Shooting-permit organization FilmL.A. said today that on-location filming in all production categories increased 4.7% during the first quarter of 2011, the fifth consecutive quarter of gains in the region that includes the City of Los Angeles, parts of unincorporated Los Angeles County and other local jurisdictions. Still, feature film shoots declined 5.3% and TV fell 3.7%, as the bulk of overall gains in production days came from smaller projects like music videos, industrial videos and student films (up 21.5%) and commercials (up 2.4%). “The latest data suggest a softness in the industry, but not a full loss of momentum,” FilmL.A. chair Ed Duffy said. “Pilot production is up, and we have a couple big features in production, so we’re optimistic about a better set of numbers come July.”
On-Location Shooting Up In LA, But Not Because Of Film & TV Categories
By THE DEADLINE TEAM | Tuesday April 5, 2011 @ 6:11pm PDTTags: FilmLA, Movies, Production, Television
This article was printed from http://www.deadline.com/2011/04/on-location-shooting-up-in-la-but-not-because-of-film-tv-categories/
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Title Studio Gross 1 Star Trek Into ... PAR $70.2M 2 Iron Man 3 DIS $35.8M 3 The Great Gatsby WB $23.9M 4 Pain And Gain PAR $3.2M 5 The Croods FOX $3.0M 6 42 WB $2.8M 7 Oblivion UNI $2.3M 8 Mud RSA $2.2M 9 ... Peeples LG $2.2M 10 The Big Wedding LG $1.2M SOURCE: RENTRAKBox Office Poll
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The only way production comes back to LA is if the gov’t creates or expands the tax rebate/incentives programs and helps steer production away from Canada, Michigan, Louisiana, Massachusetts, etc., and back to SoCal.. let’s rebuild our local industry.
It is UP in the other LA – Louisiana. Come on Los Angeles, get it together.
For example, Fox decided to send Al;vin and the Chipmunks in 3d to Vancouver. The two previous movies propbably grossed somether in the neighborhood of 500 million dollars and both were shot in LA. Could not someone say to to themselves at Fox Jesus, how much is so. much that we can’t employ LA labor but go after the savings of say 8-10 million dollars. The decision to move a feature or tv show out of LA is not made by many. Only a few number crunchers and production and there goes the show. No loyalty to their communcity of film makers in LA..save those bucks and let the eat cake…just terrible
So long as the work goes with AFTRA it can all go to hell. just got an AFART residual … $50 … With SAG it would have been close to $1,000. Fuck every single one of you who voted with AFTRA and the current shit SAG leadership. Fuck every single one of you.