
EXCLUSIVE: Cross Creek Pictures has stepped up to finance A Walk Among the Tombstones, an adaptation of the Lawrence Block novel that seemed to have been put to rest more than a decade ago. DJ Caruso is in discussions to direct a script by Scott Frank. It is one of two pictures Caruso is considering for his next film. The other is Preacher, the John August-scripted film for Sony Pictures and producer Neal Moritz.
Double Feature partners Michael Shamberg and Stacey Sher are producing with Danny DeVito and Cross Creek president Brian Oliver. Shamberg, Sher and DeVito first got Frank to write a script while they were partners in Jersey Films. It had been set at Universal and once had Harrison Ford interested in playing Matthew Scudder, an alcoholic former cop who spends his retirement doing favors for friends, the kind that take him deep into the underbelly of New York City. In A Walk Among the Tombstones, a heroin kingpin’s wife is kidnapped and those kidnappers begin to send her back in pieces. The Scudder character was previously seen in 8 Million Ways To Die.
A Walk Among the Tombstones got close, but then languished for about 14 years as edgy dramas went out of fashion. Insiders tell me that CAA Film Finance Group’s Roeg Sutherland helped to revive it by plugging in Cross Creek, one of the new crop of film financiers that gained prominence for funding the Darren Aronofsky-directed Black Swan. That was another project dying a development hell death for over a decade when CAA brought Cross Creek into that picture. At a $13 million budget, Black Swan grossed $327 million worldwide and put Cross Creek on the map. Cross Creek is also in the middle of the George Clooney-directed The Ides of March and several other pictures. There are over 20 books in the Scudder series, and the hope is to hatch a franchise. The tone is R-rated, comparable to Taken or No Country For Old Men. Caruso most recently directed I Am Number Four, Eagle Eye and Disturbia. He’s repped by CAA and Media Talent Group’s Geyer Kosinski.

Is it me or does it seem like we only have about 10 directors left in the world?
Same crap headlines ie: Hobbit Jackson, crapola Bay Yada.
Then you get rich kids who call themselves directors making the other crap. Oh yeah, add in the mediocre elite, ya know the Garafolo crowd.
DJ Nussmeyer
“Is it me or does it seem like we only have about 10 directors left in the world?”
Well, the good ones are Scorsese, Spike Lee, Ang Lee, Woody Allen, Zhang Yimou, the Coen Brothers, Paul Thomas Anderson, Wes Anderson, Jean-Pierre Jeunet, David Fincher, Darren Aronofsky, Quentin Tarantino, Steven Spielberg, Todd Haynes, Alejandro González Iñárritu and there’s always hope Coppola still has a good film in him. Well there’s 16, and I’m sure I missed some…
Thank God you mentioned Paul Thomas Anderson. I nearly had a heart attack as I read the list and it took me six names to get to him. I don’t totally concur with your list but let’s say our DVD collections would pretty much match up.
Don’t forget the Korean Directors Chan Wook Park and Jee-Woon Kim
This is a stellar script that Caruso will probably bungle the hell out of if hired.
Agree, extremely well written, they don’t make anti-heroes like that anymore.
DelToro
Almodavar
Malick
Ken Loach
Joo-ho Bong
Brad Bird
And it’s hard for me to feel distressed about the state of film directing when Tomas Alfredson’s Tinker Tailor Soldier Spy drops soon, J.J. Abrams and Edgar Wright make mainstream films, and young guns like Steve McQueen, Andrea Arnold, Rian Johnson, and Neil Blomkamp are just getting started.
Wasn’t Phil Joanou linked to this at some point?
Scudder is a great character, but this novel was one of a couple in the series where the author, Lawrence Block, went very hard and brutal. He’s since lightened up, but the plot is rough, and that alone could make it a challenge to translate to film. Also, a lot of the guts of the book are Scudder’s ruminations on life, sobriety, justice, etc. Not sure if they could be conveyed without a lot of voiceover.
After I saw “Up in the Air”, I thought, with Jason Reitman at the helm, we had at least one young director who could lead us into the future. I’d include Cameron Crowe and Tom McCarthy in the “Directors” lists above as well.
GREAT NOVEL!
The entire series is outstanding. It would be great to see JEFF BRIDGES reprise his role as MATT SCUDDER. I always liked
8 MILLION WAYS TO DIE, though at the time I always felt Jeff was a little young for Matt, a retired homicide detective… He’s perfect now. Clean him up a bit from his westerns and such and you still have a great leading man. RANDY BROOKS and ANDY GARCIA both gave great performances in that picture. I can’t wait to see what DJ does with it.
Jeff Bridges made for a good Scudder in EIGHT MILLION WAYS TO DIE and is now about the right age to play the character again. He’s said that he’d like another crack at the role because he’s a big fan of the books, and considering he finally has some box office clout, this would be the ideal time for him to do so.
Can’t convey without voice over?
Plot is rough?
You obviously don’t know shit about screenwriting or the history of the craft.
