
Broadway is rampant today with word that the producers of Spider-Man: Turn Off the Dark will finally get a much-needed overhaul. That’s expected to include the exit of Julie Taymor and a shutdown that will stretch several weeks to fix a book that led the $65 million musical to be pummeled by critics who reviewed it even though producers pushed back its opening date for the umpteenth time. Signs of an overhaul have been in the works for a while: Deadline told you first that the production was hiring playwright/Marvel Comics writer Roberto Aguirre-Sacasa to put a little more Spidey lore into the production and Bono and The Edge have been tweaking their tunes. I’m told that an official announcement is expected by today or tomorrow. Both The New York Times and New York Post have mentioned Christopher Ashley as the likely replacement director. Shutting down the production is a tough break for a show which has been packing them in until recently, despite being in perpetual previews. They’ve managed to fix many of the bugs that led to injuries and safety violations while the show continued preview performances. But since Actors Equity doesn’t allow cast to rehearse for more than about five hours per week while they are performing, it has been impossible to do anything other than the equivalent of rearranging deck chairs on the Titanic. It will take down time to fix a book that has more than its share of wince-worthy moments. The show’s never going to soar with critics, but an actual improvement might enhance its appeal to the tourist crowd, which is probably its only hope at a long run.


Fixing the book is only half the problem. What are they going to do about the catrocious score? Bring in new songwriters?
I saw it last week and am thrilled I only paid $30, since that was about how much it was worth. I really hope that they fix the “sinking” plotline. Arachne was cool for about the first few minutes in the first act, but the ending was awful (I won’t give it away). Still, the acrobatics were fun to watch, which was about the only fun thing going for the show. There was only one memorable song as well. I hope they fix the score!
Hire Elton John….fire Bono…problem solved.
Titanic is right! That show should never have been made anyway. Aside from the fact that it’s SPIDER MAN
, the fact that actors were injured and the storyline is a complete mess should be HUGE flags. I love Julie’s work, but seriously, some things shouldn’t be done.
If this were track & field, you don’t have guys who run the 100 meter dash run the 800, just because they’re “runners”. Some things film does immensely better than stage and vice versa. This “trying to compete” stuff gets you folks dropped from 30 feet up & previews until the cows come home trying to drum up positive word of mouth amongst the avalanche of negative.
Just take “Old Yeller” out behind the barn and handle it already…
They’ve opted for the 2008 governmental approach; too big to fail.
This Spider-Man is deader than Uncle Ben.
I feel bad for Julie Taymor is she’s going to get the boot. The whole concept was doomed from the start, and a new director ain’t gonna fix nothing.
I know this licensing deal was made long ago (well before the Disney acquisition) but some of the blame for this debacle shoukd be laid at the feet of Marvel itself for not negotiating adequate approvals and quality control standards. Instead, current management has all but disowned this project, not understanding that the bad buzz has actuallu hurt Spider-Man the brand/ip.
In New York media the word “Spider Man” is a punchline that implies epic train wreck failure. And take a look at the comic book sales charts…Spider-Man comics are selling 25% less than they were a year ago. Bob Iger should understand how bad a fumble this is and start correcting things–and whoever made the licensing deal should be drummed out of the business affairs department permanently. Taymor is being made the patsy here but Marvel management’s approach to this project (which they view as a strict cash grab) is SHAMEFUL. They had all the leverage in the world when this deal came up and instead of doing it properly they took the money and turned a blind eye to common sense quality control. Turn off the Dark has, in the long run, made marvel’s single most valuable piece of IP a substantially LESS valuable.
It’s just like if their toys a were made of lead and arsenic and they don’t care a webbing.
Music sounds like the problem. With a good Broadway score & songs, the story would not matter. They are doing exactly the wrong thing, because the show more or less belongs to Bono. Nobody ever said Bono & Edge could write show good tunes, or even rock-show tunes like the Who’s Tommy, or Rent, or Taymor’s movie Across the Universe (Beatles arrangements). All of which worked. Bono and Edge are meditative music with whooshing for lyrics, it’s ridiculous.
They are doing exactly the wrong thing, they should give the show to Taymor and hire some of the young downtown musical theater talent to write all new songs. Any serious student could do something credible, compared.
Lion King has made billions in its continuing run around the world. Tickets are $200 in podunk cities.
Why this musical’s book even went forward is beyond me. Who are Marvel Comics approved that?
Also, why did ANYONE think taking two guys with ZERO experience with Broadway was a good idea? Oh right, just because Elton John has been successful that means ANY rock star will be! Um. No. The music is joyless C level rock that is better suited for a bar band not a Spider-Man musical. Spider-Man doesn’t even equate ‘rock’, he’s 100% pop. If there were Punisher: The Musical then I could see it.
Taymor took this mess this far and she DESERVES to be fired. Yes folks, she deserves it. You can’t make this many awful directive decisions without consequence.
New director, brighten those songs/make em the memorable and re-write that book. Arachne? Seriously? Ugh. Just make her Madame Web and be done with it!
I’ve seen the pricetag for this show at $65 Million for a while now, it’s certainly got to be bigger than that at this point, right?
Money is no object for these idiots they are in so deep now that they have to continue to spend more and more just to eventually break even at some point. They will never break even no matter how long it runs the weekly cost of doing the show will be so high that they’ll never make it back ever. They should close up shop and beg their insurance companies for relief or they have to blow up the theater the way Mel Brooks did at the end of The Producers.
Maybe I’m crazy but I saw the show a few months ago and while I agree that the book is terrible for this show (totally cringe-worthy, especially the teens who are the “narrators” sections), I thought the score was great. There are some really amazing songs in this show, especially in act two. There’s a song toward the end of the show that’s one of the best songs I’ve heard in a Broadway show for quite a while. The first act songs definitely need some work but overall I sort of dug the music. Maybe it’s just me.
Taymor definitely mounted an amazingly visual show. The mistake was letting her write the book. But the night I saw it, the audience definitely went crazy for the show. They were literally screaming with excitement. But it also had to be stopped three times because of problems with moving the scenery in and out. If they can’t get that stuff working after all these previews, there’s definitely something wrong. But I truly don’t think the show deserves all the hate it’s getting. It’s just too big, sadly. But a noble, if insane, attempt to mount a true spectacle.
But, again, this is all just one guy’s opinion.
Anyone know if the cast recording has even been recorded at all? The fact that I’ve not been able to find any album information on this doesn’t exactly bode well for this thing.
Spiderman on Broadway? What’s next, Mary Poppins on Broadway or the Addam’s Family?