
May is upon us, and with that the final stage of the primetime pilot panic leading into the broadcast networks’ May 16-19 upfront presentations in New York. Producers are currently rushing to finish the cuts or re-cuts of their pilots for the networks’ official screenings. CBS on Friday became the first network to begin viewing its pilots, with the others are slated to follow this coming week. In compiling this 2nd hot list (1st is here), we surveyed a wide range of TV industry insiders, and I feel good about the sourcing on it. Still, as a former rocket scientist, I want to point out that it is not a scientific document as buzz is fickle. For instance, last year, CBS’ Blue Bloods flew completely under the radar until 24 hours before CBS’ upfront presentation. Now it’s looking good for a Season 2 renewal:
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DRAMA
Last season, with no X Factor on the fall schedule, Fox picked up only two new dramas, Lone Star and The Chicago Code, in addition to Terra Nova, which was targeted for midseason. This year, the network has Terra Nova for fall after the series’ premiere was pushed. With the Tim Kring/Kiefer Sutherland drama pilot TOUCH all but assured a series order, the network may pick up as few as one and possibly two new dramas. After solid testing, the Ethan Hawke-starring and Antoine Fuqua-directed thriller EXIT STRATEGY has emerged as a frontrunner. The House-esque medical drama WEEKENDS AT BELLEVUE also has buzz, possibly as a companion (and eventual successor) to House. After an encouraging reaction from fans of Bones and promising preliminary research following last week’s airing of the Bones‘ spinoff episode, THE FINDER is also in contention.
Meanwhile, I hear Fox’s new crop of dramas may not include a sci-fi entry this year as both LOCKE & KEY and ALCATRAZ have cooled off, though the time travel-themed mystery Alcatraz still has loyal fans among the higher-ups. With the network recently renewing Fringe for a full season, it has secured the genre’s presence on the network for fall and has protected its good relationship with Fringe executive producer JJ Abrams, who also produces Alcatraz, in case the pilot doesn’t go.
COMEDY
The two 20th Century Fox TV-produced pilots, Liz Meriwether’s THE NEW GIRL directed by Jake Kasdan and starring Zooey Deschanel and the Shawn Levy-directed FAMILY ALBUM starring Mike O’Malley have the most buzz at the moment, with Warner Bros. TV’s multicamera comedy I HATE MY TEENAGE DAUGHTER starring Jaime Pressly also getting positive feedback. It’s been eerily quiet on the others, with TAGGED and OUTNUMBERED looking cold at the moment.
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The Broadway-themed SMASH starring Debra Messing and produced and directed with the hands-on involvement of executive producer Steven Spielberg, continues to march toward NBC’s 2011-12 schedule. The project, an early favorite because it was the only NBC pilot developed by new chief Bob Greenblatt back when he was at Showtime, is getting great reviews, with many singling out the breakout performance of former American Idol finalist Katharine McPhee.
While not completed yet, the Maria Bello-starring remake of PRIME SUSPECT is considered a lead contender for a series order.
The three 20th TV pilots, Chad Hodge’s PLAYBOY, Kyle Killen’s REM and Stephen Gaghan’s SILA all came in solid. Speculation is that NBC may pick up 2 of the 3, with PLAYBOY and SILA currently getting stronger buzz.
Of the 2 magical pilots, 17TH PRECINCT and GRIMM, GRIMM appears stronger, while 17th PRECINCT doesn’t look good. In the battle of the period dramas, the feeling is that NBC would go with PLAYBOY vs. RECONSTRUCTION though the latter is said to have supporters.
Signals are mixed but more on the positive side for Michael Patrick King’s aging hairdresser show A MANN’S WORLD starring Don Johnson. Despite having a so-so testing, the pilot is praised for its execution (King also directed it), and its upscale appeal that fits in NBC’s profile of catering to high-income viewers.
Meanwhile, NBC’s highest-profile drama pilot, David E. Kelley’s WONDER WOMAN, is still in post-production. Like every high-profile project, it has its early detractors but we will reserve judgment until there is a cut.
