
EXCLUSIVE: Disney is negotiating to finance and distribute Chrome and Paint, a gritty Boyz N’ The Hood-style drama that Ice Cube will direct and star in, based on a script he co-wrote with Eva Vives. The film is a drama about the custom car culture of South Central Los Angeles. Cube will produce with his Cube Vision partner Matt Alvarez.
Cube, who directed the 2010 Oakland Raiders documentary Straight Outta L.A. for ESPN, hasn’t directed a narrative feature since 1998′s The Players Club, which he also wrote. In Chrome and Paint, Cube uses the subculture of tricked out Mercedes, BMW and Low Rider cars to frame a drama about the temptation to place materialism above all else. The film has elements of Saturday Night Fever and American Graffiti. Disney’s interest came out of a general meeting with Cube. Disney exec Louanne Brickhouse, herself a car enthusiast, took an interest in the project as did production president Sean Bailey. Universal also showed interest in the film but has a similarly-themed project percolating.
To make it work for Disney, Cube will bring it in as a PG-13, even though he originally co-wrote it as an R-rated feature. The plan is to shoot by the end of summer after Vives does some rewrite while Cube stars in 21 Jump Street (starring with Channing Tatum and Jonah Hill, with Johnny Depp doing a cameo) for Sony Pictures. Cube, who most recently wrapped the Oren Moverman-directed Rampart, is also touring his latest album, I Am The West, with dates that run through May. Vives just got accepted into the Disney Writing Fellowship Program, which places developing writers on studio projects. She’ll work on this as part of the program.
Cube and Alvarez are separately moving on two projects at New Line: Cube and David O Russell are working on the R-rated Dirty Harry-esque crime film that will team director and star for the first time since Three Kings; and Cube Vision is also producing Straight Outta Compton. World Trade Center’s Andrea Berloff is scripting a biopic of NWA, the politically charged hip-hop group that reflected the growing ire of urban youth in the 1980s and set the tone for gangsta Los Angeles rap culture. Cube’s repped by UTA and manager Jeff Kwatinetz.
New ‘Man Of Steel’ Television Spot #6


Instead of making their script PG-13, why don’t they use their Touchstone label for something other than DreamWorks flicks and Miramax hand-me-downs?
They don’t think they can make “adult” movies anymore.
Soooooo- Gritty gangster drama is ok for Disney’s brand, but gritty sci-fi (Oblivion) isn’t? Looks like Mr. Kosinski got the ol’ hucklebuck.
“Gritty gangster drama is ok for Disney’s brand”
PG-13 automatically means it won’t be a gritty gangster drama.
PG-13 and Boyz N The Hood shouldn’t even be in the same article.
ice cube is so the right guy to tell this story. he’ll bring the edge, class and authenticity it needs to really work. excited to see him get behind the camera with such a passion project. bold move by disney that i think will pay off. love what the mouse is doing these days. let universal have horizons (oblivion); they need franchises anyway – spread the love!
Rich Ross seems to be sending VERY mixed messages to the town about what his label will do. Weird.
Had Tron: Legscy made a lot of money, Disney would have made Oblivion work for them somehow. It’s all about the money.
I wonder what’s gonna happen with John Carter of Mars… that film sounds very adult to me.
This project could not hold Saturday Night Fever’s or American Graffiti’s jock strap. This sounds awful and what is the ride at Disneyland? Low riders? Sounds more like a project the Dodgers should get involved in.
The PG-13 rating is more about having a larger audience than fitting the Disney image.
Sounds like fun for the whole family!
a pg-13 drama? How does that fit the “disney” mandate? what’s going on over there?
“You know you won, G.”
“Won what?”
“The wet T-Shirt contest, M*(&(#$&(&@#!”
All right now!
Ah, High School memories.
R-rated films are being phased out. I keep telling you people.
Would love A CHRISTMAS CAROL version of Cube’s real story… where the ghost of Ghetto past takes him around to all the families he hurt and lives he destroyed back in his early days.
And yes, Easy E would be one of his fabled visitors…
Hahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahah……………..
Cube is stuck in the 90′s. His career is schizo. He’s gangsta and Bill Cosby. Ice Cube is softer than a melted popsicle.
Listen to Ice Cubes song “Who’s The Mack” Seems he became the character he was clowning back then LOL.. Nothing wrong with what he is doing but he claimed to be this hardcore gangsta that would not sell out to acting and things of that nature.
Love Cube, and love the concept, but let’s face it: if it’s Disney PG-13, it ain’t gonna be ‘a gritty Boyz N’ The Hood-style drama’.
Many believe Ice Cube was responsible for the 1992 riots with his inflammatory lyrics.
Memories fade so quick….
@Julie Markowitz,
And here all this time I thought the riots were caused by long-simmering feelings of institutional disenfranchisement and injustice that were ignited when video footage of a brutal and excessive police beating went public, confirming those feelings.
But your answer is obviously neater. Let’s go with that.
“Many believe Ice Cube was responsible for the 1992 riots with his inflammatory lyrics”
Many believe that 9/11 was an inside job, and magic underwear can protect you from harm.
I don’t understand the PG-13… because there’s an enormous amount of high school kids who want to see a 40-something gangsta rapper from the 90s in a movie about… low riders in L.A.? Gee, if they get Cypress Hill to do a song, it’ll be huge…
Trust me, guys at Disney, anybody who might care to see this film is over 17. If you believe nothing else from me, please believe that.
I don’t know that I would describe Vives as a “developing” writer, and further, the Writers Program is not a fellowship, nor should it be confused with the disney fellowship. The Disney Staff Writers Program, of which Vives is a part, is a contract-based term deal at the studio wherein writers pitch and write original material as well as work on existing studio projects. It has been inaccurately characterized as a “starter” step for some time, but in reality most of the writers under this contract were working writers before coming onboard at the studio, and many, like Vives, come to the studio with produced credits to their names.
Not an Ice Cube fan musically or on the big screen but this sounds like a long overdue change in direction. Only problem is he may have taken too long to pick up where Boyz-n-the hood left off. He’s in his 40′s and he’s long stop being a convincing sociopath/heavy on screen. Actually, he’s not a convincing anything, but like Tyler Perry he’s found a formula that works and that’s what keeps him working.
Ice Cube cleverly surrounds himself with a cast that props him up in spite of his innumerable theatrical shortcomings. I don’t know of one person who feels compelled to see a film featuring Ice Cube. To be able to be so successful for so long with so little talent says a lot about this industry.
So much for class, good ideas and talent.