
EXCLUSIVE: While the fate of the on-screen boss on NBC’s flagship comedy series The Office is still in limbo, the near future of show’s behind-the-scenes boss is set: The Office showrunner/executive producer Paul Lieberstein has signed a three-year overall deal with series producer NBC Universal Studios. Under the pact, Lieberstein will continue to run the comedy, working closely with The Office developer/executive producer Greg Daniels. Later in the life of the deal, Lieberstein’s first overall, he is expected to develop new projects. But for the time being, he will be focused entirely on The Office, which is undergoing a major transition following the recent departure of original star Steve Carell. “This show has changed my life,” Lieberstien said. “As a writer I’ve never felt so creatively fulfilled, I really feel like I’m writing exactly what I’ve wanted to write in terms of exploring everyday life. And it made me an actor, which I never suspected I’d do.”
Lieberstein, who plays Human Resources Director Toby Flenderson on The Office, became an accidental actor as part of an experiment by Daniels, who felt that the writers on the show would do a better job writing for the cast if they themselves experienced what it is like to be an actor with bit guest parts on the show. Lieberstein appeared in the second episode in a stint that was never meant to go further. But when then-NBC Entertainment president Kevin Reilly saw dailies from the episode, “he thought I was funny and wanted more of me,” Lieberstein said. With so many inside and outside Dunder Mifflin interviewing for Michael Scott’s job in the season finale, why didn’t Toby make a play? He actually did. “He was in the finale but didn’t make air,” Lieberstein said.
After graduating from college with economics degree, Lieberstein did an ill-fated stint as an auditor while writing spec scripts on the side. He landed his first writing job in 1991 on the Nickelodeon sitcom Clarissa Explains It All starring Melissa Joan Hart. Several sitcom gigs later, in 1998 Lieberstein joined the Fox animated series King of the Hill, co-created by Daniels, who subsequently recruited him for The Office right after the pilot. The two knew each other; Lieberstein is Daniels’ brother-in-law. (He is also brother-in-law to his Office co-star Angela Kinsey). With Daniels, Lieberstein has won two best series Emmy Awards, a best comedy series for The Office and best animated program for King of the Hill, both shared with the shows’ other producers. He is with CAA, 3 Arts and attorney Ken Richman.
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well-deserved. Paul, i hope you read this … your character’s interactions with michael scott were among the funniest moments on the office.
Paul’s not only funny and a talented writer/show-runner, he’s a good dude. Happy for you buddy.
one hell of a showrunner.
And let’s not forget Paul’s most important virtue — he’s a Hamilton College Grad. Go Buff and Blue.
One hell of a showrunner? Are we sure about that? This was by far the worst season of the Office, right?
Out of how many? Idiot…
But Ed, he’s won Emmys. That’s scientific proof of excellence.
There’s always an Ed to rain on someone’s parade. Caught last night’s repeat of Michael’s counseling session with Toby. That was some kind of funny.
What show are you running?
no, last year and the year before were. Once the Jim/Pam tension disappeared, the show needed to figure itself out. They tried various story lines, like Jim becoming co-manager, and the Andy/Erin romance (which was sort of like a cartoon version of Jim/Pam), and the awful Angela/Dwight “baby arrangement” thing, but nothing stuck. Almost like it was a show trying to reinvent itself, but wasn’t sure how, and some of the things they thought would work just plain didn’t. But the show did benefit, surprisingly enough, from Michael Scott leaving, as it was time. Yes, the series is a lot different than when it started (awkward, quiet, subtle, incredibly clever humor compared to the now obvious, over-the-top, unrealistic, cartoonish humor), but it is still a fun show. I would have liked to have seen it gone after season 5, but this is American Television, and we beat a dead horse, then recast the dead horse after the original one leaves, and beat that one until there’s enough episodes for all the horses to live on in syndication heaven (or is it hell? hmm!). So that’s that. The Office will now begin expanding storylines of the other office staffers even more, and soon it’ll be more of an ensemble comedy than ever. This isn’t the show we fell in love with anymore, but it’s using that original love we felt to try and keep us watching until Ricky Gervais’ mattress just can’t hold any more money. Deal with it or stop watching.
Also, the inexplicable presence of the character of Ryan Howard on this show is just strange and off-putting. It is so obvious the writer/actor/producer (ha!) BJ Novak had it in his contract that he must always appear as a lead throughout the series run. He even appears on all the covers of the DVDs, promos, etc. There are some episodes where he doesn’t even speak, or has one line. It is so ridiculous that he is a “Temp” again. His 3rd season storyline was brilliant and even bringing him back for The Michael Scott Paper Company story arc was fun. But it’s just so forced, having him there. He dresses oddly (clearly no one can control Novak, or no one wants to try, or maybe mindy Kaling just backs him in whatever he does because… you know…) and when he is on screen it’s like he has no interest in taking direction or doing what the scene asks of him. He’s a completely different character than he started out as, and not as the result of story — as the result of a vain man refusing to leave a series that has been done with him.
