On-location filming in Los Angeles grew 1.1% during the second quarter compared with last year, held down in part by a sharp drop in commercials production following a 21-month surge in the category. FilmLA said in its report that TV production days dipped slightly overall in the City of Los Angeles, the unincorporated parts of Los Angeles County and other local jurisdictions, led by losses in the sitcom and reality subcategories. Feature production grew 4%, though LA saw less impact from the California Film & Television Tax Credit program; only five projects receiving credits shot during the quarter, compared with 16 projects a year ago that accounted for 27% of feature production. “We expect to see Features get a boost as a new crop of incentivized projects hits the streets,” FilmLA president Paul Audley said. “Unfortunately, the momentum we carried in television may be gone. A lot of the new shows you’ll see this fall won’t be filming in California. As a result, we’re expecting a lackluster second half of the year for TV.”


The California Film & TV Tax Credit needs to be extended and increased. The Film Works blog just put out an excellent post about taking action:
http://filmworksla.wordpress.com/2011/07/05/legislative-update-proposed-ca-film-tv-tax-credit-extension-ab1069/
That hellhole, New York, spends 420mil per year on incentives..
Here’s hoping all the TV shows filming outside of Hollywood fail!
Well, they’ll be saving a hell of a lot of money in Los Angeles by not having to head for Mexico to shoot locations – all they have to do now is step outside their front door and wham! there’s Mexico, fully recreated in all its squalid detail.
Racist much? We can shoot any location on Earth for LA. We can even make it look like the whitest red state in America. It’s called Orange County. LA is proud of its Latino heritage. Hello, Los Angeles…the very name is Spanish.
What would really help is raising the permit fees by a third and having$90 an hour police officers to “guard” the set.
Way to go CA.
I’m sorry, but set aside film incentives and what not, lets not forget that people are filming outside LA because of FilmLA’s contribution to it. I’m sick and tired of having to deal with people that not only make your job difficult but that also rip you off with not an ounce of decency. Many of the productions I’ve been involved with get assigned monitors for no reason what so ever, that then don’t show up and when you try to claim a refund for the services that weren’t tendered they won’t refund your money at all!
This is just a piece of the many complaints that stem out of FilmLA’s services, we get it, many of the people that work there can be actually helpful, but in its entirety, I don’t even want to imagine, if we were to have the town bursting with film shoots and commercials, the cluster$%## it would be if with what little we have right now, their service lacks efficiency and fairness.
Avi – I am VP of FilmL.A. and am frustrated to have heard of your complaints for the first time via Deadline. We strive to provide filmmakers a level of service and expertise they can’t get anywhere else. In regards to some of your specific comments: FilmL.A. Monitors are required in certain sensitive neighborhoods and some areas covered by Special Filming Conditions. It would be highly unlikely a FilmL.A. Monitor wouldn’t show when required; even more extraordinary for it to happen all the time. You absolutely can be refunded for any such charges. However, depending on your location and what activities you’re doing, other city, county or agency monitors (Beaches & Harbors, Recreation & Parks, etc.) might also be assigned. You would be refunded for any “no-shows” here, too. When the city, county or agency confirms that none of their monitors worked, we then can cut a refund within 30 days. If you have direct personal knowledge (instead of secondhand rumor) about FilmL.A. withholding a refund you feel you are due, please call 213.977.8600 and ask for me.