EXCLUSIVE: The studio’s new unit called Paramount Animation will start producing one toon a year in 2014 and beyond. The studio will launch immediately a search for the top executive who will report to Paramount Motion Picture Group President Adam Goodman. There’s no word yet if Gore Verbinski’s recent Rango will have a sequel, but if it does it would be produced under this new banner. But what does this mean for Paramount’s distribution relationship with DreamWorks Animation which ends on December 31st of 2012? “We did offer them a one-year extension on the same terms of what we have,” a Paramount exec tells me.
“But Jeffrey has indicated his desire to get a better deal. And so for us long term, it only makes sense if it’s improved beyond that. Given everything else that we have going on, it’s the only thing that makes sense for us.” Word is from folks whom Katzenberg has approached that he’s interested in a sale as part of a new distribution deal. And I’ve learned that his current energies are focused on Time Warner after being turned down by Comcast (DWA & Comcast: Who’s Pursuing Whom?), Disney, Universal, Fox, and Sony which all have their own animation units.
Exactly a year ago at 2010′s Camp Allen investment conference, Comcast quashed rumors spread by Katzenberg that the new owners of NBCUniversal supposedly wanted to buy DreamWorks Animation and make him head of NBCU. Comcast’s Brian Roberts and Steve Burke mentioned to several power players that Katzenberg has been pursuing them to buy DreamWorks Animation and lobbying them to make him head of NBCU. (Burke, the son of former Capital Cities/ABC president and icon Dan Burke, spent a dozen years in key Walt Disney Co positions but never got along with Katzenberg. Besides, NBCU has Illumination Entertainment.) At that time, Jeffrey already had offered up DWA to every Hollywood studio, but they and their parent companies had passed. Before Comcast, the most recent “no” had come from Time Warner’s Jeff Bewkes. But now it sounds as if Katzenberg is trying there again.
Lackluster sales of 3D tickets for DreamWorks Animation’s Kung Fu Panda 2 seemed to confirm that audiences are fed up with the higher ticket prices. Then again, it was Katzenberg who went around convincing those exhibitors to raise their prices before DWA got into the 3D biz. Now investors appear to be disenchanted with DreamWorks Animation, which is making all of its films in 3D. Its shares have been down nearly 20% vs this time last year.
UPDATE: Here’s the Paramount Animation release:
(Los Angeles, CA – July 6, 2011) — Paramount Pictures, a unit of Viacom Inc. (NYSE:VIA and VIA.B), will launch an in-house animation division, with its first title slated for release in 2014. In making the announcement, Paramount Chairman & CEO Brad Grey said the initiative was part of the studio’s long-term strategy for growth and that the new division, Paramount Animation, will focus on high quality animation with budgets per picture of up to $100 million.
Paramount Animation’s mandate will be the development of the broadest range of family CGI animated films, with a key piece being titles under the label of Viacom’s Nickelodeon, the number one entertainment brand for kids worldwide. Paramount will also look to build on Viacom’s already thriving global consumer products business by seeking to capitalize on merchandising opportunities tied to all Paramount Animation releases.
The division will be part of the Paramount Motion Picture Group, reporting to the group’s president, Adam Goodman, and will initially target one release per year. Vice Chair Rob Moore, COO Frederick Huntsberry and Goodman are now conducting a search for the leader of the division.
“We’ve come a long way over the last six years,” said Grey. “Our team has worked hard to build best in class production, marketing and distribution divisions which have proven they consistently execute at the highest level across all genres and price points. Establishing an in-house animation division was the logical next step for us.”
“The marketplace has never offered as many opportunities to create wonderfully imaginative pictures at very appealing budget levels, so we feel this is a perfect moment to launch this effort. We are now eager to expand in animation with appropriate and prudent overhead and production budgets in a way that will allow us to be nimble, creative and innovative,” added Grey. “Paramount also has the distinct advantage of being part of the Viacom family, giving us the ability to leverage its portfolio of powerful and youthful brands to create and market great films and consumer products.”
While Paramount has released an array of successful animated films in its history, the company’s first fully owned CGI animated property was Rango, released to great acclaim in March 2011. The Western, directed by Gore Verbinski and featuring the voice of Johnny Depp in the title role, has grossed over $240 million worldwide and is the best reviewed animated movie so far this year.
