
While I have been on record expressing the sentiment that there are many filmmakers who should retire before Steven Soderbergh, I just got off the phone with the filmmaker. And damn it, he still wants to punch out by the time he hits 50. “I’m still following my plan,” he told me. “I’ve been stupid about it, I should have kept my mouth shut, but at the same time, I don’t think there’s anything that unusual about it. By the time I finish with the series of projects I’m planning, it will be 26 or 27 films. That’s plenty and if you take volume over quality; I’m twice as good as Kubrick.”
Forecasting his exit also didn’t help in terms of preparing the industry to make a fuss over him. “I figured by giving them two years lead time, they would line up those lifetime achievement awards, but there have been no calls or anything,” Soderbergh joked. Asked what he would like, he said, tongue firmly in cheek, “The Oprah thing. A year-long daily celebration of my fabulousness would be nice. Or maybe just a smallish parade.”
Soderbergh and I were speaking about Relativity Media’s decision to release Haywire, which it financed but set distribution originally through Lionsgate. Though that picture was shot before Contagion – the thriller about the outbreak of a deadly virus that stars Matt Damon, Kate Winslet, Marion Cotillard and Jude Law – Haywire will be released Jan. 20, 2012, three months after Contagion. Soderbergh will talk the picture up while promoting Contagion, which he feels will help an action film that leans heavily on Gina Carano, known only to mixed martial arts fans who’ve seen her fight on the circuit. Soderbergh also liked the Relativity move because it reunites him with Relativity’s new marketing chief Terry Curtin, with whom Soderbergh worked at Universal on Erin Brockovich.
“I think it might be best for Haywire to follow Contagion, which is the kind of film people like to see me make,” Soderbergh said. “It’s in the vein of Traffic, an entertaining multi-layered story about something timely right now. Because Gina has never been in a movie before, being able to draft off Contagion will be very good. We knew she could do the right stuff, but she really delivers as a screen presence. She looks comfortable, and then she tears these guys in half.”
Soderbergh said he’ll start work in September on Magic Mike, the film that will star Channing Tatum and Alex Pettyfer as male strippers in a coming-of-age story reminiscent of Saturday Night Fever. He’ll follow by directing George Clooney in The Man From U.N.C.L.E. in February. After that, Liberace with Michael Douglas and Damon will likely be Soderbergh’s swan song. While I reminded him that he’s walking away at a time when he has plenty to say and the wisdom to know how to solve problems that maturity brings, he disagreed.
“I’m not better at things that I’ve been trying to get at and I find it frustrating,” he said. Asked what he’s trying to discover, he said, “A new grammar, maybe. I haven’t quite figured out what it is. In lieu of some gigantic epiphany I might feel when I see this new thing I imagine is out there, I feel like I am out of ideas. I find myself saying, I’ve done this shot before. Or, I’ve solved this problem before by doing the same thing I’m doing now. I don’t like that feeling of, ‘I’ve done this.’ If you are dealing within the confines of traditional narrative filmmaking, it’s hard not to feel like you’re in a box after awhile.”
What will he do instead? “Probably something visual, and I wouldn’t be surprised if I’m still making things, but they will be under the radar and I won’t be asking other people to pay for them,” he said. “When I turn 50 around January 2013, I would like to think I will have blown a kiss goodbye to the industry.”
Soderbergh admits this could be altered, saying he’s made plans before and changed them. “Maybe this turns out to be an extended sabbatical, where I recharge myself, but I need an extended break.” He’s repped by Anonymous Content.
Below is Relativity Media’s confirmation about picking up Haywire:
(Beverly Hills, CA) June 15, 2011 – Relativity Media announced today that it has retained North American rights to theatrically market and distribute its action-thriller Haywire, directed by Oscar® winner Steven Soderbergh (Traffic). The film is set for a January 20, 2012 wide release.
Mixed martial arts (MMA) superstar Gina Carano (American Gladiators) makes her feature film debut, starring and performing her own high-adrenaline stunts. The film’s talented cast also includes Channing Tatum (GI Joe: Rise of the Cobra), Ewan McGregor (The Ghost Writer), Michael Fassbender (X-Men: First Class), Antonio Banderas (Desperado), Bill Paxton (Titanic), Michael Douglas (Wall Street: Money Never Sleeps) and Michael Angarano (Almost Famous).
In Haywire, an electrifying tale of espionage and betrayal, a female covert ops specialist (Carano), who works in the deadly world of international operatives, strikes back after discovering she’s been double-crossed by someone close to her in the agency. The film is produced by Gregory Jacobs (Ocean’s Trilogy) and written by Lem Dobbs (The Limey).
