Creative America, a grassroots initiative to unite the entertainment community in the fight against content theft, has launched today with the backing of major unions, guilds, studios and networks. Its primary goal will be to act as a gathering place (a “unified voice,” according to the group’s press release) where members can learn more about the impact of content theft on their jobs and the future of the industry, and to push for passage of anti-piracy legislation like the PROTECT IP Act, a Senate bill that is supported by content groups but criticized by individuals and businesses like Google who say it limits freedoms online. AFTRA, CBS Corp, the DGA, IATSE, NBCUniversal, SAG, Sony, Fox, Viacom, Disney and Warner Bros have signed on to the initiative. “The goal of Creative America is to bring together people of diverse skills, talents, interests and backgrounds who care about protecting jobs and creativity in this country,” said director Jonathan Mostow. “When the movies and TV shows that we create and finance are stolen, there is a ripple effect throughout our business. As revenue is lost, inevitably less money is available for new production. That translates to thousands of people losing their livelihoods and their opportunity to create. Passing the PROTECT IP Act or other similar legislation is an important step in stemming the tide of digital theft.”


Not sure telling people how theft will impact their jobs is going to do much as few, if any, are those responsible for ‘theft’.
So, in effect, this sounds like another lobby effort. The question is…what does MPAA and Dodd do? Isn’t this a big part of their efforts, and if they cannot be successful…why would another entity be able to get traction where MPAA fails?
That being said, the technology consequences of living in a digital world will take forever to resolve in order to protect the industry…and, those who wish to abuse this will find new ways to continue no matter what legislation is passed.
The industry has painted itself into this corner, and now looks for ways to fix a problem which it created.
More futility from the studios. Make your products available at great prices with great delivery (Netflix) and people will pay.
Interesting use of the words “grassroots initiative ” that’s actually isn’t .
They just don’t get it. They’re using am out of date business model. The horse has left the barn. Rick is correct. They need to find a way to make money using new delivery methods and quit fighting a battle they can’t possibly win.
As someone who works in digital and has done / is doing business with Netflix, I can honestly say that the freight train has left the station.
The traditional business model will try to slow it down but it’s too late; it’s beyond powerful and uncontrollable. If you try to get in it’s way, you WILL be destroyed and left behind. However, if you’re smart like Netflix, the train is more than willing to let you ride it and let you charge passengers.
TL;DR: Progress can only be slowed, but can never be stopped.
I’m a writer here in town, and I unfortunately believe the Protect Ip act is a steaming pile of shit. Like the other posters said before, pirates will always be one step ahead of the industry. And do the powers that be really think that stopping a kid from playing his favorite Metallica song on youtube will change anything? It’s complete bullshit, and is another freedom that our government is trying to take away. Why don’t the CEO’s of the majors take a pay cut from the ten to twenty million a year and trickle that down into workers pockets instead of feeding them pink slips. This makes me sick, as it should to the other writers, artists, and performers out there. The old way of doing business is gone, and there are many ways to pull revenue in with these new markets. Instead of trying to put chains on this new technologies, let it breathe and let the new markets grow. It is truly a scary/exciting time to be in the entertainment business, with people losing revenue from leaked songs, to people getting uber rich from the model (Rebecca Friday). If the protect ip act passes, I for one, will be the legions of people fighting it tooth and nail.
Dude, you really ought to familiarize yourself with current and proposed law related to digital theft. It’s not about the kid dubbing a Metallica song on Youtube, it’s about websites that steal thousands of copyrighted works and make them available for free. They then make money through advertising or charging a subscription fee or an upcharge for faster downloads. Most of these operators are outside the US and can thumb their noses as they make money off of the product we create.
For the life of me, I don’t get your comment ” and is another freedom that our government is trying to take away” What freedom? The freedom to take something of value from another and profit from it yourself? How about if I make a copy of one of your scripts, sell it and pocket the money? Is that OK with you? To me that’s bullshit and precisely what these rogue websites are doing every day.
How about if your Grandma has cancer and in order to save a few dollars, she buys her medication from Yuri’sRx.com. Is it OK if the medication she thinks she’s getting is in fact aspirin?
That’s what’s going on out there and it’s unfathomable that people talk about the government taking away freedoms to justify inaction.
I think the record companies really poisoned the well here by prosecuting moms because their 10-year-olds had Napster accounts on the home computer.
To me, when I hear “content theft,” I think the record companies terrorizing that mom, not legal action against a fairly big offshore company.