COMEDY
There are rumblings that NBC might be mulling opening a block of female-centered comedies in midweek. (The Biggest Loser leading into female skewing comedies into Smash anyone?) That’s probably because several comedies with female leads are garnering most of the early buzz, led by Chelsey Handler’s ARE YOU THERE VODKA? IT’S ME, CHELSEA as well as the untitled WHITNEY CUMMINGS romantic comedy and the UNTITLED EMILY SPIVEY pilot starring Christina Applegate and co-starring Will Arnett and Maya Rudolph. Additionally, the UNTITLED KARI LIZER multicamera pilot starring Sarah Paulson has emerged as a contender after a good taping. It is a workplace comedy, one of several such pilots vying for a potential slot on NBC’s crowded workplace-themed Thursday comedy lineup, along with UNTITLED DAN GOOR and Peter Tolan’s BRAVE NEW WORLD, which also appear to have a shot.
Romance also seems to be in the air at NBC this pilot season. In addition to WHITNEY CUMMINGS, another romantic comedy, the Amanda Peet-David Walton starrer BENT also looks good. Early response to the third representative of the genre, the U.K. adaptation FREE AGENTS is not as positive beyond praise for star Hank Azaria.
LOVELIVES appears cold
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Word is ABC may pick up as many as 6-7 new dramas after another disappointing season that produced only one modest performer, Body of Proof. There is also chatter that the network is considering low-cost scripted programming for Friday, which would surprise me given how well the network’s current reality/newsmagazine lineup is doing, regularly beating CBS’ scripted series.
DRAMA
CHARLIE’S ANGELS Very strong, considered a lock.
GOOD CRISTIAN’S BITCHES The Southern soap that recently evoked the wrath of PTC also looks very strong.
SCANDAL Shonda Rhimes’ crisis management drama also came in strong.
POE No Edgar Allan Poe-style mystery here: word is the 1840s crime drama is one of ABC topper Paul Lee’s favorite pilots
Speaking of pilots, those from ABC’s other period drama, airline soap PAN AM, are also flying high.
ONCE UPON A TIME Encouraging early reaction for the magical tale about a village housing classic fairytale characters, which is described by an insider as “Lost in tone and Pushing Daisies in look”. The pilot also is expected to get enthusiastic thumbs up from the Disney leadership because of the big synergy potential as it features classic Disney characters as Snow White and Prince Charming. Ginnifer Goodwin is getting great marks for her performance as Snow White, with Jennifer Morrison also looking good as the lead.
THE RIVER The final cut hasn’t been delivered yet but early buzz is encouraging for the horror thriller in the vein of Paranormal Activity.
HALLELUJAH Reaction to Marc Cherry’s soap with spiritual elements has been mixed. Because it comes from Cherry, it should not be discounted, with some suggesting a retooling for midseason as a possibility.
Also mixed is the early verdict on GRACE, the dancing/family drama starring Eric Roberts. It is being envisioned as a companion to ABC’s reality juggernaut Dancing with the Stars and its dancing sequences have been getting a rousing reaction. But the rest of the pilot has not fared as well.
Also in the lukewarm column is The Count of Monte Cristo-inspired REVENGE, whose reaction has been mixed to positive.
IDENTITY and PARTNERS Of the 2 pure procedurals, the Mark Gordon-produced British adaptation IDENTITY looks stronger.
COMEDY
Three early standouts, suburban family comedy SUBURGATORY, extended family sitcom SMOTHERED and the Jason Winer-directed DON’T TRUST THE BITCH IN APT. 23 continue to fare well.
There is no cut yet for the untitled TIM ALLEN pilot but the multicamera sitcom moved to the top echelon of comedy contenders after a very strong taping.
WORK IT The cross-dressing comedy in the vein of Bosom Buddies was one of those hit-or-miss concepts. People who have seen the pilot say it has largely pulled it off and and comes across as pretty cute. Also exceeding expectations is another pilot with a male lead and similar premise to TIM ALLEN, Chris Moynihan’s MAN UP.
LOST AND FOUND cold
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CBS, which on Friday became the first network to begin screening its pilots, is once again among the most difficult to read.
