Jodie Foster’s The Beaver, starring Mel Gibson, is the surprise inclusion in this year’s list of major films playing in Cannes, announced this morning in Paris. As expected, Terrence Malick’s The Tree of Life will play In Competition, vying with other festival-favorite directors including Pedro Almodovar, Aki Kaurismaki, Takashi Miike, Nanni Moretti, Lynne Ramsay, Nicolas Winding Refn and Lars von Trier. Malick’s Days Of Heaven played In Competition in Cannes in 1979, winning best director. This year’s list promises a much livelier event than last year’s, which left critics bored with the selection. And you can expect plenty of star wattage at next month’s festival –- something lacking last year – assuming, that is, all the stars show up: Brad Pitt (The Tree of Life); Sean Penn (This Must Be the Place); Johnny Depp, Penelope Cruz and Keith Richards (Pirates of the Caribbean: On Stranger Tides); Ryan Gosling (Drive); Antonio Banderas (The Skin I Live In); and Tilda Swinton (We Need to Talk About Kevin). But perhaps Carla Bruni, the ex-supermodel wife of French president Nicolas Sarkozy, will upstage them all as she shreds flashbulbs on the Palais red carpet for Woody’s latest, the opening-night film Midnight In Paris.
Opening Film
Midnight In Paris, dir. Woody Allen (Out of Competition)Competition
The Skin I Live In, dir. Pedro Almodovar
House of Tolerance (L’apollonide – Souvenirs de la maison close), dir. Bertrand Bonello
Pater, dir. Alain Cavalier
Footnote, dir. Joseph Cedarhttp
Once Upon a Time in Anatolia (Bir Zamanlar Anadolu ), dir. Nuri Bilge Ceylan
The Kid With A Bike (Le Gamin Au Velo), dirs. Jean-Pierre and Luc Dardenne
Le Havre, dir. Aki Kaurismaki
Hanezu No Tsuki, dir. Naomi Kawase
Sleeping Beauty, dir. Julia Leigh
Poliss, dir. Maiwenn
The Tree of Life, dir. Terrence Malick
La Source des Femmes, dir. Radu Mihaileanu
Hara-kiri: Death Of A Samurai, dir. Takashi Miike
We Have a Pope (Habemus Papum), dir. Nanni Moretti
We Need to Talk About Kevin, dir. Lynne Ramsay
Michael, dir. Markus Schleinzer
This Must Be The Place, dir. Paolo Sorrentino
Melancholia, dir. Lars Von Trier
Drive, dir. Nicolas Winding RefnOut Of Competition
The Conquest, dir. Xavier Durringer
The Beaver, dir. Jodie Foster
The Artist, dir. Michel Hazanavicius
Pirates of the Caribbean: On Stranger Tides, dir. Rob MarshallUn Certain Regard
Restless, dir. Gus Van Sant [opening film]
The Hunter, dir. Bakur Bakuradeze
Halt auf freier Strecke, dir. Andreas Dresen
Hors Satan, dir. Bruno Dumont
Martha Marcy May Marlene, dir. Sean Durkin
The Snows of Kilamanjaro, dir. Robert Guedeguian
Skoonheid, dir. Oliver Hermanus
The Day He Arrives, dir. Hong Sang-soo
Bonsai, dir. Cristian Jimenez
Tatsumi, dir. Eric Koo
Arirang, dir. Kim Ki-duk
Where Do We Go Now?, dir. Nadine Labaki
Loverboy, dir. Catalin Mitulescu
Yellow Sea, dir. Na Hong-jin
Miss Bala, dir. Gerardo Naranjo
Trabalhar Cansa, dirs. Juliana Rojas and Marco Dutra
L’exercice de l’etat, dir. Pierre Schoeller
Toomelah, dir. Ivan Sen
Oslo, August 31, dir. Joachim TrierMidnight Screenings
Wu Xia, dir. Chan Peter Ho-Sun
Dias De Gracia, dir. Everardo GoutSpecial Screenings
Labrador, dir. Frederikke Aspock
Le Maitre Des Forges De L’Enfer, dir. Rithy Panh
Michel Petrucciani, dir. Michael Radford
Tous Au Larzac, dir. Christian Rouaud



Didn’t they say that The Tree of Life will be out of competition? You know that nobody cares about the competition in Cannes anymore. Because every year they give all those prizes to some people or actors that no one ever heard of and will never hear again after Cannes. It’s just not interesting to follow competition. They all talking about movies with famous actors or directors during that time but at the end all the prizes get some random people.
Everybody remembers how Pulp Fiction won. But who can tell what movies and what actors won during the last 5 years?
I wonder if Jodie Foster would bring Mel Gibson to Cannes. I just can’t wait how he will sit in the interview, talk about movie and act like nothing happenned. I bet when this whole thing started last year and he went to hiding he thought that he will stay low and in 5-6 month everyone will forget. But here we are 1 year later and no one even thinks about forgetting him.
I guess you are an American. Only remember when one of your own wins. S.A.D.
I’m from Europe. But they do kill any interest interest in competition. Seriously can you name check me winners for best movie and actors for the last 3 years at least. Without checking it on Internet. For the last 4-5 years I lost any interest in Cannes competition program because why should I? They are gonna give it to some random people I never heard of and never will in the future.
At least you should remember Fahrenheit 911, Mulholland Drive, The Pianist and The Man Who Wasnt There.
Spoken like a true Ignoramus.
The Cannes “competition” isn’t run like an insular popularity contest (though, I concede that the selection might be somewhat). The jury is setup to watch movies FROM ALL OVER THE WORLD, talk about them, and actually pick the ones that they think are best at the time. It’s pretty much the only film ceremony that I think still has any integrity left.
Stop hating.
“THE BEAVER”– SELL IT TO U.S.AIR AND LET IT CRASH !!!
Pedro Almodovar: always a bridesmaid, at least as far as Cannes is concerned. I wonder if this will be his year?
So it’s okay to hate Jews and abuse women as long as you can act. Shame on anyone helping this guy restore his career.
Since this article is about Jodie Foster and her film The Beaver, and it’s not a tabloid article about Mel Gibson’s perosnal life….I will stay on the issue. Which is about Jodie’s movie. I think Jodie Foster is a very talented actress and love her work, from what I’ve heard that Mel’s performance in this movie was excellent , which Hollywood hasn’t produced a real heavy, good drama, with substance in a long time. People always enjoy watching actors play real human beings and the journey they go through in life, that’s how movies make it to the Oscars. Mel shed his persona and dived deep into another man’s life who is sick…it’s worthwhile watching and heartfelt. I’m glad they’re going to Cannes, the president of Cannes seems to love the movie also and thrilled to have it there. It’s about the work, so please people let the professionals handle things. Wish Jodie and Mel good luck!:)
If Mel Gibson can be blacklisted for his private life, than nobody in Hollywood would ever be seen again behind or in front of the camera. Those who condemn him are the worst offenders.
The buzz for The Beaver is already gathering momentum, beginning with critcs at SXSW giving Mel Gibson rave reviews for his performance with adjectives such as “breaktaking; brilliant; amazing; hypnotic; oscar winning etc.”
Every person on this earth has a right to privacy and Mel Gibson’s private life was maliciously and viciously brought to the public domain by a disgusting lying website who exploited him for money and sold to them for money by a woman who will remain nameless.
The biased media of course would never allow the whole “Truth” to get in the way a good story.