
EXCLUSIVE: Comic book/graphic novel adaptation master David S. Goyer is taking on 100 Bullets as a potential TV series. I hear Goyer is attached to write and executive produce a drama series project for Showtime based on the Eisner and Harvey Award-winning comic book that published 100 issues between 1999 and 2009, all written by Brian Azzarello and illustrated by Eduardo Risso, whose credits include the Batman and Superman comics. Warner Bros. TV, whose sibling DC Comics published 100 Bullets through its Vertigo imprint, is producing.
While lauded as one of the best comic books/graphic novels of the past decade 100 Bullets is an atypical comic as it features no superheroes, magic,
supernatural elements or a sci-fi twist. It is a dark, noir-style story about the attempt by one man, the mysterious Agent Graves, to destroy a secret group of families that control most of the world’s wealth and power, and it also poses a classic moral question, “If you could get away with murdering the person who ruined your life, would you do it?” The book’s starting-off point is Graves giving ordinary people who have been wronged a pistol and a briefcase with 100 untracable bullets, offering them to exact justice for themselves with no danger of being caught. The self-contained storylines eventually blend into a sprawling crime saga where everything — and everyone — is connected as Graves takes on a multinational clandestine organization named The Trust. Among 100 Bullets’ distinguishing traits is Azzarello’s realistic use of regional dialects and accents, as well as the frequent use of slang.
On the comic book adaptation front, Goyer wrote all three Blade movies and directed the last one. He recently co-wrote with Christopher Nolan the screenplay for Batman Begins, which launched the Nolan-directed Batman franchise. CAA-repped Goyer also co-wrote the story for The Dark Knight and the upcoming The Dark Knight Rises. Additionally, he wrote the story and screenplay for Man of Steel, the new Superman movie produced by Nolan, directed by Zack Snyder and starring Henry Cavill. On television, he has created/co-created the Blade series, Threshold and, most recently, Flash Forward.
TV Editor Nellie Andreeva - tip her here.


David Goyer did not create or co-create Threshold. It was created by Bragi F. Schut. Goyer was an executive producer.
Mediocre sci-fi and comics writer with a long track record of failed sci-fi and comics television projects automatically gets picked to adapt a crime comic because… it’s a comic? FAIL. Also, while 100 Bullets MAY be “lauded as one of the best comic books/graphic novels of the past decade,” it’s also often derided as hokey, unrealistic, pretentious, dull, and overwritten.
The logline at the top of this article is clearer than the book ever bothered to be… quite possibly because the book’s “mystery” is actually pretty uncompelling conspiracy theory nonsense. If the series had just come out and admitted what it was about at any point, it would have ended 3 issues later… instead, there’s more teasing and obscuration of what’s actually happening in the plot than in an infinite number of episodes of LOST. If America can’t hold on to figure out what’s happening in shows like Rubicon or The Killing, then the slow pace and red herring fest of 100 Bullets will put them into a coma.
Awwww, looks like someone is upset his own pitch was rejected. I guess no one is taking meetings with you anymore.
Why is it whenever someone states an OPINION on a story here, stupid lames jump onto this board and sneer the equivalent of “You aren’t as successful as the people in this article, therefore your opinions aren’t valid!” What even makes you think that I’m a writer or that I pitched this show or that I’m taking meetings? Sounds to me like you’re projecting.
As for this series, good luck to them… I just don’t think it’s what America wants. If it was, surely it would be in millions of American homes already, instead of an obscure comic that few non-comics people have ever read, and which few comics collectors ever bought. More people read 5th-string DC superhero comics than read this best-selling of all the recent Vertigo books. This is only getting greenlit because of the success of The Walking Dead and the general idea deficit that affects all of Hollywood’s development.
The other thing that makes me sad about this show is that Brian Azzarello and Eduardo Risso will get 9% of the money that DC got for licensing the show to themselves for production. How much do you think DC paid to themselves? $1? $2? This is the problem of working for DC/Marvel: they steal all the value out of your creation in return for printing and distribution, the two lowest-bar-to-entry aspects of comics publication. If this were an Image comic, Azzarello and Risso would be splitting 100% of the media deal that they negotiated for themselves, instead of hoping that DC negotiates fairly with themselves on behalf of a creator, and then meekly accept 9% of whatever DC decides to pay itself as a license fee. Depressing.