DRAMA
The network is rumored to pick up 2 new drama series for fall and 2 more for midseason. The drama pilots that have been garnering the strongest early buzz are the Robert De Niro-produced cop drama ROOKIES, the Minnie Driver-starring PI show HAIL MARY and the UNTITLED SUSANNAH GRANT project directed by Jonathan Demme. Of the two CBS medical drama entries, SUSANNAH GRANT looks stronger than the Christine Lahti-starring and David Nutter-directed THE DOCTOR, raising the possibility that Nutter’s streak of 16 consecutive pilots going to series may come to an end this year.
UNTITLED ED REDLICH/JOHN BELLUCCI procedural aka The Rememberer, originally ordered last season but pushed after the lead couldn’t be cast, came in very solid.
RINGER – reaction to the pilot has varied from mixed to positive – Sarah Michelle Gellar stars, but it’s heavily serialized. CBS has only one serialized drama currently on the air, the acclaimed but modestly rated The Good Wife.
PERSON OF INTEREST also has mixed early buzz – it has great auspices: Jonah Nolan and JJ Abrams, and strong lead cast: Jim Caviezel and Michael Emerson, and it reportedly tested well but plays dark.
COMEDY
TWO BROKE GIRLS Solid buzz after a very good taping on Friday night. It’s shaping up to be a very interesting pilot season for TWO BROKE GIRLS‘ co-creators Whitney Cummings and Michael Patrick King, each of whom has a pilot in contention at NBC.
HOW TO BE A GENTLEMAN After snagging a last-minute pilot order, David Hornsby’s male buddy comedy has emerged as a surprising early standout.
HOME GAME Solid early buzz for the comedy starring CBS brass’ favorite actor who doesn’t have a series on the network yet, Rob Riggle.
UNTITLED ROB SCHNEIDER Reaction to the multi-cultural family comedy has been mixed-to-positive.
Multi-generational family comedy UNTITLED FILGOS aka HOME GROWN looks promising after a solid taping.
UNTITLED PETER KNIGHT cold

Two pilots seem to be separating from the pack, Kevin Williamson’s witch tale THE SECRET CIRCLE and the medical drama HART OF DIXIE, both from Warner Bros. TV. The verdict on the latter is not as unanimous as some still have issues with star Rachel Bilson’s believability as a doctor but she reportedly tested very well.
Of CBS Studios’ entries, the angel-and-attorney drama HEAVENLY appears the strongest early on, while zombie drama AWAKENING has had only so-so testing despite a very strong script, probably because of the departure from the CW’s brand of teen soaps it represents.
Ditto on COOPER AND STONE, which, despite a dash of Gossip Girl as the two female cops at its center are quite the fashionistas, is a straight-forward procedural, something the CW has no history of. And it also didn’t come out well, people who have seen it say.
DANNI LOWINSKI cold
TV Editor Nellie Andreeva - tip her here.


Nothing on ABC’s GEORGETOWN?
If there is buzz, she reports it.
Two straight primetime pilot panic updates and nothing yet on Ashley Judd in Missing. Just a few months back it seemed like they had a full team on board and they were going to start shooting overseas. Seemed like a lock for the fall schedule. What gives?
Missing started shooting in Prague and is already locked for 10 episodes to start early this Fall.
I think ABC already has a blind commitment for 10 episodes. From what I understand, the show will make it on air, that’s why it’s not being mentioned in the articles.
Thomas the first PRIMETIME PANIC talked about them liking MISSING but that the pilot needs to be fixed or something. Check back on it. I think they will be picking it up.
It has a 10 episode blind commitment.
Has anyone read the scripts for those CW series?The reviews I’ve read online speak differently to what this article says.
The Secret Circle has been called childish, boring and nowhere near as entertaining and thrilling as the Vampire Diaries.But, because Williamson is involved, it’s probably a lock anyway.
Hart of Dixie is supposed to be good, but it plays like Gilmore Girls or Everwood.It’s more of a WB show than a CW show.It feels out of place on the network.
Heavenly is godawful.
