
“I’m thrilled,” a happy Matt Weiner said in a phone interview shortly after his new three-year $30 million deal for Mad Men was announced. He is going back to work tomorrow, the writers room will get up-and-running in 4-5 weeks, and production on the much-delayed Season 5 of the Emmy-winning AMC drama will start in July, the same month the fifth season was originally slated to premiere.
But the deal almost didn’t happen. “I walked away from it 4-5 times in the last few days,” said Weiner who had been objecting to several proposals made by series producer Lionsgate TV and network AMC, including shortening the episodes’ running time from 47 to 45 minutes to make room for more commercials, introducing more product placement, potentially reducing the number of regulars on the show and pushing Season 5′s premiere to March 2012. “It’s never been about money,” Weiner said. “I wanted to do the show I wanted to do and the show the audience has come to expect.”
Now, “the cast is safe from financial concerns” for all 3 seasons, Weiner said, adding that he reserves the right to cut actors “on creative basis.”
In terms of product placement, Weiner said that there will be no changes to the series’ existing policy. He noted that there have been only 3 instances of product placement in Mad Men‘s first four seasons. “I don’t want the audience to feel they are being sold on the show,” he said.
Additionally, Weiner will be able to continue to do 47-minute versions of Mad Men‘s 13-episode Season 5 for VOD, DVD and all auxiliary platforms, though on AMC, Episodes 2-12 will air 45-minute cuts made by Weiner. (The season premiere and finale will remain 47 minutes.)
The only thing Weiner and AMC couldn’t agree on was the return date for Mad Men. Weiner had insisted on a 2011 Season 5 premiere but he said AMC had informed him back in October that, because they have 4 series to accommodate, no premiere before March 2012 would be possible.
While the pickup of Mad Men is for 2 more seasons, Weiner’s 3-year deal with Lionsgate makes that essentially a 3-year renewal. “These will be the last 3 seasons” of the period drama, Weiner said. “I’m going to take it one year at a time without the distraction to ever have to go through this again,” he added, referring to the long, tense renegotiations. “I’m incredibly grateful for the outpouring of support and overwhelmed that I get to finish telling the stories I want to tell.”
TV Editor Nellie Andreeva - tip her here.


“[T]he writers room will get up-and-running in 4-5 weeks” Good thing you had those stories planned for a 2011 launch. Please. Wait — You mean all those great 47 min storylines aren’t ready to go? So much for vision.
Couldn’t agree more- it doesn’t deserve every award in sight. The good wife has been nothing short of brilliance.
So essentially… AMC is telling us that we should watch the show on VOD (and not their actual channel) if we want to watch the complete episodes. I don’t see much sense in that.
Amber Heard is a much better actress than January Jones. She would have been a perfect choice for Betty Draper. Too bad they have a hammy actress playing her instead.
Amber Heard was and is way too young for the role
Okay, Amber Heard’s agent!
It’s an impressive bit of agenting. It will be interesting to see how it affects future deal-making.
The argument goes, basically, that it won’t affect deals, because Weiner and Mad Men mean so much to AMC that CAA was able to negotiate for a piece of AMC’s increased value – and that’s not as true for other shows and other networks.
But does that argument hold? If you add up all the salaries of every other showrunner on AMC, including the critically lauded Breaking Bad and the blockbuster ratings hit Walking Dead, you don’t even come close to $10mm a year. Is Weiner adding more value to the network than every other showrunner COMBINED? Let’s add the salaries of all the writers on every other staff. Still don’t get to $10mm.
Add up the salaries of every showrunner on TNT. Round numbers, you’re at something like $15mm. But let’s say it’s $20mm to make the math easy. Did Mad Men add more value to AMC than any FOUR of the eight original shows on TNT added to the value of that network? Ditto for USA. Most watched channel on cable, if you believe their press. All showrunner salaries for their eight original shows might generously add up to $12-15mm. Is Weiner really THAT much more valuable?
It’s gonna be interesting. It will be particularly interesting to watch how CAA explains to their other showrunner clients why they should be happy with more earthbound salaries.
Do we know what the three cases of product placement were? A lot of real brands make their way onto the screen in MM — who paid to get there?
Nellie, the show was not really delayed was it? I know that the renegotiating of Weiners contract was delayed, but you also stated that the show was supposed to air in July and that is incorrect. Last Spring/early Summer Bryan Cranston announced that Breaking Bad was going to air in MM’s spot and MM was going to be pushed back. So this had been planned for almost a year. Cranston said that AMC was doing it to try to capitalize on MM success and get a wider audience into BB. Who knows if that is the real reason (something tells me Weiner’s difficult attitude may have been a factor as well)
This all reminds me of the days back when I was working in what was then the business. The surplices who ran the company forced us to load up our amazing nuanced output with product integration of Jesus and Mary. It was non stop and it ruined everything. Plus ca change, eh?
The true artists like Weiner and myself are always forced to compromise and twill ever be thus. I feel for him but knew he’d wind up back in the chain gang. It’s just all too good to walk away from.
and it hasn’t even been good since season one
Yes, it will be interesting to see what this does to Showrunner salaries. While many, perhaps most, shows on cable draw in more viewers than MM, it does have enormous prestige value which virtually no other show can claim. The bottom line is AMC and Lionsgate were willing to go there for the show. I think many other showrunners will ask for huge $$. But I don’t think they’re likely to get it. Now let’s hope the show is worthy of it.
I love how he’s trying to peddle these negotiations as if it’s all about the art. What a load of BS! It was always all about the money. The money going into his filthy pockets. What a scumbag.
Thank goodness this site exists, now I know not to waste my time watching the shows as they come out and will just wait for the DVD.
…just kidding, I don’t watch them on TV anyway because watching them immediately upon release is not worth 13 minutes of commercials, let alone 15, on top of a monthly cable subscription.
What happens when everyone figures this out? Why haven’t they already?
No, Lost is the most overrated show in history.
So can anyone explain to an entertainment outsider, is it two more seasons or three?
KId, Outsider,
It’s 3 seasonarinos. As a former agent I can tell you nobody ankles on a pile of gelt like that. Not the network, not the talent, nobody. You don’t see Kadhaffi walking away, ‘This is it for me, my last season ” — and look at the pressure he’s under. He’ll only go out sandals first and that goes for this Weiner kid too.
Okay, so that Margulies girl turned her pretty nose up at ER’s 20K or whatever per episode. She’s the exception that proves the rule. I was there in an unofficial capacity and I said to her, “What, this curly hair of yours is pulling on your brain stem? Take the money.” “No, ” she goes and the rest is history.
Now she’s managed to come back in “Mr. Good’s Wife” and I say zie geshundt ( don’t watch the program myself — it’s on too late) but she had to go through years wandering in the desert and for what? Artistic principles? These kids.
Hey bullets, you rock. Du bist eine alteschuler! More posts please.
it’s called a DVR – who watches commercials anyways?