Back when I saw him in late February at Harvey Weinstein’s Oscar night party for The King’s Speech, Quentin Tarantino told me that his script for a Western was just pouring out of him easily, that he’d finished a draft and expected to turn in a final version within two months. As a web leak of the cover page of his new script Django Unchained attests, Tarantino finished that script two days ago, right on schedule. Here’s what I’ve heard: While Tarantino has spoken about doing a variation of the Western genre he called a “Southern,” I’m told he has actually written a spaghetti Western, that stylized and violent brand of films popularized by Sergio Leone and a few other directors in the 1960s. Tarantino will put his stamp on one of his favorite genres same as he did when he took on the war mission movie with Inglourious Basterds.
The project is moving very quickly. Tarantino is reuniting with Pulp Fiction producer Stacey Sher. Sher will produce with Pilar Savone. Weinstein, who distributed Pulp Fiction, will spearhead domestic distribution on Django Unchained through TWC. Universal International has the inside track to co-finance and handle foreign distribution because of the relationship built on 2009′s Inglourious Basterds, which grossed $200 million overseas and $324 million overall. Despite the early look that Universal International will get, Tarantino’s script is also being pursued by Warner Bros, Paramount and Sony Pictures, I’m told. Django Unchained will be casting up quickly to begin production later this year; whether it starts late summer or fall depends on cast availability. Just like on Inglourious Basterds, Tarantino will be casting top-shelf on his spaghetti Western. Getting the WME-repped Tarantino back behind the camera is another boost for the rebounding TWC. After the leak of the cover page, everyone involved will be working harder to keep the script under wraps.







The script is awesome.
“Awesome” as in a derivative pile of shit he stole from an even lesser author?
Is this a remake of the Japanese film he appeared in, SPAGHETTI WESTERN DJANGO?
Or rather SUKIYAKI WESTERN DJANGO?
sounds like a continuation or just like a character crossover like he and rodriguez did in grindhouse.
Hopefully Universal International gets foreign rights. They did good with Inglourious Basterds and even managed to bring it out on Blu Ray/DVD in NA because the Weinstens couldn’t do it themselves.
Yes! And get Daniele Luppi for the score!!!
Tarantino now thinks he’s too good for (original) scores after failing to get Ennio Morricone for Inglourious Basterds.
And Daniel Lupi to Produce! Oh wait…
Sounds good. Hopefully he can find an editor that suits his unique style.
Joe D’Augustine will probably be the editor. He already did a lot of work on IB and restored The Good, The Bad and The Ugly
Inglorious Basterds was a return to form, so I’m really looking forward to this. I have a feeling QT has one more movie left in him of the calibre of Pulp Fiction, and this could be it.
I’d long stopped watching Tarantino’s films but for some reason I think this is a good fit for him. Pulp Fiction was great but after the 1st “Kill Bill” I stopped checking for his work. Inglorious Basterds was an improvement. Maybe this will get him back to “Pulp Fiction” levels.
He can’t do another Pulp Fiction type movie, because you’ll say it’s another Pulp Fiction type movie. Now that he’s not doing one though, we want him to do one. It’s a one of a kind classic. let QT create without the pressures of every film he makes being measured up against that juggernaut of a movie.
I agree. Do you remember what happened to M.Night after the sixth sense. Critics and the public expected every film to be of that caliber. The poor guy hasn’t gotten a good review since signs.
You’d “long stopped watching” his movies… but watched his last movie? And the one he made two movies before that?
WTF? Both Kill Bill’s were GREAT movies.
Good luck keeping it under wraps, the complete script is already online and I’ve read it.
God you are so full of shit.
Where? Post link. Been searching, can’t find.
Interesting that Tarantino is only going with the Weinsteins for distribution and not actually overseeing the movie. Guess he finally got sick of their meddling and theatrics and incompetence.
The Weinsteins are only distributing? Where did you get that?
Really, really looking forward to this. Hopefully Waltz gets a role in there somewhere. Maybe he can talk Eastwood into a small cameo role?
Awesome! There’s so much excited and anticipation whenever he gets going… even his worst is more original than half the shit around town.
As long as he doesn’t cast Eli Roth, we should be alright…let us prey.
Amen.
*pray…
oh lord please let qt severe his ties with that d-bag
Is this an homage or reference to Django, the awesome dude with a coffin gun? if so, I will set aside my general apathy towards tarantino and check this out.
