
Part of a series that takes an analytical look at the current broadcast pilot season and some of its trends and heroes.
Once upon a time, there was a pilot season ruled by classic fairy tales and characters, real-life stories and books, with a dash of iconic brands and foreign formats.
Projects based on source material are very popular this pilot season, with public domain properties emerging as the hot novelty in the arena with two pilots, ABC’s Once Upon a Time and NBC’s Grimm, featuring popular fairytale characters like Brothers Grimm’s Snow White and Rumpelstiltskin as well as evergreens the Evil Queen and Prince Charming. Also based on a public domain property is ABC’s drama pilot Poe, about Edgar Allan Poe investigating mysteries in 1840s Boston, while another ABC drama pilot, Revenge, is a contemporary re-imagining of Alexandre Dumas, pere’s The Count of Monte Cristo.

Two iconic U.S. brands, Playboy and Pan Am, also inspired pilots this season, NBC’s Playboy and ABC’s Pan Am, both period dramas set in the 1960s.
Overall, books were the most ubiquitous source material among this year’s crop of broadcast pilots. The trend started during pitch season, when projects based on books were a hot property, and carried over to pilot season, with a significant portion of the scripts based on books ordered to pilot. That includes ABC’s dramedy pilot Good Christian Bitches, the NBC comedy pilot Are Your There Vodka? It’s Me Chelsea, the Fox comedy pilot The Council of Dads, Fox’s drama pilot Weekends at Bellevue, Fox’s Bones spinoff The Finder (based on The Locator series of books), NBC’s comedy pilot My Life as an Experiment, CBS’ comedy pilot How to Be a Gentleman, the CW’s drama pilot The Secret Circle and CBS’ untitled Ed Redlich/John Bellucci pilot (inspired by J. Robert Lennon’s short story The Rememberer). Additionally, NBC’s Wonder Woman and Fox’s Locke & Key are based on comic books.
Some of the books — Weekends at Bellevue, Are You There Vodka?, My Life as an Experiment and The Council of Dads — are autobiographical. They are based on real-life people and experiences, also hot source material this pilot season. Other pilots part of that trend are CBS’ untitled sports show sitcom inspired by ESPN personality Colin Cowherd’s outspoken sports talk show, The Herd with Colin Cowherd; CBS’ Home Game, a family show inspired by former NFL star Mark Schlereth and his family; and another CBS sitcom, the untitled Rob Schneider comedy, based on his home life. Additionally, the Fox comedy pilot Tagged is loosely based on the life of Shiya Robowsky.
Foreign formats are having a strong showing this season with five pilots: four based on British series – ABC’s drama Identity, NBC’s drama Prime Suspect, NBC’s comedy Free Agents and Fox’s comedy Outnumbered – and one based on a German format, CW’s Danni Lowinski.
Meanwhile, reboots of American series, which had been very popular the past few seasons, seem to be going out of fashion, with only one representative, ABC’s Charlie’s Angels, a carryover from last season.
Also out of favor as pilot source material are Web-based properties, such as Twitter feeds and blogs, which were red-hot during buying season, with several such projects igniting bidding wars among the networks. But, with the trend’s poster child, CBS’ Twitter-based freshman comedy series $#*! My Dad Says, not doing so well, the interest in Web-to-TV conversions waned, and none of the scripts based on such properties made it to pilot. That includes two CBS Twitter feed-based comedies, Dear Girls Above Me and Shh … Don’t Tell Steve, ABC’s comedy based on the Awkward family Photos blog/book, another ABC comedy based on the Dealbreaker blog and an ABC comedic drama project based on the blog The Lost Girls.
TV Editor Nellie Andreeva - tip her here.


what happened with Early Bird at NBC??
Greenblatt showed up and put a bullet in it.
along with everything else.
Almost all of the drama pilots (except for Wonder Woman and Manns World) this season seem more creative like NBC’s Smash. Even the reboots seem a lot less cookie cutter thanks to ABCs Paul Lee and NBCs Bob Greenblatt. ABC and NBC seem to be embracing edgier and darker shows.
Nellie, you forgot to mention NBCs Wonder Woman as an American reboot too.
No, Nellie mentioned it where it belonged, as a comic-book adaptation…just because there was a previous television version in the 70′s does not make Wonder Woman a remake.
That’s because it’s not a reboot of the Lynda Carter TV series; it’s a new adaptation of the source material–the comics.
and not a single soul on earth will ever think of or reference the original television program by the same name
this NEW show is completely NEW and does not draw one iota on name recognition from that earlier television program
it is a completely new program, and every single one of its producers, writers and show runners had zero awareness of the previous television program by the same name
Obviously you haven’t read the script. It’s very self-referential.
Sounds like the message is getting across that it takes more than a few 140-character Tweets to make one engaging sitcom character.
Hey, what happened to the series Kelly Oxford was working on? She’s often hillarious and I was hoping her wit would be put to good use on the small screen.
Twitter is your best entertainment value. People’s attention spans are getting shorter and shorter so we need more Twitter shows on the air but limit all dialog to 140 characters and no more stick with the format and ratings success will be yours. Tweet Tweet
The big question here is whether these period dramas will work on NBC/ABC. They sound creative but will they find a sizable audience?
NOPE.
Now that those groundbreaking TV-exec worms showed their towering bravery yet again with a title like “Good Christian Bitches”, I can’t wait for “Evil Moslem Murderers”.
It’s why we look to Hollywood for leadership and cultural guidance.
Oh, you’re such a victim.
There is not a midlist mystery on my overfilled shelves that would not make a better show or series than any crime drama on tv today.
Good Christian Bitches. Wow. Aaron Kaplan continues to build his kingdom one S#!T brick at a time.
ABC’s drama pilot Poe, about Edgar Allan Poe investigating mysteries in 1840s Boston sounds like a steaming pile of shiit, because it has nothing to do with Edgar Allan Poe.
How on earth do these completely non-creative turds get past the door to get a pitch, let alone a green light? You have to think the executives who nodded their heads with glee have nothing going on between the ears.
What happened to Three Inches on SyFy?