The film was previously set to release through Lionsgate, a distribution partner before Relativity structured its own distribution arm. Lionsgate is handling foreign rights.
“We are honored to be working with Steven Soderbergh on this project. This film is full of amazing action sequences, and with a sophistication only Soderbergh can deliver,” said Relativity’s President of Worldwide Production, Tucker Tooley. “We’re very excited to add our picture to Relativity’s 2012 slate. We’re looking forward to working with our partners at Lionsgate on the release internationally.”
Looking ahead, Relativity will release David Ellis’ Shark Night 3D on September 2, 2011 and then the highly-anticipated Immortals on November 11, 2011, starring Henry Cavill, Stephen Dorff, Isabel Lucas, Freida Pinto, Luke Evans and Kellan Lutz with John Hurt and Mickey Rourke. The studio is in production on its Untitled Snow White Project (in theatres March 16, 2012), starring Lily Collins as Snow White, Oscar®-winner Julia Roberts as the evil Queen, Armie Hammer as Prince Andrew Alcott, and Nathan Lane as the hapless and bungling servant to the Queen. Relativity’s expansive 2012 slate also includes its House at the End of the Street (in theatres February 3, 2012), Untitled Raven Project (in theatres March 9, 2012), Untitled Farrelly/Wessler Project (in theatres April 13, 2012), Safe Haven (in theatres June 1, 2012) and Hunter Killer (in theatres December 21, 2012). The studio recently announced the groundbreaking action-thriller Act of Valor will join its 2012 slate, with an exact date to be announced.


Smart move to release Haywire after Contagion but my gawd it’s going to be 2 years since Haywire was made. Too many delays make it seem like the movie may not be good?
Can we get a trailer soon though?
“I’m better than Kubrick?”
Steven. True or not true. You don’t say this in public.
You done good. No question. Congrats.
But yish… how LeBron of you.
There were some other words surrounding that (incorrect) quote. You should probably read those.
He said “in terms of volume over quality” meaning purely by the numbers of how many movies he’s made is he ahead of Kubrick. It also means he admits the quality of his work is less than Kubrick.
Don’t use quotation marks if it’s not something someone actually said.
” That’s plenty and if you take volume over quality, I’m twice as good as Kubrick.”
I’d just like you to read the full quote. Please read it.
No, read it. And then say sorry for being a twit.
This was a joke. He prefaced it with “if you take volume over quality.”
Soderbergh was not saying he was better than Kubrick; in fact he was saying the opposite.
What?! – do you not read these postings in your effort to be first. look again and then maybe delete.
You’ve misplaced your sense of humor.
Re-read the entire quote…he was obviously being self deprecating and tongue in cheek.
He didn’t say he’s better than Kubrick – he was referring to the amount of films he had made in comparison to Kubrick. Saying, as stated above, he did better than Kubrick in making at least 27 films before he stops.
He clearly said “If you take QUALITY OVER QUANTITY, I’m better than Kubrick.” And said it jokingly.
Reading is fundamental.
Um yeah, reading is fundamental. He said, “volume over quality” not QUALITY OVER QUANTITY; he’s not saying his quality was better than Kubrick’s.
Yes schadenfreude, reading is fundamental. You might want to read the paragraph again. He clearly did not say “quality over quantity, I’m better then Kubrick”. He said “Volume over quality, I’m twice as good as Kubrick.” meaning he’s made lots of movies – but not all of them are works of art. He was being self-depricating not sarcastic.
Yes, he was obviously joking. But, just to set the record straight, he did not say QUALITY OVER QUANTITY (as you state, schadenfreude), he said VOLUME OVER QUALITY. That’s the joke.
I could make a comment about reading being fundamental, but, alas…
Sarcasm, dude. Seriously.
Wow, you’re pretty stupid.
I don’t think enough people have corrected the guy who took the quote out of context. Maybe 50 more corrections will do it.
He said, “If you take volume over quality,” then he’s better than Kubrick. In other words, he’s joking.
Could you at least TRY to read the post? Or quote him in context? “If you take volume over quality, I’m twice as good as Kubrick.” As in, JOKE.
I’ll be truly sorry if he sticks to his guns on this. And I suspect he will. Even watching something that’s as trifle-ish as OCEANS 13 reminds me how much I enjoy his touch.
Uh… He says if you don’t count quality, he’s better than Kubrick. I think he might have been a tad facetious when he said that. If you, say, actually read the full quote and, say, have the ability to understand context or, you know, words.
