
Focus Features has acquired worldwide rights from Indian Paintbrush on Moonrise Kingdom, the Wes Anderson-directed film that stars Bruce Willis, Edward Norton, Bill Murray, Fran McDormand, Tilda Swinton and Jason Schwartzman. Anderson has begun filming, from a script he wrote with Roman Coppola. Focus Features International will sell international territories at the 2011 Cannes Film Festival.
Anderson, Scott Rudin, Indian Paintbrush’s Steven Rales and American Epirical’s Jeremy Dawson are producing. As Deadline has reported, the teamup with Anderson came after Indian Paintbrush exec produced and co-financed the Anderson-directed Fantastic Mr. Fox and The Darjeeling Limited, both of which were produced by Rudin. Moonrise Kingdom is set on an island off the coast of New England in the 1960s. A young boy and girl fall in love and when they try to run away together, factions of the town mobilize to search for them and the town is turned upside down. Jared Gilman and Kara Hayward play the young boy and girl.
Rales, who hired Rudin’s former president Mark Roybal to run the company, has become a prolific player in the prestige film space. Indian Paintbrush is in preproduction on Seeking a Friend for the End of the World, the Lorene Scafaria-directed drama that is Steve Carell’s rebound project after exiting The Office. Keira Knightley also stars. David Chase is currently shooting his period rock and roll project with James Gandolfini, and Indian Paintbrush just wrapped Jeff Who Lives At Home, written and directed by Jay and Mark Duplass, with Jason Segel, Susan Sarandon and Ed Helms starring. Indian Paintbrush also teamed with Paramount to acquire the Drake Doremus-directed Sundance Festival film Like Crazy.


Great. The next boring and pretentious masterpiece from the most overrated director of our time. Have any of his films made money?
Hey Bored… your user name fits!
Maybe not all of Wes Anderson’s oeuvre is your cup of tea. For me he’s a mixed bag — I didn’t get into ‘The Life Aquatic’ but dug ‘Darjeeling Express’ which was a pleasant surprise — but to summarily dismiss his work on the basis of “having made money” is the acme of mindlessness.
Wes has managed to find a place for his indelible vision in a corner of the vast creative landscape.
That, in itself, is accomplishment alone. By your logic the world of film would be relegated to series such as the “Fast and the Furious” and “Pirates of the Caribbean” and that would be a travesty for all of Hollywood.
But how does he keep getting work? It might be time for him to stop making Wes Anderson movies and start making movies. I’m not saying he should completely abandon his style, it just shouldn’t confine him.
I still want to see how Bruce Willis plays out in a Wes Anderson movie, though.
None of his films have been smashes, no. ‘The Royal Tennenbaums,’ I believe, was the most successful. Everything after that has been a significant underperformer. That’s no reason why he shouldn’t make movies – and his style and sense of flair is unquestionable – but I wish he’d get out of his own eccentric, self-satisfied comfort zone.
Why is there a picture of Tilda Swinton up there? She in it too?
HAHAHAHA. That’s just wrong…but funny
Great news for Focus, they have a great team, especially the young and bright Matt Plouffe.
Like the name says. Plouffelover. That’s what I am.
FANTASTIC MR. FOX was one of the best films of 2009. One of the most inventive creative kids’ movies for adults to come along in a long time.
Can’t wait for Anderson’s new one.
I can’t agree more.
Rebound project after exiting The Office? What’s he rebounding from? Carell was a established performer before leaving his hit television show.
@ lamesauce: What is Carell rebounding from? Do “Evan Almighty” and “Date Night” ring any bells?
Steve Carrell was OK in “The 40 Year Old Virgin”, “Dan in real Life”, “Despicable Me” and as second banana in “Anchorman” as far as movies.
He is not a person you can plug into any comedy script and make it hum. There needs to be a certain amount of uncomfortable awkwardness in the role or he bombs big time. One might say “Despicable Me” was a successful film because he was only a voice over in a cartoon.
I still view Carell as more of a film actor than a TV actor. Did The Office jump the shark?
roman coppola should be directing. His “CQ” movie is one of my favorites.
Rushmore was very moving but everything after that was irritating.
Anderson has become way too precious.
when did francis mcdormand become fran mmcdormand? francis is a much nicer name.
Well, considering the fact he’s still MAKING movies probably implies that at least SOME of his movies have made someone some money otherwise he wouldn’t get the films financed…
Even if they only make someone a couple million of bucks, I’d rather see 10 Wes Anderson movies or 10 P T Anderson movies or 10 Alexander Payne movies than some cookie cutter, Hollywood, super hero/zombie/vampire movie that costs $200m and earns $500m.
Maybe only Hollywood likes his movies.
Focus features would release horse droppings like this.
Probably another disappointment. Bottle Rocket was good. Rushmore was a masterpiece. And everything since has been progressively worse. Maybe Wes just needs to go back to writing with Owen Wilson.
All y’all, calm down. As someone who has actually read the script, I believe the story has a much wider potential reach than his previous films, however you may feel about them. It’s a good entertaining story. Hooray for Focus and Indian Paintbrush!
Yeah, he should totally change his style. “It might be time for him to stop making Wes Anderson movies and start making movies.” Couldn’t agree more. Actually, I’d love it if Darren Aronofsky, Christopher Nolan, P.T. Anderson, and those rascally Coen brothers would all stop making Aronofsky/Nolan/Anderson/Coen movies and start making MOVIES.