
EXCLUSIVE: Veteran TV executive-turned-producer Mark Pedowitz is expected to succeed departing CW entertainment president Dawn Ostroff as head of the network. Word is that Pedowitz, who spent 19 years at Disney-ABC, including serving as president of ABC Studios for five years, has been identified as the person for the job by the two entities that co-own the CW: CBS and Warner Bros. Additionally, the CW’s EVP drama development, Thom Sherman, is expected to get a larger creative role, possibly also overseeing unscripted programming.
No deal with Pedowitz is in place yet but making one would not be a problem as Pedowitz is already in the Warner Bros fold — his Pine Street Entertainment is based at Warner Bros TV with a first-look deal. Pedowitz is said to be very close with Warner Bros TV Group president Bruce Rosenblum who, along with CBS’ Nancy Tellem, led the search for a new CW topper. The CW is overseen by a four-person board: Rosenblum, Warner Bros Entertainment CEO Barry Meyer, CBS Corp. CEO Leslie Moonves and Tellem, who kept her CW oversight role when she moved to the Senior Adviser position a year ago, with Rosenblum and Tellem as frontline supervisors. Pedowitz also has had a working relationship with the top CBS brass as under him ABC Studios produced two series for the eye network, Criminal Minds and Ghost Whisperer.
A number of development executives had been rumored for the CW job, which became available after Ostroff decided in December to leave at the end of the season as her family is relocating to New York. But recent speculation was that, with the network’s development team in good shape under Sherman CBS and Warner Bros, were looking for a top executive with strong business credentials to try to reinvent the model for the CW, which has been struggling to establish itself targeting the elusive 18-34 demographic. (There were also rumors that the CW could fold altogether, something that has been talked about almost from the start of the network.) Business acumen is something Pedowitz has in spades as the former longtime head of business affairs for ABC is highly regarded in the industry as a strategic thinker and is credited with crafting the template for the current license-fee agreements between networks and studios.
As for Sherman’s expected promotion, as president of ABC Studios, Pedowitz also had a No. 2 creative executive, first Julia Franz and then Barry Jossen. Pedowitz and Sherman are longtime friends from their years together at ABC where Sherman was head of drama for five years. Then he served as president of J.J. Abrams’ Bad Robot, which was based at ABC Studios (then Touchstone TV) while the studio was run by Pedowitz. The two have something else in common -– they both were in the crosshairs of ABC Entertainment Group president Stephen McPherson, who eventually ousted them. (McPherson himself was pushed out of ABC last summer.)
The process of making a deal with Pedowitz may have been slowed by the fact that he has been on vacation this week. Also, there doesn’t seem to be urgency on either side. At the CW, Ostroff continues to carry on her duties. She is now in the middle of a two-week tour of pre-upfront presentations to advertisers touting the network’s development for next season. Meanwhile, Pedowitz is working on his company’s first pilot, Meet Jane, at Lifetime. While it didn’t make the cut to series last month, the pilot remained in contention and is being retooled.
In an amusing footnote, Pedowitz gave an early thumbs-up to the CW. At a NATPE Q&A session in January 2006, just two days after the surprising announcement of the dissolvement of the WB and UPN and the formation of the CW, he said, “this deal takes two weaker networks and combines them hopefully into a stronger network.”
During his tenure as head of ABC Studios, Pedowitz oversaw a slate of series that included Lost, Grey’s Anatomy, Desperate Housewives, Brothers and Sisters and Ugly Betty, as well as Criminal Minds and Ghost Whisperer. He also expanded ABC Studios’ portfolio into cable and first-run syndication with ABC Family’s Kyle XY, TNT’s Raising the Bar and the syndie Legend of the Seeker. After he exited ABC Studios in January 2009 when McPherson took oversight of the studio, Pedowitz spent a year as senior adviser to Anne Sweeney, president of Disney-ABC Television Group, before leaving in February of last year to become a producer with a deal at Warner Bros TV. Pedowitz joined ABC in 1991 as SVP business affairs and was promoted to head of the department in 1996.
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Mark is a first rate exec, producer, and a real gentleman. Great catch for CW.
Jake you summed him up well.
What a great choice, Mark understands all aspects of the business and will make the CW a destination.
What a stroke of luck if the CW pulls this off. Pedowitz is the best in the industry.
How wonderful that a white, middle aged man can make it in the TV business!!! This is clearly a breakthrough in the thinking of Bruce Rosenblum and Les Moonves. Let’s just hope Pedowitz can keep the door open for more white men to be successful.
I feel so inspired.
I’m so glad that being Jewish, white, middle aged and a man can’t be held against me in getting work in Hollywood.
Of course if a I was a woman and middle aged WBTV would have me fired.
Listening to comments like these all I hear is the horns blowing like Charlie Brown does when he hears his parents.
That’s why you call yourself the “Dorkinator.”
Your insensitivity has made you into a man with arrested development otherwise known as a “Dork.”
Reading lots of good comic books lately all alone in your room?
Dawn Ostroff, Ben Silverman, Angela Bromstad, Stephen McPherson and Jeff Zucker are going to form a joint venture together!!!! lol!!!
Surprisingly good move by the CW. Bring in Mark to get the business model straight and let Thom continue to run scripted.
Dawn was an impediment too all things creative. Except hair and clothes choices, as they were her focus.
Mark is a bright, talented and capable exec, and a true gentleman. CW could do no better! Mazel tov, Ped!