Few more observances: That beautiful girl they added to the cast at the end of last season, who is she sleeping with? I know she’s the daughter of someone powerful, but c’mon… what? Why is she there?
Kevin is funnier in small doses, thanks.
That Subtle Sexuality web series, along with the other web series, are so un-Office like. Stop.
Last but not least… make Dwight manager. It brought about the funniest episode in two seasons. Also, make Pam likable again. Because she hasn’t been in years. That shy, sweet girl Jim and us loved is now a bitch x44.
He has run it for a few years.
Season 6 was by far the worst season of the show. And Paul was running it then. So there’s that.
That’s the most depressed I’ve seen someone look after getting a huge overall deal. What, does the deal not come with a parking space?
Couldn’t have happened to a better guy. Or a worse fantasy football player.
Congratulations Paul!
This is great news. Paul’s Toby character is one of my favorites on TV. I wish him the best.
Toby Flenderson is everything that is wrong with the paper industry.
Had no idea he was anything more then an actor… Awesome to hear he’s the showrunner….
Ed, i disagree.. I really liked this season, my third favorite after the first and second one.
How’d he get the job again? Oh that’s right, he’s Greg Daniel’s brother-in-law.
I wish I was a something-in-law so i could get a job on the show.
@Ed
No, it wasn’t the worst season of the office. And yes, we are sure he’s a great showrunner. Do you work for Paul, Ed?
Paul’s a good, funny writer, and a nice guy… and he’s paid his dues working on shows that had nothing to do with Greg Daniels. He’s exactly the type of writer who SHOULD be getting development deals.
Name one of his credits that wasn’t a Greg Daniels show.
Yeah, that’s what I thought.
Well, “Ed”, I worked with him on “The Drew Carey Show” and I know for a fact that he worked on “Greg The Bunny” because I used to watch that show. And I think he worked on “The Bernie Mac Show” also. And I don’t believe Greg Daniels was involved in any of those shows. You know, THIS is why I don’t post stuff on blogs anymore. But I just get sick of seeing anonymous commenters taking shots at people who are actually doing the work. That’s it for my comments for 2011. Goodbye.
He seems like a nice guy and all, but The Office is kinda boring now. It’s crazy that it’s going to run for 3 more years!
Got to agree with Ed and Mr. 4 that Lieberstein’s done a fairly poor job of keeping the show at the top of its game. With the exception of the S5 Michael Scott Paper Company arc and to some extent this season’s departure of Michael, the last three seasons have been a series of missed opportunities and over the top cartoonishness. The endless Andy/Erin story, the descent of Kevin into mental dysfunction, Angela’s ever changing personality and the Will Ferrell disaster have all been terrible. I’m hoping that “Lieberstein will continue to run the comedy, working closely with The Office developer/executive producer Greg Daniels.” comment means Daniels will take a firmer hand in the day to day operations now that Parks and Rec has established itself a bit.
I just want him to explain where Tim Olyphant’s character went.
I love reading about these talented, talented people and how far their talent has taken them… and inevitably learn that their brother in law, just as an example (Greg Daniels) just happens to be the main producer that brought the show to America, or that a sister (just another wild example) just happens to be a bigwig executive… sometimes, you just gotta wonder if talent is just another name for nepotism… i’m just sayin’!
Paul is great at playing the dull, boring, droopy lidded Toby. Probably because he’s not really acting. Like a lot of people in LA who are currently working as waiters or other menial jobs, Paul can, in fact, create a funny scene. I’m wondering now how it is that Paul and not those other fellas got such a plum job. Oh yeah. Now I remember. Paul would probably very good at comedy in another medium as well. He certainly has a great face for radio. Congratulations, Paul! You deserve all your success! Just like Penny Marshall.
i have to agree with the 50% of people who dont like paul as a writer. the show really went down hill after jim and pam got married, and it seems like thats when he started writing more. sure he has some good ideas to throw into the scipt once in a whille, there have been good episodes since then, but i miss the old office. when jim and pam were still tabboo cuz she was with roy, when angela and dwight had to keep thier love a secret, and a ryan who’s character contributed something to the show. hopefully it will get better, but its hard to say, especially with michael gone. ill still hold on to that small amount of hope tho.