EXCLUSIVE:
I hear the deal was signed on Friday. So any moment now there’ll be an announcement that Canada’s Alliance Films President Charles Layton has finalized the purchase of his competitor Maple Pictures, which is primarily owned by Lionsgate. “But when you have Charles Layton involved in a deal, anything can happen!” a source tells me about the Alliance chief who’s been in the final due diligence stage.
The deal has caused quite a lot of consternation up north because it will change the landscape of film distribution there — and for the worse, not the better. Also a bloodbath is expected: predictions are for the entire Maple staff of 30 to 40 employees to be let go with the exception of the two co-CEOs Laurie May and Brad Pelman, both former Lionsgate execs. Moving forward, Lionsgate’s films will be distributed by Alliance in Canada. This is part of Lionsgate’s divestiture plan to sell off what it considers non-core assets and raise cash to pay down debt following a year of fending of that hostile takeover attempt by corporate raider/shareholder activist Carl Icahn who planned to give LG to his son Brett. Lionsgate stock right now is still stuck in neutral, and the Maple stake is considered peripheral. (Lionsgate still maintains a distribution operation in the UK.)
Multiple sources tell me that Alliance is paying $38M for Maple. What Canada’s No. 1 indie film distributor is buying is an output deal with Lionsgate for Canada and the rights to the library, which is quite impressive, for a limited number of years — reportedly between 4-7 years. Lionsgate owns the vast majority of the economic interest in Maple (not just 10% as has been reported).“The structure was put in place to address the concerns of ‘Invest In Canada’ [the organization that promotes and attracts foreign direct investment into Canada] and the availability of different funding sources offered to Canadian-owned film businesses. Laurie May and Brad Pelman might own the voting shares but none of the economic interest,” one of my sources says. This now leave only two major Canadian film distributors, Alliance and eOne. Most recently, Smokewood Entertainment’s Judy Moody And The Not Bummer Summer was released by Maple in Canada and Relativity in the U.S. because of the two companies’ ongoing deal. Maple grew out of Lionsgate in 2005; it was known as Lionsgate Films before the unit was spun off.
Editor-in-Chief Nikki Finke - tip her here.


Many, if not most, of the employees of eOne are former Alliance Atlantis (nka Alliance Films) employees. The companies change but the personnel remains the same.
This is news indeed. I had no idea Alliance actually had any money left.
Because of all the crap they release?
This is not a big surprise. This deal has been in the works for just about a year now. It’s not a good thing for Canadian producers but I’m looking forward to the “spin” that is.
Alliance is a crock. Wouldn’t come aboard & put financing towards a film just because the writer wasn’t Canadian. The director was. One of the producers was…
Lame. I think the WGA should ban any Canadian writers from trying to get in. Equality people. We’re all in the same business.
Sounds like you were chasing TeleFilm money. Free money from the Canadian government is intended for Canadians. Sounds like you may want to learn a little more about how it works. All online at:
http://www.telefilm.gc.ca/en/?q=en
Cheers,
-Canada
Since they just found some money to buy another entity, perhaps they can find the money to pay us our residuals, the thieving bottom feeders.
Maple hasn’t been buying CDN rights from Canadian producers for a couple of years. It’s been Eone or Alliance. Both are good companies that value relationships with producers that bring them good material.
Robert Lantos is the king of bottom feeders in Canada, nothing has changed since he sold the company except the names on the letterhead. I’m still pissed he gave Atom Egoyan a career, Atom being the king of glorified welfare aka telefilm, Rogers telefund, tax credits etc. It’s a shame the Canadian industry is collapsing, it’s not because of a lack of talent, it’s because of the same people, spinning the same crap day in and day out.
You should learn and get schooled how the U.S. Works. Your dumb comment is one more reason the film industry should be regulated. The U.S. Does not need Canadian locations or films…Let’s bring it home gentleman.
“king of the bottom feeders”? Tell us what you’ve done with your vast entrepreneurial wisdom that can compete with the building of Alliance. We can’t wait to hear.