Get off the forum and get back to work, Liefeld! JK, of course. I’m not a writer or even remotely part of the entertainment community, but I’m 100% OVER the lack of original material and the overabundance of remade, rehashed, and rebooted movies, books, and TV out there.
I’m so tired of people automatically blaming any criticism on “someone is upset his own pitch got rejected”. Here’s a little info for ya, Harold– most people in this industry get rejected at some point in their careers. It happens to be part of the process. If the only people allowed to have opinions were people who have never had a project rejected, NO ONE would be able to post a comment on this blog!
I actually DON’T have an opinion on this project because I have never read the comic, but I had to say something, Harold. That response was just LAME.
Worked for Blade.
I just got up and did a little dance around my office. Oh please make this good
No you didn’t.
So what makes it special is that it uses remotely authentic dialogue and slang? What a joke. So some writer somewhere somewhen heard a piece of slang and wrote it down? Stop the press. That’s earth shattering.
Love everything but Goyer… 100 Bullets is a very complex story. He couldn’t pull it off with Flash Forward, so not sure why we think he’ll do it here. Please God don’t let him run this show!!!! Hire a professional and leave Goyer to the c-class horror flix.
I’ve always thought David Goyer looks like a cross between Stanley Tucci and Ajay Naidu (Samir from Office Space)…
… does this mean something is wrong with me?
All I can say is the premise sounds good for a TV series. It’s refreshing to see that they are adapting a comic that -doesn’t- have supernatural/superhero elements. It definitely has my interest.
While certainly pretentious and overwritten, we could do a hell of a lot worse in picking this comic to develop for TV, and Goyer will only elevate it. I’M SO IN.
@Gave up – “Mediocre sci-fi and comics writer with a long track record of failed sci-fi and comics television projects automatically gets picked to adapt a crime comic because… it’s a comic? ”
So i guess basically reinventing the comic genre with the first two Blade films (yes the 3rd one he directed sucked, along with The Unborn) Batman Begins/Dark Knight don’t count ? He should stay waya from directing but as a concept/screenwriter, the guy’s talented.
YES!! FINALLY!! 100 BULLETS DRIVES ON!!
Can’t wait! Goyer is perfect for this.
Thought for sure HBO would’ve gotten this first.
But I can see 100 B after Dexter.
I don’t know anyone who has really read this series can’t throw so much b.s. about it out there.
What the hell…
I’m on for the ride,
Write on, right on.
Let Goyer write it and/or produce it. DO NOT LET HIM DIRECT (see the Abomination of “The Invisible” or the Franchise ending “Blade: Trinity”, which looked like a really bad TV movie, which looked even worse following the Del Toro directed “best of” series “Blade 2″).
Both Batman movies released were financial and critical hits. Blade 1 and 2 were box office hits. JSA went on to be one of the best super-hero team comics of the last decade. So far Goyer’s track record is half and half. Half monster success/half mediocrity. What have you worked on that made a billion dollars at the box office?
Blade 1, 2, 3, sure. Is there any doubt, however, that Del Toro had massive input on #2? As for Batman Begins and The Dark Knight, why is everyone pretending that those films weren’t primarily written by Christopher and Jonathan Nolan? Goyer gets a “Story By” credit on all three of those Batman movies, and frankly, the STORIES of those movies tend to be the most convoluted and messy parts of the films. The Unborn? Awful. Jumper? Awful. The Nick Fury movie? Awful. Goyer is a guy who got a reputation as comics-adapter extraordinaire and he’s ridden it with aplomb ever since. No one ever notes his massive failures, as if writing the incomprehensible story outline for Batman Begins somehow negates the material which isn’t very good like Threshold or Fast Forward. Or Kickboxer 2. Or Death Warrant.
You’ll note, incidentally, that NONE of those projects is a crime story. Making the leap from “He’s okay at adapting superhero comics to film” to “he’ll be great at adapting crime comics to film” is a pretty big logic leap.