Read it again. He is saying he has made twice as many films as Kubrick. Thus his statement ‘if you take volume over quality, I’m twice as good as Kubrick’
Gonna miss Mr. SS. everytime i have a rant and moan about the system…i just look at his early work and his current stuff, and see him growing as an artist who knows how to crack that commercialism as well.
His talent; work ethic…totally outside the box creativity mixed within the Hollywood studio and indie scene is really unsurpassed, along with those of Rodriguez, Spike and Tarantino; seeing they all got their start going roughly about the same time.
Everytime I see a SS film , along with those of his contemporaries; I know that I can
break through as well with my own indie vision.
And have it eventually morph into satisfying the commercial sides as well.
especially in this digital world now….where the equipment is truly and finally
opening the democracy of movie narrative and storytelling…that no Hollywood studio or agent or prodco reader can stop anymore.
We artists; storytellers can finally go to the masses for an indie genre feature made for under 50 grand. Without even having to wonder about Sundance taking pity on us.
I know SS has more great movies ahead of him, but I can also see him sticking to his game plan. I want him and his work to grow and go on. That simple.
^Amy Pascal is that you? It was an obvious joke.
He tried to do a unique take on the sports genre and was denied, instead Sony went for the paint-by-numbers formula.
Looking forward to Contagion.
At least he’s making more sense than Kevin Smith.
Please, do us a favor and retire you pretentious prick. I’m tired of hearing about him retiring. It’s getting to a point where he sounds like Brett Favre. Just leave. You’re a good filmmaker yes, but there are plenty other fresh voices out there. I personally lost respect for you though when you went on camera and said that movies like The Matrix couldn’t be made if you watch pirated movies online. Did you not have enough cash in the bank? What were you paid to say that crap?
sooo … pirating movies is okay? Do you not think there is some relation with the amount of money lost due to pirating and the amount of money able to be spent on product? “The Matrix” was just an example. He was speaking in general and making an obvious point … more pirating = less movies … that’s just a fact. And what any of this has to do with how much money SS has personally in the bank is beyond me. Save the hate and go back to downloading “Avatar” in your basement, nerd.
I love the guy but c’mon… if you really wanna fade away then just do it, and stop reminding us you’re doing it.
Amen, Brotha. I mean, how LeBron of you Steven.
The guy called him and interviewed him.
He says : “I’ve been stupid about it, I should have kept my mouth shut”
Only if Mike Fleming had a weekly Soderbergh conversation he could put up for us to enjoy…
Please and thank you.
very early in my career I had the pleasure of acquiring Schizopolis which was a brilliant little film with a new grammar. Fans of Soder should try and see it. very funny, very strange.
the programmers went mad at me when they saw it…because it’s bonkers and makes no sense. LOVE IT.
Great film, with one of my all time favorite film moments:
SS is talking with his wife in the meta-language “nose army, etc” at the breakfast table. Their marriage is shit and they’re just going through the verbal motions. Then, he turns to his child and starts talking normally, directly, in English.
I will never forget that scene, and how it was only possible through his strange structure. Take time off — then come back and make more films like Schizopolis.
Be like Cher, Gloria Estefan and Dionne Warwick. Come back every now and then.
In fact make my scripts with your money. Tell your friends you are doing charity projects and maybe they will distribute them. I’ll even give you a 70/30 split.
Good luck.
Retirement? Wonderful! One less interesting filmmaker in this creatively bankrupt industry.
Thank God, then maybe a no talent hack such as myself can finally get some notice.
(wait, did I just type that or think that?)
Hey Leonard, douchenozzle, no, I do not believe in pirating. But let’s be honest. Wolverine, a DVD rip btw, was leaked online and still made $75 million at the box office. Do you think that it affected the receipts of that film? I don’t believe the dip in people going out to films is a result of pirating. If you do then you’re an idiot. Well, you’re an idiot anyway. The reason for that is because Hollywood has been putting out shit and pretentious sequels instead of original content. Did we really need an Oceans 11 trilogy? Come on, Soderbergh is guilty of the money grabbing himself. Coming from an industry that charges you five dollars extra a ticket for a shitty 3-D conversion, and pretentious pricks like Soderbergh going for the money grabs, shouldn’t be preaching what we do at home with their movies. So do us a favor Leonard, get your tongue out Soderbergh’s ass, and head back to the craft service bus, you’re needed to make an omelette.
C’mon, Cher! Knock it off with the threats! Nobody really believes you’re going to retire anymore.
SEX LIES & VIDEOTAPES = masterpiece
In related news Michael Bay plans to work until he’s 100.