So, ABC has Paul Lee, NBC has Bob Greenblatt and The CW has Mark Pedowitz. All 3 seem to be creative types and are big improvements over Steve McPherson, Jeff Zucker and Dawn Ostroff. Am I right or wrong?
In order to have success, you need to respect the institutions of the business. Moonves does that (see: Carnegie hall). Roth and Rosenblum do that (see: their passion for the shows). Tassler does that (sit with her in a pitch).
Those who have failed showed no respect. They were abusive to talent, obnoxious in the press, and dismissive of the process. Zucker, Bromstad, McPherson, and more.
And, they are gone.
Hiring Pedowitz is a great move. He loves tv, and he is actually nice about it.
If I may: please comment more. Perfectly stated for maximum sharing of knowledge.
Respect indeed.
Mark is a great executive,good guy,with all of the outside the box creatvie thinking CW can benefit from. Dawn has done a tremenduous job as well,she created many new stars.
This makes me happy. Mark couldn’t be nicer. And he’s smart enough to know the creative side’s not his strength so he hires smart creatives and listens to them. Good move, CW.
Well Dawn will decide what show will be renewed and which pilot will be ordered this may, no?
What can Pedowitz change into the next season of CW? He can cancel some shows during the following months after the upfronts before may? Or his presence will have importance for the choice of the pilots of 2012-2013 season and the next year’s upfronts?
I think it’s a great choice, finally Ostroff will leave, she trasform cw into a stupid network only for teenager girls
According to Variety, the network wanted to get Ostroff’s replacement before she left, so that the person would get a say in the schedule.
This is so Warner Bros as to almost be laughably obvious– except for the fact that Les did not put another woman at the top of one of his ‘divisions’. That said, the committment to Mark Pedowitz and Thom Sherman is strong. I’ve always liked Thom; a straight shooter and supportive guy, and have always wondered what he would do creatively if he got out from under the meddling oversight of the fraud that was Dawn Ostroff. We’ll now find out.
Dawn will decide everything on her own this year at upfronts, no?
What Pedowitz starting from september, can change into the network? We will have to wait until may of 2012 to see changements in cw schedule? Or he can cancell or move some shows during the fall?
At least this year some pilots are interesting.
Dawn will decide everything on her own this year at upfronts, no?
What Pedowitz starting from september, can change into the network? We will have to wait until may of 2012 to see changements in cw schedule?
Mark is a great choice, to lead an already terrific team. And, you need to give Dawn credit for that. The CW is going nowhere, but up. A.
Dawn will decide everything on her own this year at upfronts, no?
What Pedowitz starting from september, can change into the network? We will have to wait until may of 2012 to see changements in cw schedule?
Brilliant hire. Mark is EXACTLY what they need.
If the CW does go this route, they would have obtained a good, solid hand who knows how to transform a struggling network into a ratings winner. Ostroff has literally destroyed the CW and its credibility and how she managed to keep her job was baffling to begin with.
Now that she is finally leaving and good riddance to her, this guy can come in and rebrand the network into something more watchable that caters to a much more lucrative and massive demographic, rather than to just teenagers and young women. This would be a great hire and time to dump these idiotic reality shows they’re airing too.
Mark is a fantastic boss and exec — CW is very lucky.
i am so depressed
i am going to drink some moonshine
Mark Pedrowitz sounds like a fantastic hire, judging from the comments on this post.
I am just wondering, however, if people of color (Asian, black, latino or arab-american) ever get considered for these plum network jobs, the ones with actual GREEN LIGHT POWER?
It always seems like the same ole, same ole — middle agey-white guys-in-power club!
And if the CW can’t shake it up in the exec ranks then Hollywood is truly doomed in that department because we know ABC, CBS and NBC are about as ossified and white and gray and crusty as they come. So much for an Obama world changing things up. And the drumbeat of Hollywood’s hypocritical liberal-ness and diversity (or lack therein in the exec rooms) drones on.
Dr. Inquisitive, have you been abusing prescription meds? There is no shortage of women execs in television, and even some minorities. And if you look at the shows they are greenlighting, most of the casts are quite diverse. Keep hope alive and stay off the pipe, my friend.
If ten percent of all these jobs got to women and about two percent to minorities that is not diversity.
And the women and minority hires are paid LESS than the white men that’s not right either.
My sense you’re endorsing that standard with your comment.
Terrific choice. And he’s one of the good guys without hidden agendas.
The CW is not a real network and it’s destined to fall apart. But they rearranged the deck chairs on the Titanic and the band played on. He’d have been better off with a pod deal at Touchstone like Michael Eisner and Jonathan Dolgen that’s what I said in an episode of Family Guy so it must be true.
SCORE ONE FOR THE GOOD GUYS!!!!
Comes almost a decade too late to saver Everwood, Roswell, Veronica Mars, Popular and a slew of other almost-was shows that were cast aside in favor of Seventh Heaven and One Tree Hill. It would be great to see Rob Thomas, Whedon, Sherman-Palladino and Berlanti develop new content for the CW.
The last show Rob Thomas developed on The CW was 90210 – utter crap that had to be rewritten. ASP and Whedon are great, but Rob Thomas can hack up his old ideas over again elsewhere.
How do you know how Rob Thomas’s 90210 was gonna be like? He got kicked off the show before even the pilot was shot, and his one script was rewritten.
He also created Party Down and Veronica Mars. I’d take a Thomas show over Top Model anyday.