If you’re gonna bash, at least get your information right…
Read all the trades pretty much back to back and even a couple of times. The trip was fun. Some great one-off stories and moments. And the art was always stunning. However, I have to agree with Gave Up. The final issues left me asking… That’s it? The ending was terrible for something 10 years in the making.
Ah, nerds. Without you, where would all the opinions be?
I will sound like a shill, but this is awesome, AWESOME news. This really is one of the most interesting comics in years (as long as you ignore a lot of the later mythology that choked the comic into oblivion and took away its awesome “Twilight Zone-y”-ness) and Goyer is realy right to nail the tone. I am SO excited that this is getting on the air and the network of “Dexter” is the right place for it. Yay all around.
Goyer has yet to prove himself in TV. So this isnt automatically a slam dunk. And besides Blade, most of his success in features (i.e. Batman) can be attributed to Nolan. When he’s gone on his own, the results have been poor. Even more in TV, Especially if you look at how desperate things got on Flash Forward when he was left to his own devices to the point ABC had to just pull the plug.
On a further point, 100 Bullets has been around since they were trying to get it off the ground back in 2006 as a movie. TV may be it’s natural home, but there’s never been anything particularly orginal or unhokey about this comic book to make it stand out in the marketplace. This ain’t Walking Dead, and Goyer ain’t Darabont.
He will need someone to hold his hand and run the show if this is going to work for Showtime.
On a totally different note, what future does Showtime have without Greenblatt…?
“un-hokey”? Gave Up on Comics, is this you again?
When working in television (I think his success in features is pretty apparent; good and bad projects, he’s still a player), Goyer has never had this strong of source material. And yes, 100 Bullets is strong source material. It was a monthly, creator-owned crime comic that ran for 10 years and was lavished with awards and praise from fellow creators in an industry ruled by spandex. That’s significant.
And I don’t recall 100 Bullets ever being optioned for a film. A video game, yes, but never a film, to my recollection.
Excited!
If you think Walking Dead is more original than 100 Bullets you need to turn in your geek card.
I’m like Michael above. What have you worked on that made a billion at the B.O., indeed. A jaded loser talking mad shit on Deadline, that’s real original. Goyer’s flops have made more dough than you’ve seen in five years, let alone his hits. Hell, I’ll even take his made-for-TV Nick Fury movie with David Hasselhoff! Fuck you, “GaveUpOnComics.”
Wow, don’t cry, David… not everyone loves you. Just go home and swim in your money, that’ll show them! And if you’re NOT David Goyer, and you’re not his boyfriend, and not his assistant, and he’s not paying you to defend him online, then you should really calm down. The guy stated an opinion. Everyone has one. Get used to it. You comics people get SO angry whenever anyone disses one of your idols.
Oh, and financial success is not an indicator of Merit or Quality. If it was, then people like Woody Allen would never work, and Transformers 2 would be considered the high-water mark of human achievement.
Uh there is a difference between an OPINION and a RANT. The gentleman started his comment off with an ‘opinion’ then followed it up with a ‘rant’. Sorry to point out the difference but that is the cynic side of me. 100 BULLETS’ only chance for success is on a network like Showtime, hbo and fx so I like the foundation for the show so far
Maybe schadenfreude isn’t some overly-sensitive fanboy but just someone who’s tired of people coming here talking shit about every single person who has a good piece of industry news written about them. And sorry, many of them are bitter and feel like if they’d just be given the chance they’d do a better job.
I’m not David Goyer (there’s no way he takes time trolling the DHD comments section) or his boyfriend (real mature, by the way), or his assistant, or on his payroll, and MY opinion (see how that works, we all get one) is he’s extremely talented. He got the gig because he co-wrote on one of the highest grossing movies of all time (Nolan would not stand by and let him have credit had he not earned it), he’s a damn good writer– his track record for successfully fixing scripts goes beyond his imdb credits, and people actually enjoy working with him.
this is the david goyer who wrote the superman comic book issue where he renounces his american citizenship. good job, sir!
Goyer is hit or miss but when he has a format already in place, it’s easier for him to follow along then try to be original which really isn’t his forte. 100 Bullets is the script. Condense it for television (which he has considerably more juggle room on Showtime) and make it happen.
I’m just hoping he doesn’t totally and completely ruin it…