If you can’t convey the internal by external viiual narrative devices — as in
criss – crossing plot and character and theme through visual action and reaction on par with dialogue…then guess what?
You don’t know anything about screenwriting…and should just stay out of the way.
No one ever said this is rocket science.
But obviously, once again thanks to DEADLINE…lots of ops…just no brains.
I’ll just keep writing and directing my own.
It’s a real missed opportunity if they don’t get Jeff Bridges to play Scudder again, especially now that he’s hot.
I’ve read Frank’s script, and it’s a terrific adaptation of the Block novel. Really glad to see this one moving forward.
Very Good News: I was actually wondering whatever had happened to the “A Walk Among the Tombstones” Project.Cross Creek is now a Huge Company,and rightly rewarded for having had the guts to put the money to make “Black Swan”! And They can Do a Lot now! With “Only” 13 millions they made back something like 350 mill’s worldwide! I just Hope they Keep Doing Well, and Better!
It is almost an unsettling sadness to think How Hard it is today to Finance Great Films with Real Stories,Films about the People.I mean,even “Black Swan”,with Aronofsky and Portman Attached,Took almost a Decade to get Made!Nobody Wanted it..and Look What Happened! Why Don’t They just think Outside the Box,a bit???
Call me a Nostalgic(and I was just a baby back then..)but Where are the Great Directors we used to Have?I mean people like Hal Ashby(‘Shampoo’ is one of my favorite Comedies ever,if you can call it a Comedy,that is lol..and then,”Being There”,”Harold and Maude”),so many great films:Scorsese with Taxi Driver,Alice Does not live here anymore,Raging Bull,Polanski with Rosemary’s Baby,Chinatown,Tess,Kubrick’s “2001 A Space Odyssey”,”A Clockwork Orange”, or Films like,”Petulia”(a phenomenal Classic Film by Richard Lester,so Ahead of its time,it is still amazing today..but what a Risk back then!So Brave for getting it Made!)Robert Altman’s films(love “McCabe and Mrs. Miller”),Fred Zinnemman(The Day of the Jackal,Julia..),Alan J.Pakula(the innovative ‘Klute’and many more),Schlesinger(the awesome ‘Darling’,and”Midnight Cowboy”and the so underrated ‘The Day of the Locust”great Film!),Cassavetes,Zeffirelli’s wonderful Shakespeare’s Films(The Taming of the Shrew,Romeo and Juliet and others),Bob Fosse(‘Cabaret’),David Lean(what a Wizard!),Joseph Losey,Elia Kazan,Nicolas Roeg,Arthur Penn,Sidney Lumet,and,Coppola was a great Director then,think ‘The Godfather’ what a Masterpiece,but also something like”The Conversation”: Who Would wanna Finance “The Conversation” today?? Uhm..
And I don’t even wanna start mentioning all the Great International masters(from Truffaut,to Fellini,and the unforgettable Luchino Visconti,Godard,Pasolini,Michelangelo Antonioni-’Blow Up’what A Movie!-R.W.Fassbinder,Louis Malle,Bunuel,De Sica,Rossellini,Jerzy Skolimoski:Does anyone even remember the fascinating yet Highly disturbing masterpiece”Deep End”?-..way,way too many to cite them all!Way Too many!).
Today I Agree there’re not so many interesting ones,at all,and,even internationally!
And, While Polanski and Coppola,or Allen,Scorsese,Gilliam and Herzog, are always, at least, producing Classy Films,we cannot Compare these ones with those they were making back in the 60′s/70′s,right?
I wonder What truly Happened to Films, sometime.
And by reading that a Good,solid Script is Financed,like”A Walk Among the Tombstones”,is Great News,but it also reminds us, at what Level we Fell down!
The only one who really “found” himself seems to be Malick,finally!
Great Movies and Great Stars intelligently wanting to work with him,make Financing a lot Easier for him,these Days..
And then there’s the formidable P.T. Anderson, one of a Kind,who rightly makes one great movie every 4/5 Years,in order not to Sell out, Todd Haynes,Solondz,Almodovar,Inarritu,Jeunet,Richard Eyre,Alfonso Cuaron,Spike Jonze,Sarah Polley,the Same Aronofsky,Danny Boyle,Winterbottom,some of the Asians,Michael Haneke,Derek Cianfrance,Lars Von Trier,Of Course,have shown promises,even made some Greater Films, but still I think it must be so Difficult for them to get Financing for a Film,without Compromising on Script/Casting/Style.. Integrity!
While, I love also the big Popcorn Films,when well made,or a Clever Comedy,which we can still get here and there, I truly wonder: Whatever Happened to the Great Directors?
It Feels like almost they’re not Needed anymore..
It is a Cultural Degeneration, or a Lack of Interest for Intellect, or What?
I certainly Hope for a new ‘novelle vague’ but,I feel very sad about what the Movies were,and what they just Became today!
And i See also How it’s hard to Trust one new Auteur, whom with a smaller budget makes a Little Gem of a movie, but after that,gets to Direct the next Marvel’s Film,if he’s lucky…
And then.. They Settle.