
Graham King’s GK Films has hired Focus Features exec Kahli Small to be executive vice president of production and development. She will report directly to King and will work out of GK’s Santa Monica headquarters. Kahli is a seven-year vet of Focus Features and most recently held the title of executive vice president of production and development. Her projects have included the Oscar-nominated Harvey Milk biopic Milk, the David Cronenberg-directed Viggo Mortensen starrer Eastern Promises, and The American, which starred George Clooney. Before Focus, she was head of production at Key Entertainment, and was an exec at MGM.
“Her reputation in the industry and track record for success are exactly the qualities that we are looking for in executives as we expand our company,” King said in a statement. The appointment comes at a time when GK (run by King and partner Tim Headington) are gearing up on several major projects. They include a movie adaptation of the hit stage musical Jersey Boys, the untitled biopic of Queen frontman Freddie Mercury that has a script by Peter Morgan and Sacha Baron Cohen starring, and a reboot of Tomb Raider. GK is about to start production on the Tim Burton-directed Johnny Depp starrer Dark Shadows at Warner Bros, and is in post production on the Martin Scorsese-directed 3D film Hugo Cabret, which Paramount releases Nov. 23. GK has also wrapped the William Monahan-directed London Boulevard with Colin Farrell and Keira Knightley and the Depp starrer The Rum Diary.


Know her. Gets movies made, real eye for super material. Kudos GK. Great hire.
Super material like THE EAGLE, IT’S KIND OF A FUNNY STORY, THE AMERICAN, GREENBURG, THE CONSPIRATOR, SOMEWHERE, LOVE HAPPENS, 9, AWAY WE GO, TAKING WOODSTOCK…
Is it any wonder Focus is about to shut down?
Listen, douchebag loser–
What right do you have to comment on any of those movies? Not only are you inaccurate (LOVE HAPPENS was a Stuber movie through and through), but many of those movies either were in the black or were well-received and/or profitable long-term. Regardless, a lot of people worked very hard on those films and made them for the right reasons.
Next time you feel like commenting on this site, stop and don’t. Just go back to working on your horseshit spec that will never see the light of day–outside of your second cousin’s great feedback, of course.
Since when did “a lot of people worked very hard on those films and made them for the right reasons” become a defense for bad product?? I worked on a lot of movies that ended up as piles of shit, but everyone making them worked hard and wanted them to be good. Hard work and good intentions doesn’t mean the movies are gonna be good.
By that logic, everyone at Fox gets a pass on the A-Team and every other steaming pile that studio churns out.
You need to do your research. Not only are some of titles not *technically* Focus movies, but you’re ignoring the profitable releases that have come out in the recent years.
No, I’ve done my research. Their making some good movies (Kids are Alright, a really good movie that Focus only managed to steer to a $20 million dollar gross) does not negate that they’ve made much more spectacular crap than they have made good or even okay movies, and that they never had anyone with any direction leading them, including Small.
By the way, I’m a produced writer, “get a life.” I wasn’t dissing you, I was dissing a load of unprofitable, bad movies that an unprofitable bad studio division produced — so why get so personal? And I have the right to comment on them because I sat through all of them except 9. And what’s the “right reason” for making a bad movie, exactly? To waste a studio’s and an audience’s money?
*Sigh* Once again, you need to do your research.
LOVE HAPPENS— not Focus. (Universal)
THE CONSPIRATOR— not Focus. (American Film Company)
And if you’re dissing “unprofitable” movies, why did you include THE AMERICAN?
Lastly, you make it sound like you’re speaking to the majority of the movies Focus has released. If you look at ACTUAL Focus movies, you will find that you are mistaken on both your reference PROFIT (not overall gross) and content.
I’m done now
still wrong.
Amazing!! I’m so excited for her. Right on girly! (::)buttons and threads(::)
Congrats. She’s the real deal.
It takes a lot to survive the political waters of Focus and come out unscathed. Well done GK Films and so happy for Kahli!
Yeah, sorry to say she’s a system of the politically charged studio waters, not a real producer. Sad, but true. Her biggest asset is managing upwards.
No one better for this job. KS is a star!
Don’t know her. She looks mean. Hopefully she is a Wendy Finerman. Someone who has balls to get things made other than crap.
Thank you.
Kahli is a lovely human being. That puts her miles ahead of most on that side of the table.
Great exec. Great person. Great hire for GK. Couldn’t be happier for Kahli.