I would described it as a Spaghetti Western without the Western. It’s about slave trading in the pre-Civil War South.
It’s fantastic.
The Kill Bill films and Pulp Fiction will always be Quentin’s greatest films..Inglorious Basterds was a solid film..quite good but far from his best..I can’t wait to see how this film turns out!
Reservoir Dogs . . .
Anything QT directs is an automatic must watch.
Indeed! To imply otherwise is fucking madness. Or jealousy.
As long as he doesn’t try to act in it, like he did in ‘Sukiyaki Django Western,’ it should be interesting.
He acted in Reservoir Dogs and Pulp Fiction. I’d say those turned out pretty interesting.
Where’s Lawrence Bender?
After the debacle that was Grindhouse, Tarantino went back to Lawrence Bender, who’s produced all his other films, to produce Bastereds, asking him to make an insane schedule work in order to get the movie ready for Cannes. He did and the result was the biggest hit of QT’s career and yet another Oscar-winning film.
So he rewards Bender by turning to someone he hasn’t worked with in 17 years?
Bender may not be a walk in the park, but Tarantino has never had a hit without him.
It wasn’t really ready for Cannes.
-RnsW
Hey Anonymous, how the hell do you even know how many films QT
has left in him? Seriously, when I read the comments on this site I full understand why so many crappy movies are made.
Not having read the script, I am wildly guessing from the title that the rumors about this being set in a Civil War/Reconstruction-era American South are true and that Django is caught up in some sort of slave revolt/escape?
Or maybe Django is a slave in this one?
I’m looking forward to hearing about the casting for this one….hopefully some new faces along with some new old faces (like it’s pretty much guaranteed that Franco Nero is going to be in this, right?).
I also wonder about how (un)intentionally different this will be stylistically with a new editor….
Scenes we’ll see in “Django Unchained”, Tarantino’s Spaghetti Western:
1- Closeup of back of a covered wagon
2- Sexy cowgirl takes off her boots & wiggles (CLOSEUP) her bare feet
3- Homage to “The Good, Bad, Ugly”: Sweaty CLOSEUPS galore
4- Twist on street duel: Eyeshots instead of headshots
6- A Hanging featuring everyone but the condemned laughing it up
7- A horse-chase that somehow involves FLAMING RED EXPLOSIONS
8- Barfight involving straight-edge razors wielded like Ninjas
instead of fists & broken bottles
9- Closeup of bullets loaded into a HUGE 44 caliber pistol
10- Sexy FEMALE bounty hunter who fucks like she hunts: Straight for
the head!
If you liked Chris Waltz in “Inglorious Basterds”, you’ll love him here as an anti-slave bounty hunter/tutor. Casting him as a Western bounty hunter is pure Tarantino genius.
As usual, Tarantino will cloak his insatiable lust for violence and sexual perversion with some socially redeemable message, as he did in “Inglorious”.
Substitute “slave owners” for Nazis, and it’s the same movie with the identical amoral tone: Extreme violence in the cause of social justice makes for a totally excusable and jolly good time.
Though I-and Quentin- are looking forward to that sexy, sweaty cowgirl taking off her boots & flexing her bare feet
Be interesting to see if he can do what Sam Raimi already ably did so well in “Quick And The Dead”. If you know your westerns, Raimi pretty much distilled the essence of all the Spaghettis shot-for-shot into that.
Too bad it sucked!
Glad Raimi redeemed himself with SPIDERMAN.
QT can make the phone book and turn it into an action thrill piece. He is really the actor’s director. He could have gone the other way like Cameron and became the set decorator but it stuck with telling small stories in a big way.
Just wondering: has Quentin Tarantino ever had an actual original thought? I.e., something that isn’t a “homage”? I like the man, but he is so easy to make fun of.
- Most of his dialog. Hell even Eziekel 25:17 gets a lot of flack since it was used as an intro into a movie, but the idea of a hit man using it? Naw, that was QT.
- Most of his characters. I’d say half are completely original, but even the ones such as the Bride that are to resemble specific genre heroes at least have personality and character that are unique to Tarantino’s imagination. We’ve seen the Nazi/bounty hunter villain before, but we’ve never seen Landa.
- His rhythm. Too many times people say “they don’t make them like this anymore” after watching a Tarantino flick. But really, they never made pictures like his. I hate when people call his work genre films because all his films don’t just represent one specific type of film making.
He’s original. Anyway you slice it.