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Janet Healy…but, I doubt she would leave Illumination Entertainment.
Surely, you jest.
Ever hear of IDT Animation? Either way your answer makes my point for me.
Funny how this comes the day after they bragged about Kung Fun Panda 2 helping them be the first studio to $1 Billion domestic.
Disney should distribute then they would be huge
Disney would purchase them solely to shut them down and eliminate the competition for Disney/Pixar/Marvel.
But what they have with Pixar is solid gold.
You mean, shit dipped in solid gold. Have you seen the stinker “Cars 2”?
Feels like this is a negotiation tactic by Paramount. Gets them leverage with DreamWorks.
Also, it’s amazing that The Wrap is once again getting their breaking news from Deadline!
I don’t believe in the concept of a distribution deal for DreamWorks which would include a sale of DWA to the distributor. Jeffrey enjoys being in charge too much, and without his guiding hand, the purchasing distributor would push DreamWorks Animation to lower quality, increase production, and slash budgets, the same way that every prior animation company has been exploited to death. The DWA campus would quickly become a Disney knockoff and go the way of Fox Animation, WB Feature Animation, Turner Animation, Sony Feature Animation, Disney Digital, etc. No way Jeffrey allows his “work family” to be fired en masse and stands idly by to watch the company he’s spent the better part of two decades building get broken up, and the studio lot he snaked out from under Eisner’s nose get sold to Disney. It’s just not a believable situation unless DWA is secretly broke or something.
Jeffrey has been trying to pull a Steve Jobs since Pixar was bought by Disney. The problem is, DWA is not Pixar. Look at some of the upcoming announced releases — uninspiring to say the least:
Puss In Boots
Sherman & Peabody
Turbo (Cars with a snail)
Madagascar 3
Boo-U (sounds like Monster Inc. 2 with ghosts)
Okay so How to Train your Dragon 2 might work out okay but most of the rest of what JK has planned is just uninspired and unimaginative.
Bewkes would be well advised to walk away from this — again. Seemingly, the only possibility is that the stock price for DWA will continue to flounder (-50% in 15 months), to the point that TW might be interested in picking it up on the cheap, which is where it belongs…
What? Puss In Boots is going to be huge.
If Comcast/NBCU could get them for cheap, it would be a nice benefit for the theme parks. I know they already have some DWA properties there (Shrek, Madagascar) but I wonder how steep the licensing fees are.
Universal has Illumination…what would they do with Dreamworks Animation and Jeffrey.
Too expensive…not enough in the pipeline…and, Jeffrey.
No thanks.
You said it in a nutshell… and, Jeffrey.
Cue jeffrey, singing ever so softly to sumner and brad…”And, I am telling you…I’m not going…”
“Lackluster sales of 3D tickets for DreamWorks Animation’s Kung Fu Panda 2 seemed to confirm that audiences are fed up with the higher ticket prices. ”
it’s funny how audiences are fed up with 3D and yet transformers is considered some big 3D success even after the second transformers movie.
starting to look like it’s more content based than 3d prices.
Time Warner will buy DWA eventually and combine it with WBA, putting Katzenberg in charge. Bewkes is just waiting for DWA’s value to be low enough so that he can get a good deal for the studio. I don’t think this is a negotiation tactic on Paramount’s part and wouldn’t be surprised if we hear news of an acquisition from TW within the coming weeks.
Cars2 took 2nd place…Curious what DreamWorks will bring to the screen in 2014? I agree with you Tom about Healy.
Wondering what happens if Warner Bros. passes on DWA. Where does Katzenberg turn next, a straight up distribution deal through Lionsgate? Kind of looks like he is out of options, and I can’t image Warner doesn’t know that, and won’t low-ball any offer since they have all the leverage.
given how well Kazenberg got along when he was part of the Disney brass with others. Disney would not only shut dreamworks down and gut its assets just to eliminate the competition to Pixar but out of a little pay back on Jeff. Warner’s could see them trying to use dreamworks if they wanted to do animated dc films. or looney tunes. but other wise doubt ful jeff is going to find a buyer for dream works. unless its nbc comcast in the end.
