
After two seasons of writing every single episode of the high school dramedy by themselves, Glee co-creators/executive producers Ryan Murphy, Brad Falchuk and Ian Brennan are getting help for Season 3. For the first time, the Fox series will have a writing staff next season. Joining Muprhy, Falchuk and Brennan in the writers room will be Allison Adler (Chuck, No Ordinary Family) as co-executive producer. Roberto Aguirre-Sacasa, who did the rewrite of the Spider-Man: Turn Off the Dark musical, was recently tapped as co-producer, with Buffy and Angel veteran Marti Noxon and frequent Christopher Guest collaborator Michael Hitchcock, who guest starred on the first season of Glee, serving as consulting producers. Rounding out the group are staff writers Matt Hodgson and Ross Maxwell.
Murphy was quoted last summer saying that he was planning to add writers midway through Season 2. Series normally staff up between seasons, but last summer was particularly hectic for Murphy with the first-ever Glee tour and the release of his movie Eat, Pray, Love. But between writing and directing (Murphy, Falchuk) episodes, supervising music, wardrobe and choreography and planning the summer concert tour, the three never found the time to read spec scripts and interview writers. So Glee ended up producing 44 episodes over two seasons written by three people, a feat pretty unheard of in today’s TV business and a throwback to prolific producers like Stephen Cannell and, more recently, David E. Kelley. But the lack of supporting writing staff started to show in Season 2, where the episodes were uneven and often felt like stand-alone movies built around songs, with the overarching storylines sometimes fractured or meandering. In another unique quirk of the show, there is one writer, Brennan, who writes the vast majority of the lines of the show’s signature character, Sue Sylvester, played by Jane Lynch. The Glee writers start work on Monday, with principal photography on the show’s third season set to begin in August.
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Thank God. I haven’t seen a show go off the rails so quickly since “Heroes” crashed and burned. Maybe they’ve finally realized that telling great stories is more important than selling iTunes downloads. I doubt it though.
I totally agree! Too bad they didn’t bring on a writing staff sooner, though.
I was pretty surprised this show didn’t have writers- but it makes complete sense looking back on it.
For the last season, I stopped following the plot entirely. I would just fast forward to the performances and get through a show in the DVR in 12 min or so.
Huzzah! What a fine team they’ve assembled. Noxon, in particular, has great experience writing teenage characters. I hope that season 3 will rebound from the extremely uneven Season 2 with these additions.
Maybe Glee is afraid of NBC’s Smash stealing its thunder. The pilot is getting rave reviews.
Smash is a TOTALLY different show. The biggest thing they have in common is that there’s singing in them both. That’s about it.
When there priority becomes developing story lines, rather than selling TOP 40 hits on iTunes, Glee can get back on track. Until then, its gonna be a snooze fest like the second half of season 1, and the entire second season was.
Don’t get me wrong, season 2 had some good episodes. But they would come ever so often, thus season 2 felt boring in its entirety.
I remember that first half of season 1 and how good those first 13 episodes were. But then, critics jumped on the bandwagon and called it the best new show on TV, and that went straight to Ryan Murphys head because the show became such a gimmick. HOPEFULLY a writing team will change that.
Couldn’t have said it better myself. I’m so completely bored with Glee right now that I can’t even bring myself to listen to some of t he music they actually did a good job with. They need to bring it back to its roots.
Bout time. Hopefully they’ll start writing better TV and stop writing bad original songs.
ali, marti, and roberto will ROCK IT. Congrats!
This show is all about the marketing. This effort to realize they should actually hire some writers is too little, too late.
Marti Nixon? Interesting.
Ugh. Marti Noxon? There goes the show. Watch every female character turn into a preachy man-hater and every man turn into a brutish abusive oppressor.
Mike Hitchcock is HILARIOUS!
LOVE MIKE HITCHCOCK. GENIUS HIRE. THANK YOU!
A TV show needs writers? What a novel idea!
Downright ingenius.
How does Noxon keep getting hired?
Marti Noxon? Who’s worked on MAD MEN for the past two years? Yeah, because Weiner hires crap writers … get real! She’ll be a good chunk of energy for a show desperately in need of it. This at least points toward the hope that Murphy isn’t interested in letting GLEE wither away the way he let NIP/TUCK do (gawd did those last two seasons suck).
