to do is make an indie starring real people about real situations, and even if it’s bad, people freak out in a positive way.
No one can actually WRITE a good script anymore, with lush characters and meaty parts. Maybe that’s part of the problem.
@WOW- you should probably read the script before you comment about “meaty parts.” There are some fantastic roles in this.
Negative Nancy back off the script. It’s amazing. Don’t talk smack on it if you haven’t read it. Besides I’m sure there is something better to do than talk crap on something you haven’t even researched!
when can i hire you? how much can i pay you? will you kiss my baby?
I agree with Wow. I can’t believe we are still working on yet another dull zombie movie. They are pretty bad. Not yet another version of the tired franchise. Maggie will look like a $8 million film. Soon it will show up in Netflix with a 1 star rating.
It’s “an” $8 million film not “a” $8 million film.
I want to say NOT ANOTHER ZOMBIE MOVIE but its kinda an interesting take. If they do it right.
Wow: good script = lush characters and meaty parts.
Good lord Wow. Isn’t that by definition a matter of opinion. I mean you’ve just damned (pun intended) an entire generation of writers based on what YOU define as ‘lush’ character and ‘meaty’ parts. Perhaps an example or two?
Haven’t read Maggie, but I have heard that it is a very well written script. Good on Mr. Scott. ANd all the luck to him!
This is a joke, right? Wait. I’ve got a zombie werewolf vampire cheerleader football script around here…
That’s Kitchen Sink, wrong project.
There are some “meaty roles” in this. But this has to be one of the most tedious movie-monster scripts ever written. The pace is so slow and deliberate that it makes George Romero’s DAWN OF THE DEAD feel as zippy and turbocharged as Zack Snyder’s.
Sounds like an “homage” to another zombie film about someone who takes a long time to transform into a zombie.
I, Zombie – produced by Fangoria – made many years ago.
Sounds cool.
I haven’t read the script, but the premise sounds promising.
What’s so fascinating about zombies is the transformation process from human to zombie, the gradual loss/escape of humanity… it’s almost hard to believe that it took this long for a script like this to surface.
Sure, we all love the zombie killin’ business, but the transformation is just as fascinating imo
There need to be many more zombie movies. Hopefully very soon every movie made will have zombies in it. Or vampires or werewolves. Doesn’t matter what the movie is it needs to have one of those supernatural creatures in it regardless of what it is. Audiences will never get tired of these strange monsters so keep them coming it’s the right way to go.
I read the script and I think it might be the first zombie movie ever to be taken seriously come awards season…and as long as it stays under the expected 4 1/2 hour running time I think it’s a sure hit!
Interesting. Might do for the zombie genre (I can’t believe that zombie movies now constitute a genre) what The Fly remake did for the original. I always thought that having the transformation take place over a long time was the stroke of genius that elevated that movie.
More importantly, before I read this article, I had no idea there was such a thing as an X-ray photon. Mike Fleming, you’ve just taken this site up a notch in my humble estimation. Nice work!
I haven’t read it, but I’m guessing the girl’s gradual zombification is a metaphor for going through puberty? Is Maggie the Carrie for the zombie genre?
well there must be something noteworthy about the script to win a screenplay contest and be bid on.
If it won a contest, that’s the kiss of death. There are about 5 major contest a year, producing 50 writers. Over the past 20 years, how many of those scripts have passed muster?
Akeelah and the Bee, movies like that. Contests are generic, paint-by-numbers scripts that are generally terrible.
The contest you’re referring to is the PAGE International Screenwriting Awards, and MAGGIE won the Gold Prize in the Thriller/Horror category in 2010. I am the administrative director of the contest.
While I can understand the temptation to make blanket comments, and it’s easy to be disparaging about screenwriting contests, the PAGE Awards competition is run differently. It was designed by working professionals to be a pipeline for the industry. We have a strong focus on genre material (action, thriller, comedy, sci-fi), and our Judges are all industry professionals who are looking for scripts that are ready to be produced and writers who have a real future in the industry. Over the past few years, through our extensive vetting process, we have discovered many exciting new screenplays that are now being produced, and many of our winners have been signed, optioned, hired on writing assignments and staffed on TV shows.
If you look at the extensive list of success stories on our website, I think you’ll be surprised.
And for those of you currently working in the business, if you’d like to be added to our industry email list to get first look at this year’s winners, please shoot me an email.
Well said, Ms. Berg! I only hope to have the same success this year at PAGE with my pilot script.
And as far as Zombie films… they’re all the rage right now with a LARGE population of fans that love the genre and die for really well written and produced films. With the success of Zombieland and The Walking Dead this is the perfect time for John Scott’s script to be produced! Good luck, John!
Besides having meaty parts it also has brains. Braaaiiinnssss…
Sounds like a zombie version of GINGER SNAPS to me.Not a BAD idea… but I’m just done with zombies. Really, as overexposed as vampires and werewolves are, at least they can have individual personalities.Zombies are the must boring of all monsters.Heck, I’d much rather see someone make a good mummy movie; at least there’s an element of glamour there, what with the Eygptian mythology angle. Zombie movies have become like shopping at Wal-Mart.
I did this in my comic book ZOMBIES IN LOVE…it was a little different; took 6 weeks, actually, not 6 months for the person to become a zombie. Where’s my six figure deal?
Seriously, though, more power to him!
They’ve made this movie already over ten years ago!
Well, let’s not let anything get made from now on if there’s the slightest similarity to any obscure films from the past that play off themes and ideas that many human minds have probably thought about before and are not an exclusive product of the collective imagination!
Its not about the idea, its about the execution, which comes from the individual who has a unique atom in this universe and cannot be duplicated.
Congrats to the writer who I know poured his blood, sweat and tears into this script. It’s unique and one of a kind, well deserving of its upcoming success.
Seeing yet another zombie script sold made me want to hurl but reading the comments make me want to read the script. Maybe it is good. I loved 28 Days Later so I reckon it’s possible.
LOVE IT! These low budget movies are often driven by CREATIVENESS and not $$$, looking forward to a fresh and interesting movie
Tire, the world is not annoyed or over zombies, vampires, or horror properties as long as these projects, are done well.. They have a shelf life… People love them.. Know what you are talking about my friend, Zombies just got warmed up.
Snooze.
From the Judges and Administrative Staff of the PAGE International Screenwriting Awards: CONGRATS to 2010 Gold Prize winner John Scott! Well-deserved, John.
We predicted this script would sell.
And we predict you’ll be hearing more from John Scott!
I have heard a lot about the script and it sounds absolutely intriguing. I look forwad to seeing it! Congradulations to the writer.
This is a really good script. I read it on InkTip and thought it was an interesting take and I probably should have optioned it. But I let it go and regret it now. Ironically that was the second script I read from InkTip that I should have optioned in the zombie subgenre.
And the Zombie subgenre is not played out or “dead.” Look at the differences between two successes: The Walking Dead and Zombieland. Sure, the traditional Romero clones are stale, but if you can bring something new, like “Maggie,” then people are going to eat it up. Hell, look at “Shaun of the Dead.” That was a parody released in 2004. And it’s now 2011. Seven years is not a “trend” any more than this wave of “superhero” films are.