Exclusive: The Film Department Shutters
LOS ANGELES, CA — Former Miramax Films and Warner Independent president Mark Gill has been named President of Millennium Films. The company plans to produce and finance five to eight star-driven, wide-release films per year with budgets between $20 and $80 million.
Gill will work closely with Nu Image/Millennium Films toppers Avi Lerner and Trevor Short and development head Boaz Davidson, starting in July, with particular focus on development, packaging, production and marketing.
Gill has 25 years of film business experience and a production track record of more than $1 billion at the box office.
“It’s a new Millennium,” said Lerner. “Mark and I have known each other for 10 years, and have worked together very well in the past. He is highly respected in the creative community, has a strong business sense, and is a very hard worker who likes to move as quickly as we do. I am confident that we will be an extremely effective team.”
“At first glance, Avi and I may seem like the ultimate odd couple,” Gill said. “But we’ve always gotten along really well, and we share the same ambition—to make high-quality commercial movies that are strong both creatively and economically on a worldwide basis. The most recent indication: he just completed production on a film directed by Gabriele Muccino starring Gerard Butler, Jessica Biel, Catherine Zeta Jones, Uma Thurman and Dennis Quaid (Playing the Field). I admire his business acumen, and have a ton of respect for his longevity in a business that tends to eat its young. And he makes me laugh.”
Gill was most recently the CEO and co-founder of The Film Department, an independent movie production and finance company, which was best known for “Law-Abiding Citizen,” a $40 million thriller starring Gerard Butler and Jamie Foxx that earned $133 million at the worldwide box office.
In the three prior years, Gill served as the founding president of Warner Independent Pictures. In his tenure, the company produced 15 films and earned 11 Oscar nominations, notably for “March of the Penguins” and “Good Night, and Good Luck.”
Gill joined Warner Independent from Stratus Film Co. (a partnership with “Saving Private Ryan” producer Mark Gordon and financier Bob Yari) where he helped put together four films including “Laws of Attraction,” “Matador” and “The Painted Veil.”
Prior to Stratus, Gill spent eight years at Miramax Films, where he was President of Miramax/L.A. He was involved in the production or acquisition of more than two dozen films, among them “The Talented Mr. Ripley,” “Central Station,” “Apocalypse Now Redux,” “In the Bedroom,” “Amelie,” “The Quiet American,” “Frida,” “Rabbit-Proof Fence,” “City of God” and “Under the Tuscan Sun.”
He joined Miramax in 1994 and served for three years as the company’s marketing chief, based in New York. Among the films he marketed: “Pulp Fiction,” “Scream,” “Good Will Hunting,” “Muriel’s Wedding,” “Flirting With Disaster,” “Trainspotting,” “Slingblade,” “Emma,” “Bullets Over Broadway,” “The Postman/Il Postino,” “The English Patient,” “Life is Beautiful” and “Shakespeare in Love.”
Prior to joining Miramax, Gill worked for six years at Columbia and TriStar Pictures, culminating in a three-year tenure as Senior Vice President in the marketing department. There, he worked on such films as “The Age of Innocence,” “Awakenings,” “Boyz N the Hood,” “Bram Stoker’s Dracula,” “El Mariachi,” “In the Line of Fire,” “A League of Their Own,” “The Prince of Tides,” “The Remains of the Day,” “A River Runs Through It,” and “Terminator 2.”
Prior to joining Columbia, Gill worked for nearly four years at Rogers & Cowan, the publicity agency. Before that, he served as a general assignment reporter for Newsweek magazine and for the Los Angeles Times.



The original odd couple. Just crazy enough to work.
Good news Mark is back in the game. Bad news for Mark is Millennium is not the easiest gig in town.
Not sure this will be a good mix, but wish Mark all the best.
Mazel-Tov to Mark and Avi. Avi acquired a marketing genius and smart studio head with impeccable taste. I worked with Mark at Miramax during the glory years and he was the brains behind their successes.
Looking forward to some great pictures.
Great get for Millenium. Gill is one of the smartest and hard working guys I have had the pleasure of being associated with. Game changer for Avi and his team. Best of luck.
I may not know much about show-business, but I know that this is a really weird pairing. Millennium’s offerings range from guilty pleasure genre fare (Expendables) to glorified straight-to-DVD crapfests (88 Minutes); Mark Gill, meanwhile, seems to have made his career in thoughtful, artsy dramas (Law-Abiding Citizen notwithstanding). I’m not seeing a lot of overlap in that Venn diagram.
Wow! Gil was a thoughtful studio guy looking for good material. I think the fat lady has sung. Time to give up on quality. When Michael Bay is considered a director, Brett Ratner an artist, writers who write crap are taken seriously and Ed Helms is considered at all we know it’s over Jonny!
Anyone know how I get Britney Spears tickets?
“And he makes me laugh.”
That’s pretty accurate as Mark’s been laughing at Avi for YEARS.
Wonder what happens to the creditors still owed money from The Film Dept? Life just goes on and they’re left holding the bag?
Perfect match. Nothing like failing your way into a promotion. But these two were made for each other.
Why would Avi do this? Gill has been kicked of or bankrupted his last 3 or 4 gigs. In the world of indie shlock, Avi gets it. Gill just doesn’t.
Brilliant. Gill is a real movie guy with great taste and nobody takes a back seat to Avi when it comes to getting movies made. This is a fantastic pairing and makes Millennium a go-to studio.
Great move by two very smart guys. Mark gets a stable financing and distribution structure to build off of and Avi gets the tastemaker and development skills and filmmaker relationships that can catapult him to be much more competitive in the US theatrical window.
Mark Gill is a total blowhard. The guy loves to hear himself talk. I’m guessing the crew at Millennium won’t have all that much patience for his pontificating.
I thought this job was going to that jeff chap I was introduced to in cannes.
Mark is a good person and an extremely capable executive. I would wish better for him and feel sad he has settled for working Avi.
while i’m no fan of Gill, the reason Avi hired him is simple…pick up talented people while they are down and mold them back they way you want them. Gill’s achilles has always been his ego and, hopefully, with his recent failure, he’ll learn to put that away for awhile and LISTEN to the talent around him.
I beg to differ and doubt that you ever worked for Mark. I reported directly to him at Miramax and he is an incredible guy who listens to and values his employees…at least those who he feels have talent. Furthermore, in the years that have passed, he has consistently been there when I have asked him for anything. I wish him the best of luck and am certain that he will succeed.
Gill is THE best. Smart, savvy, and an absolute gentleman. And while Avi seems like he’s one step away (or two step forward) from a Gong Show contestant — Mark is a smart hire. He knows how to get movies made and has solid taste. I wish them well…
Mark, ask him about the accounting on Waking Ned Devine and then ask him to do the right thing.
The biggest mystery in the history of Hollywood is how Nu-Image and Millennium Pictures are allowed to continue making movies.
Think about it.
Out of hundreds of movies they made, which one ever made a lasting impact?
I would take Ed Wood movies any day over Nu-Image / Millennium – any day.
The 2nd Biggest Mystery is who are the people actually wasting their precious time watching Millennium Pictures movies?
I will give anyone a free dinner at Mel’s Diner if they can answer these 2 questions correctly.