If productio companies, etc. really want to win public support on this issue, they have to make it absolutely clear that they’re going after the commercial bulk content thieves, not 10-year-olds who occasionally download a cartoon illegally.
I also think they’re much better off figuring out technical ways to make stealing the data hard than to take legal action. Or, to figure out new and better ways to use sponsorships, ads, etc. to make the content free to consumer.
On the other hand: the whole “data is free” concept is clearly killing off our news organizations at a rapid pace and starting to kill off the movie industry and the TV networks. If we consumers actually want new, high-quality content, we also have a stake in production companies figuring out how to finance the production of that content.
It’s not just about delivery methods that give consumers what they want, when they want it and at costs that are reasonable, it’s also about stopping global traffickers in stolen content who, themselves, are adopting new business models to deliver stolen content. If we stay blind to this, sure, the blockbusters will be funded but we will lose independent films, small films.
I think a public education angle that focuses on the impact on jobs is a good idea. Maybe piracy cant be ended, but it can be curbed. The PSA over on the Film Works blog is a good start: http://filmworksla.wordpress.com/
great, another group of clueless freaks with no idea how to fight their opponents. what’s the plan? threaten to throw some parents in jail when their kid downloads ‘pirates’ from some offshore server? that worked well for the record biz.
The major anti=piracy initiative being backed by the industry is the Protect IP Act. Have you read it? Protect IP Act only deals with foreign rogue websites. And the sanctions are to cut off their money via payment processors and ad networks as well as removing their website listing from search engines. The bill also covers rogue sites that sell counterfeit (often inert) medications to the unsuspecting public as well as those sites trafficking in bogus hardgoods, auto parts etc. Domestic websites engaging in the same behavior are already subject to current law. You might note that the current focus is on the purveyor, not the end user.
I think you need to look up the meaning of “grass roots,” Deadline Team.
Content Theft? Isn’t that where they take a 1960/70 TV sitcom and turn it into a major motion picture? Isn’t that where the TV networks recycle old stories and ideas? Isn’t that where the studios/networks go to England, find a film/TV show/idea, bring it back here, gut it, put substandard actors/acresses in the roles and then wonder why it bombed in two weeks? Isn’t that where they take a star, who was big ten/fifteen yeara ago and keep putting them in shows/movies/whatever that nobody wants to see and ends up on DVD in a couple of months?
So the union thugs want to buy more politicians.
Yeah, that’ll impress everybody.
Ummm, idiot, the corporate owners who have a stake in sucking every last dime from the consumer and don’t have a clue how to adjust their business model are essentially co-opting the “union thugs” for help because their buying of the politicians isn’t saving their asses fast enough anymore.
Get it through your head, unions are not your problem. The owners who want you to work at Chinese wages are the problem – and they own far more politicians then unions do. Otherwise we wouldn’t have ‘right to work for nothing’ states.
Protect Ip is a FRONT and LIE. I just finished reading Protect Ip ACT it has nothing to do with the artist, creatives, the hard working people of entertainment, and all to do with the power to shut down a web site. Which is a power they have at the moment, re:child porn in us borders. Now to say we need more power to shut down ANY site in and outside the US is nothing more then censorship, and an abuse of power by the FED. Yes its any site. Read the ACT closely and you will see its any site that has proprietary information. Whos to say Top Secret Docs are not proprietary to the FBI or CIA? What site do u think will be the first one to be turn off for US viewing? I bet its Wikileaks. And what is all this shit about company execs caring about its people, i see first hand how much bullshit that is.
Mike, welcome back from your sabbatical with the militias in Idaho. Either you didn’t read the bill or you have the reading comprehension of a grade-schooler. The Protect IP Act cannot seize a foreign-registered website. It is beyond the reach of US jurisprudence. What it can do is block the monetization of these looters by US payment processors, US ad networks and prohibit their listing by US-based search engines. Note the common denominator… US. Those websites are perfectly free to continue to operate, although not while being enabled by US-based assets.
So why don’t you go put on your tinfoil hat and read it one more time.
This is what you call the “Cover-Your-Ass-We-Had-A-Heads-Up-The-Spanish-Foreign-Royalty-Collection-Entity-Was-Going-To-Be-Busted” press release, just COINCIDENTLY two days (*?) after the Spanish MASSIVE raid against those authorties entrusted with protecting artists by anti-piracy enforcement, collecting their royalties and getting them (in theory) to the artists the money BELONGS TO.
Turns out, the Spanish multi-national entity, was doing the exact opposite: lining their OWN pockets with artists money.
Now? They will spend years in prison, mulling over their corruption.