Awakening is the strongest of the scripts, which this article attests to.
Cooper and Stone is completely ridiculous.
Danni Lowinski is bland and seems out of place on the CW.
Would anyone who has read any of these scripts agree with these assessments?
I’m not giving The CW any more chances when it comes to family dramas. They didn’t pick up Everwood, and canceled Life Unexpected. Rachel is supposed to be playing a doctor on this too?! Lmao, I’m so passing on that one. I’ll just continue watching Parenthood on NBC.
Secret Circle looks like the only CW pilot that might be good and that’s only because of Kevin Williamson.
You heard absolutely right about the scripts. Awakening was the best by a mile, Secret Circle was a little simple but it’s about the loss of innocence so I think that’s okay (and it was very well written actually, if young, and was rewritten many times before production), Hart of Dixie was saccharine and annoying, Cooper and Stone was terrible, Heavenly was beyond terrible, and Danny Lowinski was like Ugly Betty without the charm and heartstrings moments. Once the scripts are cast and shot it’s a completely different story though. Casting, direction, tone, they can elevate scripts or not live up to their potential. You can’t ever know what will be picked up to pilot based on what’s on the page alone.
Anybody read the script of the pilot Michelle Trachtenberg had pitched to The CW? About that young profiler? Sounded strange in the outline, but I wonder how good it actually was.
Please tell me where to get a hold of these scripts because I would love to read them!
The Awakening was one of the worst most ridiculous scripts I have read.
Heard How to Be a Gentleman is great. Excited to see Johnny Drama back on tv!
The script for Family Album was atrocious. There is no way that pilot should be going. Where are all the shows from new or low level writers? Oh right, networks don’t take chances anymore. No wonder cable is kicking butt.
Cable doesn’t take chances on new or low-level writers either. People have to stop believing that they do. They like know entities who hopefully can bring a fanbase with them.
disagree, the Family Album script was one of my favorite scripts this season
Family Album’s script was very funny. I heard it was even funnier when they started filming and the actors they cast are awesome!
HEAVENLY was a fun script and the pilot came in very strong. Great cast.
I thought there was supposed to be a pilot with Idina Menzel – some musical type thing. Does anyone know any info on that?
Was pulled when Bob Greenblatt took over NBC.
There was a deal with ABC early in the season, but it was not ordered to pilot.
The Finder “After encouraging reaction from Bones fans”…you’re kidding right, the script was terrible, not nearly up to Hart Hanson’s usual standards, the only saving grace was the lead walking around without most of his clothes…shallow Fox, shallow.
I’ve hardly seen ANY positive buzz for The Finder around the net. Especially on fan boards. But what do us internet fans know anyway?! ;-D
Fox
Well, i`m really suprise about Alcatraz.. until now for me seens to be a safe bet but has a great cast too. I hope this get series order.
ABC
Great news for me Charlie`s Angels back to tv.. i loved and i have 25 years old just say.
Poe sounds good;
About comedy my two favorite are stronger contender (Smothered and Suburgatory)… i so happy .
One question: And about Georgetown??
CBS
Please God put i light in cbs excutives head and pick up Person of Interest.. bring a new life between so many cop dramas.. and i knew about Two broken Girls..i almost forgot: Is Hail Mary a female version of The Mentalist? or is thing inside my head
NBC
Wonder Woman missing of next season.. guys, i don`t think this will happen.. for good or bad
Mann`s World remimes something how of Harry`s Law…i thinks that NBC will pick up like midseason order.
About Comedy: Chelsea and Kari Lizz (Help Wanted) i hope too goes series order both sounds verry funny.
CW
I knew about Secret Circle and i very suprise of Awakening.. please CW pick up zombie series too.
Another question: is possible like last year we have the first pick up to series order this week?
Encouraging reaction to The Finder from fans of Bones? The comments I saw were nearly universally negative and I strongly agreed with them.
No word on the Colin Cowherd pilot?
I’m hearing that UNTITLED RONNIE SWERDLOW is hot hot hot and everything else fair-to-mixed.
Grimm!! I want to see this!
