
EXCLUSIVE: Universal Pictures has emerged as the front-runner to finance and distribute Oblivion, the Joseph Kosinski-directed sci-fi project that has Tom Cruise in early talks to star. The studio has entered into exclusive negotiations for a deal that would carry progress to production language, with a goal to begin shooting in October. The deal hinges on Kosinski’s ability to bring in the film at around the $100 million mark. Cruise doesn’t have a deal at this point, but they are talking. Deadline told you last week that Universal was among three studios chasing the film. The film was scripted by William Monahan, with Karl Gajdusek currently rewriting.
Oblivion recently shook loose from Disney, where Kosinski made his feature directorial debut on Tron: Legacy. That film just hit the $400 million worldwide gross mark for Disney, and the studio has a Tron sequel and other projects with Kosinski. But the studio let the filmmaker shop it because the post-apocalyptic Oblivion premise didn’t fit the studio’s family film mandate. Attempts to bring it in as a PG film was creatively strangling the project. It will be made as PG-13.
The project is based on a Radical Publishing graphic novel that came from an idea by Kosinski, and was published by Barry Levine’s imprint while Kosinski was preoccupied with Tron. The graphic novel was always viewed as a blueprint for a feature film, and Disney acquired in a heated auction last summer. Universal was among the studios chasing it last summer, along with Paramount and Fox and Chernin Entertainment. Oblivion is a futuristic science fiction love story that takes place in an apocalyptic future where most of the population lives in clouds above an earth surface that has been rendered for the most part uninhabitable. An earthbound soldier — stuck there repairing drones that patrol and blast a savage alien life form — encounters a beautiful woman who crashed in a craft, and they have an experience that forces him to question his world view. There are really only a handful of characters in the last-man-on-earth storyline, and so the feeling is that Cruise is a strong match.
If Universal closes, Oblivion takes a tent pole slot that the Guillermo del Toro-directed At the Mountains of Madness (which also had Cruise attached) fit into before the studio halted plans to make it this year. The studio found its R-rating insurmountable for a $150 million-budget film, even one shot in 3D and godfathered by James Cameron. Del Toro moved on to next direct the Legendary Pictures tent pole monster movie Pacific Rim. At the time, Del Toro told Deadline that he would not be contractually limited to a rating on the HP Lovecraft adaptation, which is the filmmaker’s dream project.
Cruise would star after he’s finished with the Adam Shankman-directed New Line musical Rock of Ages, which starts in June. Cruise plays the decadent rocker Stacee Jaxx, and he will sing the Bon Jovi tune Wanted Dead Or Alive and has a seduction scene with a journalist with whom he duets on Foreigner’s I Want To Know What Love Is. Kosinski is repped by Verve and Anonymous Content and Cruise by CAA.


I’ve always wanted to see Tom Cruise do a movie with Julia Roberts and one with Tom Hanks.
Also, he needs to do more dramas rather than just doing huge action blockbusters and unfortunately, his next movie is yet another one of those (M:I: IV). He is an underrated actor. So, I hope that he does more dramas, tries to reach his full potential as an actor and tries to win an Oscar.
Cruise needs to get out of the action game for about ten years. Audiences didn’t abandon him because he was loco (OK there was some of that going on) but because they just got tired of him. Dude was a ubiquitous A-lister for 20 years, and people just got bored with him. It happens to all the big stars. The smart ones move to the fringe for awhile. Do more low-key personal stuff, maybe chase some awards. Then in ten years make the triumphant return. Everybody loves a comeback story and audiences are now nostalgic and hungry for that star from their youth. But we can’t miss him if he never goes away.
He’s one of the least prolific movie stars around and was never in a movie in 2008.
No , not TOM CRUISE. yuck . Guess. I’ll pass
This one will perform well if kept around $100m (+50 on P&A). Kosinski will bring it and Cruise has still got it. Smart move, Universal. No more eating dust making Fast & Furious flicks.
Hah! People really think Kosinski can direct still? “Tron Legacy” is a slog to get through!
Cruise needs a comeback? He is still a top star
Sorry bobo, but you’re misinformed. Cruise most certainly does neeed a comeback. He hasn’t starred in a moneymaking film in quite awhile. He can’t pull em in like he used to, which is why this is such a smart move on Universal’s part. They need to do just as Par did on MI4: Keep Cruise’s salary down (11.4 for MI and no back end till it starts making bucks) and not let him run amuck “helping” with PR. In the past, Cruise films have been very expensive. That’s FINALLY being curbed at this point. Whether it was the loco behavior in the past few years or that people have tired of him (I vote for the loco behavior), he’s not able to but butts in seats the way he did 10 years ago.
Kind of…overseas still pretty big I guess. Not so much with the under 25 demographic overall. He is not what he was and he won’t be again. I think his career and choices could be more interesting if accepts that.
If his upcoming films do well it will have more to do with the concept (Mission Impossible, Rock of Ages) than Cruise. Also, his people attach his name to everything so who knows if he will actually do Oblivion.
Why is he desperate enough to do a Les Grossman movie though? Yikes.
Way to go Universal, crush Guillermo’s dreams but let this rookie make a PG-13 movie with Cruise and you’re happy to oblige. WTF is going on here? Cruise needs to do ATMOM, not this!
Isn’t that the plot to Wall-E?
Yes pixar, I thought the same thing! Tom Cruise IS Wall-E.
I could make a height joke, but I will abstain.
Tom-E?
Oblivion: isn’t Cruise’s career there already?
@bubbatwo420 … Do your homework, rookie. Kosinski made over a hundred high-end narrative commercials before he did TRON and they were all more sophisticated than anything Del Toro (as nice as he is) has put out thus far (including and especially Pan’s Labrynth). And to the three (WALL•E) stooges, stick to throwing pies at each other. You’re way off on all counts — WALL•E was great but WALL•E this ain’t and Cruise is still earning his keep. He’ll never go the way of Nick Cage.
Elmo Doesn’t Know,
Joe himself would trash you for diminishing Guillermo Del Toro’s directing work against his own. Guillermo has directed many feature films, and he has managed to put a lot of emotional resonance and big ideas into those films while bringing them in under budget. Blade 2, the Hellboy films, Pans Labrynth were all P&L black films. Don’t call people names (Rookie) in a sad attempt to make your opinions sound like facts.
Paul
I stopped reading after I saw Tron: Legacy mentioned. I’m still waiting for apologies from all associated with that hot mess.
If Barry Levine is involved with it, Oblivion is a perfect title.
As much as it sucks that Universal isn’t (for the moment, at any rate) going forward with At The Mountains of Madness, I am not too sure that considering Oblivion has anything to do with that decision.
Besides, Tron Legacy has shown that Joseph Kosinski can handle sci-fi and shoot a mean action scene (for a primer on how NOT to shoot an action scene, check out the fight between Wolverine and Mystique in Bryan Singer’s X-Men), so congratulations.