So, hey! whadd’ya know! An announcement touted over on TODAY’S SAGWATCH all about how OUR equivalent of these folks are “ALL OVER IT!”
Now, THAT is awesome politics, once again. You gotta give it to the merger-people and the AMPTP.
“O.K. – we gotta get a press release out NOW – touting OUR collection of royalties for artists, our anti-piracy efforts, and we gotta get it out NOW, to throw as much suspicion of US, for the same crimes, off, as possible.”
Uh, huh.
I am not anything approaching an expert, but, anybody are to fill us in on whether or not you think SAG, AFTRA and the AMPTP are, and have been, properly collecting the royalties of American Artists – which, let’s face it, would be by FAR the largest such fund – and distributing them to their proper recipients or their heirs?
Care to weigh in on whether you think this SAG/AFTRA merger attempt is largely about these massive amounts of money floating around, that a post-merger, non-transparent, secretive, “new union for a new world!” run MUCH more like AFTRA and NOT like SAG (meaning Undemocratic, and non-transparent) – as well as a terrible new media deal that will result in HUGE savings on up-front payments to rank and file actors, as well as a virtual never-ending maze of red-tape and unanswered actor’s inquiries regarding the VASTLY smaller residual and royalty amounts that will be a direct result of that terrible new media deal UFS got us into in 2009, then, despite big talk of aligning with all the other unions, re-signed UNCHANGED in 2011.
Do YOU think this merger is about “strength in numbers” and “we can’t be divided”
OR
Do you think it’s about gaining an iron grip on the financial future of professional actors and their so-called new-media residuals ( a joke) that will be a fraction, relatively speaking, of how we were paid, pre-UFS?
When can we hope to see OUR respective counterparts to the Spanish entities raided a couple days ago, frog-marched straight to jail?
LOL @ You thinking this only came together 2 days ago. Clueless.
glad to see that the film business is on this….music world has been fighting the same good fight…..can we stop it….i don’t know….can we educate – sure….and that is the key here…..i would love to see the music and film business fight this together…..we all have a lot to lose……instead of everyone bitching about how it is not going to happen….perhaps a bit more concentration on giving a shit…..we all know the problems…lets come up with solutions!!
I know of a lot of people tapping into the pirate bay, and they all work on the lot. You wouldn’t believe how high up it goes. What hypocrisy.
This is of course yet another pathetic joke from the industry lobby. “We’re incompetent so it’s up to YOU to make sure we are properly reimbursed for what we ourselves have stolen from the people who work for us.”
To all the entertainment robber barons who keep throwing up the idea about how new technologies, which they themselves help create (often despite themselves),threaten the common little guys and artists working in the industry while simultaneously ripping those artists and artisans off and trying to destroy their unions…I say only this.
The world’s smallest fiddle is playing just for you. Stop being lawyers trying to get everyone to “CEASE AND DESIST!!!” and learn how to marry the old business model to the new. It’s really not that fucking hard. It only becomes that way when all you can do is look at something and fret about imaginary lost millions instead of new revenue streams and opportunities.
Uh, no, Dum Dum, it isn’t.
never has distribution and payment been so easy
how well did fighting napster work out for the record industry
now the corporate islands of the movie industry are facing the next echo of the internet wave
they will continue to snatch defeat from the jaws of victory
unless
1. produce more well written original content
2. utilize a partner with a payment system for first run features (itunes, hulu, netflix)
3. stop with the CGI and 3D crap it looks terrible really
4. stop remaking everything, leave those myths and stories in the past, create new ones
5. stop with the comicbook movies already (including the endless “reboots”)
6. embrace the future and empower the users to share their opinions
7. embrace the “now” and “on demand” world, we can find everything with a few clicks, give me a high quality copy and a way to pay, I’ll gladly give my $$
8. execs take a pay cut, Steve Jobs works for $1 and stock options, so should you, he’s way more innovative than your crappy backwards company
9. enough with the lowbrow middle of the road, challenge the status quo
10. embrace new ideas in your institutions, expel the culture of No, remove useless middle managers, else end up falling apart like Motorola, Nokia, and RIM
Nothing grassroots about this organization. This is pure, 100% synthetic astroturf.
i know, right? “grass roots” hahaha.
All of you guys who think “reasonable prices” = 7.99 per month, all you can eat, ought to get your heads out of your butts. The DVD business was down $3bn last year and not looking so great this year either. And Netflix is not making up the gap by a long shot. So enjoy those Netflix movies, because no way can you afford to buy popcorn at the local AMC from your ever shrinking residuals checks