Hmm…Marti Noxon destroyed Buffy, almost killed Brothers & Sisters. Great choice!
Noxon really hit it out of the park with Point PLeasant.
I enjoyed the first year of Glee immensely, it was different, fun and entertaining. The second year (minus the first four episodes) is on my DVR gathering dust. I think a delete marathon is looming. WTF happened to such an entertaining show–oh wait, the writing blew chunks. I honestly don’t think it matters who is brought in now to write the show–Vaya Con Dios Glee, it was nice knowing you.
They need to look at the first 13 episodes of season 1 — they had strong storyline arcs, twists and the songs actually supported the storylines not the other way around. They need more character development and not new characters, I hope that plans for a new cast is not what they are planning to do. The great thing about season 2 is Darren Criss — he is phenomenal. The best episode of the season was NEVER BEEN KISSED — which actually showed what the writers can do when they actually have a story. Please find a new storyline for Sue — her destroying the glee club is just getting old.
Love Darren! Think he’s incredible! Also totally agree with you on Sue… It always reminds me of when i watched Pokemon as a kid.. Team Rocked just kept trying to steal Pikachu and i’m pretty sure they are still doing it in season 14.
I agree with everything you’ve said. season one was the best.Adding Darren was genius. Sue is well overdue an upgrade of some kind. Last season it was pretty dull and hard to watch. And please no more of those original so called songs
“Glee” would not have the issues it does regarding it’s quality of storytelling if Ryan Murphy, Ian Brennan & Brad Falchuk were all on the same page. Sadly these men (talented as they are) have created three separate visions for the same show and consequently the results quite often clashed.
I’ve always maintained that the show desperately needed a strong head writer/script supervisor who could bring these guys together so that the best ideas could be blended together to make for a much more coherent series. New that new writers are being added, hopefully it will open the show up and allow fresh thoughts and concepts to flow into the series.
Again I have the same concerns that adding more voices into the mix may confuse matters even more, so perhaps a head writer/script supervisor can put “Glee” into a more stable frame of mind and not be afraid to tell the writers what ideas work, what ones don’t and what ones still require more development……
Marti will ROCK IT as she does everything!!!
you’ve clearly never worked for or with her.
her main concern is lunch, I kid you not.
We’ll see if it’s too late. The problem is the parts of the first season everybody loved were the unsustainable storylines – Chris Colfer coming out, Quinn being pregnant and lying about who the father was, learning exactly what Sue Sylvester’s deal was, etc. When those stories ended they didn’t have anything else in the tank.
It should also be noted that Michael Hitchcock also acted in a few episodes of Glee (he’s the director of the glee club from the Haverbrook School for the Deaf).
I’m not sure such flattering comparisons are owed to Murphy, Falchuk and Brennan for managing to write the show triple-handedly for two years. They decided in the middle of season one to forego the time-consuming work of story-telling and character exploration in favor of packing in as many musical numbers as possible, simplifying their task while maximizing their profits on CD sales and downloads. Scripts aren’t quite so hard to churn out quickly when they consist mainly of skeletal plotlines and song cues.
“But the lack of supporting writing staff started to show in Season 2, where the episodes were uneven and often felt like stand-alone movies built around songs, with the overarching storylines sometimes fractured or meandering.”
In other words, the show really started to suck.
The consistency problem always seemed weird considering that there were only three writers and they write all the scripts. That being said thank goodness. The first season was okay but the second was an effing mess! Less Rachel and Finn (now that they’re together can we PLEASE stop focusing on them.) More solos and leads for the OTHER characters (last time I checked, this was an ensemble show.) Please, for the love of God, stop trying to make baby gay Kurt into some sort of Martyr. He’s a teenager, and I’ve seen countless episodes where he’s acted spoiled and immature, just like a few teenagers. Stop trying to place him on some pedestal because it makes him come off as whiny and sanctimonious. Also, unless Blaine is transferring over to Lima can we stop with the random pop ups at McKinley…and why we’re at it, the Warblers all together?
The addition of Michael Hitchcock is great news! With his background and track record, there will definitely be more hilarious comedy than before.
I feel like this is a sign that Ryan has one foot out the door – FX has got him now!
Yes. Thank god. Michael Hitchcock will be a great addition to the team.