LOS ANGELES (June 9, 2011) — The American Federation of Television and Radio Artists, AFL-CIO –- a national union of more than 70,000 performers, recording artists and broadcast professionals –- today announced that it has reached a tentative agreement with videogame industry representatives on terms for a new 3 1/2 year AFTRA Interactive Media Agreement, covering AFTRA members who work in videogames. The current contract is set to expire on June 30, 2011.
If ratified, the new pact will include a groundbreaking provision: the industry’s first-ever streaming payment paid to performers in the form of a new cloud gaming fee.
AFTRA Chief Negotiator and Assistant National Executive Director Mathis L. Dunn, Jr. praised the new agreement saying: “We now have a clear and enforceable provision where performers will see real dollars immediately. Cloud gaming is a growing part of the digital future and AFTRA is in on the ground floor. This new provision guarantees that AFTRA members will continue to be a vital and relevant part of the gaming community. I applaud our Negotiating Committee for their hard-work and vision.”
The new cloud gaming fee is an additional one-time payment of 15% of the session fee that will be paid to every Principal Performer engaged on a videogame made available on streaming services. Other highlights of the successor agreement include:
– A 3 1/2 year agreement, effective July 1, 2011 and expiring December 31, 2014.
– A 3% increase on all minimum compensation over the life of the contract with 1% effective upon notice of ratification, bringing the new minimum fee for a 4-hour session to $809, and an additional 2% increase on all minimum compensation, effective on May 1, 2013 which will bring the 4-hour session fee to $825.
– The union and the employers also agreed to commence early bargaining on the next contract as soon as possible after August 15, 2014 but no later than September 31, 2014.
– Contributions to the AFTRA Health and Retirement Fund will be increased by 0.5% bringing the total contribution rate to 15.5%.The AFTRA Interactive Media Negotiating Committee, comprised of AFTRA members who work the contract, unanimously approved the tentative agreement. Details of the new agreement will be submitted to the Union’s National Administrative Committee for its review and approval on June 22. If approved, full details will be provided in the ratification materials that will be sent to affected members who will vote on the new terms.
AFTRA negotiated the first union agreement covering performers who work in videogames in the early 1990s. The AFTRA Interactive Media Agreement covers performers who work in interactive media, including personal computer programs, arcade games and interactive computer and video animation. Experienced AFTRA performers working under the contract include voiceover performers, actors, dancers, singers, recording artists, sportscasters and other professionals whose talents improve the efficiency and quality of the gaming experience.



WOW… Finally a residual… a one-time $120 or so payment on games that make multiples of millions in subscription revenue every month for years… and a less than a 1% increase in the session fee every year of the agreement in an industry that generates far more revenue than feature films… all announced during E3. Can’t wait to see the fine print to see what more they gave away to get the little get they got. Do you think we’ll ever get back to the 3% yearly increases we used to see in the SAG agreements now that they’ve done this? Nope.
The industry won’t even talk to SAG anymore about a new interactive agreement. God forbid someone at SAG might attempt to negotiate a deal that’s fair to everyone (AFTRA gives the producers anything they want so it’s better to only talk to them). To be fair, though… SAG has handed over its jurisdiction for virtually everything to AFTRA except for features and commercials without a fight to help weaken itself to make merger more attractive to the members. I guess in this economy we’re all expected just to shrug our shoulders and do as we’re told, right?
The American Federation of Television and Radio Artists – going along and getting along with producers since 1952.
Hey Former Sag Board Member!!
When did the idiots in your bankrupt union figure out video games, before that, DVD’s, internet clips?
A little too little, a little to late on all fronts.
Didn’t SAG lose 10′s of millions on a computer system that never actually worked?
Did SAG members ever get to hear about that?
People in Glass houses….
Uhm… it’s not a real residual, you know.
Maybe I missed the sarcasm. Heh.
But it’s pay for another outlet, not based on time usage or profit.
And very few actors will actually see it from what I’ve heard.
Perhaps if SAG had merged with AFTRA a decade or more ago, and various spines had been stiffened, the outcome would be better for performers now. But SAG didn’t want to join with radio people, and here we are: Weaker, with lesser contracts.
AFTRA ! RUINING ACTOR’S LIVES ONE CONTRACT AT A TIME !
AFTRA ! YOU CAN COUNT ON US ! WE’LL ALWAYS FUCK THINGS UP !
AFTRA ! JOIN UP ! NO PREVIOUS EXPERIENCE REQUIRED !
AFTRA ! IF YOU’RE A BROADCASTER, WE ASK THAT YOU DO ONLY UNION JOBS.
OR NOT. WHATEVER. . . AFTRA ! YEAH ! HOORAY FOR US !
HEY ACTORS !!!
DO YOU LIKE WORKING FOR LESS THAN YOU’RE WORTH ?
WOULD YOU LIKED TO BE REPRESENTED BY A BUNCH OF PEOPLE WHO ARE BETTER AT
GIVING THINGS AWAY THAN THEY ARE AT WINNING BETTER WAGES
AND WORKING CONDITIONS ?
YEAH ? THAT’S SWELL ! THEN WE’RE THE UNION FOR YOU !
AFTRA ! WHY SETTLE FOR MORE ?
“AFTRA: The people who entertain and inform the AMPTP”
( dang!! )
“AMERICA ! The people who entertain and inform AMERICA!”
( sheesh. that was close. )
Thunder Duck sounds like someone who USED TO BE AN ACTOR or at least once thought they wanted to be one but now – - – I don’t think so – - -
Any clown who signs their post,
“WORKING ACTOR”,
is probably practicing self-assurance.
The power of positive thinking baby !
You’re doing swell !
More likely, “working actor’ is not an actor at all,
but an AFTRA stooge sent around to make sure they always have the last word.
1. Stop with the SAG vs. AFTRA crap. It’s boring and tiring.
2. Only 25% of all videogames are even done under a union contract (all Nintendo games are non-union fyi)
3. A VERY SMALL percentage of actors even work in videogames.
4. A very large percentage of AFTRA and SAG members outside of the Hollywood branch keep voting FOR these contracts (at the request of AFTRA), despite the very bad deals in the contracts (this new one included), because, hey $850 for 4 hours sounds good right to someone who’s never done the work, right?
5. The vast majority of us who work the contract know that either A.) more developers and publishers need to be educated as to why using union talent is a good thing for them in an attempt to get VG’s under union contracts, (so we have more leverage) or… B.) merge, then stop workage on all videogames entirely, and wait for the bad reviews to hurt sales (say a year or so), and enjoy the leverage when Publishers and their lawyers return to the negotiating table.
The problem is that no one appears to want to take a stand with the VG publishers because of the fear of loosing even more of the cut they get in this diminishing revenue stream (yeah, it’s going down, not up folks).
Don’t believe me?
1. Here’s the NY Times article on GTA 4: http://www.nytimes.com/2008/05/21/arts/television/21gta.html?pagewanted=all
and
2. Watch this season’s South Park, called “Crack Baby Athletic Association” ( Season 15, Episode 5) to see how Videogame Publishers and Colleges have completely exploited student athletes to the tune of ZERO compensation despite the use of their names and likeness. Yeah, to bad neither AFTRA nor SAG have spoken up for them.
Don’t get me wrong… working on Videogames is very challenging, fun, and often rewarding. The developers are more often than not, VERY nice, professional, and in a similar boat as talent. The people doing the creative work rock.
The problem is the low pay with no profit sharing for the work which is all thanks to both Publishers and AFTRA/SAG.
Ask any actor (and their agents) who actually works in videogames if they’re willing to NOT work the contract to get future leverage…. and the answer will likely surprise you.
Word.