What’s the story with “Georgetown”? Script was so much stronger than many of the others mentioned for ABC.
GRIMM!! I want to see this! I hope it makes it to the air.
Awakening was a terrible script.
Heavenly was sweet and moving.
Hart of Dixie was smart but I agree Bilson as a Dr is a stretch.
secret circle was exactly as stupid as it was supposed to be and should be what its title dictates.
Cooper and Stone was painful.
Danni Lowitski I think was great and then killled I casting.
Heavenly was sweet and moving but Secret Circle was stupid and Awakening was terrible? Be more transparent, I can’t see completely through you yet.
Ahhhh…
I’m dying to read the scripts you mentioned. Where can I find them?
Awakenings script had no series life. Interesting concept for all of five minutes. Baffling pick-up.
Secret Circle script was bogged down in mythology but had the most promise of all the CW scripts. Could be a good series. Good casting picks too.
Heavenly. Good writing. Bad idea. Bad casting.
Hart of Dixie was sweet. And with sweet comes corny. Which may explain why Bilson is questionable. The material is hard to sell.
Cooper and Stone and Lowinski are never going to happen.
How does Revenge go from hot to cold in a week?
That’s how it’s best served.
this guy…
LOL
Ha! Well played.
*slow clap*
Ziiiiing.
If FOX does pass on Locke and key, hopefully Amblin/Dreamworks will be able to take the show to one of the cable networks. The source material is fantastic and the show sounded really promising with Mark Romanek on board…
How the hell is Romanek going to shoot on a tv sked? That would be baffling.
-RnsW
Really want/wanted to see “Locke & Key.” The comic is one of the best things out there right now. Of course, that means jack shit if the pilot doesn’t work, but Joe Hill can write.
They should recast the actress who`s playing the mother of the family. She is just awful in everything – Starter Wife, Cashmere Mafia. Those shows are crap but she was the worst thing about them so go figure.
The rest of the cast didn’t look too promising either. I saw the cast list and all I could say was….what?who? And why? Looooved the script, but they needed a super strong cast to bring it to the small screen. Especially the kids!
I’m hearing that “Locke & Key” has a pretty hefty penalty attached to it if FOX doesn’t pick it up. Some say it might be cheaper to produce the seven or so episodes the contract asks for, so we might end up seeing it after all.
Bilson as a doctor might be a stretch to some but if the focus of the series is not on medicine like an ER and more like Doc Hollywood, I think it works. It’s one of the shows I’m looking forward to because of the overall casting.
How could Fox pass on Alcatraz?
Isn’t it supposed to be wildly expensive? If so, that coupled with an ‘average’ pilot, could be why interest has cooled.
Yeah, but Nellie never said they didn’t like the pilot. In fact, last buzz report it was tracking with heat. Now it’s cool? Also, note how she says “still has LOYAL FANS among the HIGHER-UPS.” If you’re gonna have fans of your pilot, aren’t these the people you want as them? Seems like Nellie’s just stirring the pot. I still can’t imagine Fox walking away from a JJ show with Sam Neil and Jorge Garcia.
Thanks, Nellie! Great work as always.
What does “Cold” indicate? COLD reaction from network or COLD, no buzz yet?
At this point it is cold with little or no reaction. It doesn’t matter what happens but, people aren’t talking about that show for the most part.
what the fuck do you think it means you idiot?
SMASH and GRIMM were my two favourite NBC scripts and here’s hoping both will be on the fall schedule.
Any more word on REVENGE? I thought the script was strong.
GRIMM!!!! my favorite pilot script this year, along w Smash. Go Greenblatt, Go! GRIMM GRIMM GRIMM! kouf & greenwalt undoubtedly delivered.
So far, NBC and ABC are doing riskier programming this year than in the past with Bob Greenblatt and Paul Lee taking charge instead of Angela/ Jeff Zucker and Steve McPherson. Bob Greenblatt and Paul Lee seem to be nice people who support the showrunners! Am I wrong on this?
I here ABC’s PARTNERS is a dark horse rising fast. It has more of a chance then let on by Deadline.