MR. KATZENBERG’S #PASSION IS INSPIRING & WILL MAKE THE ACQUIRING ORGANIZATION THAT MUCH STRONGER THE REAL ? IS WHAT WILL IT TAKE2GET THE #HANDSOME MR. BEWKES TO LEAVE SO JEFFREY CAN RUN&GUN?
Bewkes is an experienced corporate executive, with a long and loyal history of serving TW and it’s shareholders. Jeffrey is a micro managing wannabe filmmaker who started as Barry Diller’s lap dog and ended his corporate career as Michael Eisner’s spurned BFF. If it wasn’t for Jeffrey’s friendship with Spielberg and Paul Allen’s generosity (or naiveté), Jeffrey would have been out of the entertainment business a very long time ago. No way TW board trades Bewkes for Katzenberg.
Errr… Paul Allen hasn’t been an investor in DWA for a VERY long time. Years. He tripled his initial investment and sold happy. You can sneer at Katzenberg’s abilities all you like, but every film that comes out of that studio is a product of his vision, like it or not. Maybe DWA hasn’t produced an artistic stunner like “Up” or “Wall-E” yet, and maybe he is a micromanager (and how), but the Box Office results from the Shreck films, Kung-Fu Panda films, and How To Train Your Dragon prove that he understands what audiences want.
Paramount never seems to learn, they had DreamWorks who supplied them a third of their releases and with DreamWorks comes Spielberg and a first look at all the hottest film projects.
They stole DreamWorks from under Universal’s noses, but then lost DreamWorks because of poor management.
Now Paramount moves into its 100th anniversary next year without DreamWorks, Marvel and now possibly DreamWorks Animation as well?
Loosing those key suppliers means that Paramount needs to fund more films themselves, filling the gaps in their release schedule with films like Paranormal Activity 3 and GI Joe 2 (a low budget sequel directed by the guy who made the Bieber movie?)
My question is why? Paramount is a historically fantastic studio that has made some of the best films over the years I find it very sad that it seems to be self combusting from inside and making this generic low budget crap rather than making real movies.
Paramount are celebrating another billion dollar US and international box office but if you take away all the Marvel, DreamWorks Animation and projects that were DreamWorks films it’s just Rango, No Strings Attached and Never Say Never.
Why is Paramount making bad, low-budget crap? Maybe because the CEO of Viacom gave himself a $75 million bonus this year. Or maybe because Sumner Redstone has some of the cheapest tastes in the industry.
So how many jobs will be slashed in order to fund this new enterprise?
Kung Fu Panda 2 didn’t bomb, it just didn’t have good timing with its’ Memorial Day Weekend release and more family competition through most of June really stood in its’ way of having better legs. But, its’ become a worldwide smash, with a cumulative gross near $550 million.
I think its’ a wise decision for Paramount to open their own animation studio. Their heyday for family films was back when they did movies based on the hit shows from Nickelodeon (which ended with The Spongebob Squarepants Movie in 2004). If Nick is able to produce a hit CGI toon over the next year or so, Paramount Animation may just get as high as Illumination, Pixar, or DreamWorks.
I don’t think there’s going to be a sequel to “Rango”, that film was subpar in terms of how well highly-promoted animation grosses in both the U.S. and overseas.
It’s amazing how negative everyone seems to be. The reality is that Dreamworks employs a lot of very talented animators who would be out on the street if Dreamworks doesn’t get picked up. Their films make money (though no more Shreks…PLEASE!) so I seriously doubt they’ll not get picked up or dismantled. I hope they can continue to grow and continue to put bread on artists tables. My two cents.
It’s not as if rango set the world on fire–it didn’t even turn a profit after worldwide totals. What is Paramount crowing about?
Paramount’s announcement to move into animation and the actual timing was borne out of a combination of economics, corporate synergies and of course ego.
The studio purchsed the rights to Teenage Mutant Ninja Turtles a year or so ago and given the spin off and licensing opportunities that would come off a freshly animated film, it stands to reason why they would announce this now. Furthermore they also acquired The Kid comic for precisely the same reason.
Additionally, the economics and synergies in investing in brands rather than singular films (the Disney model) means that there is more profit if they are able to do this right, speially withtheir Nickleodeon cable network. The liocensing fees Paramount makes from Hasbro from the increase in Transformers toy sales alone probably outwiegh the revenue they make from the films, given all the profit participations.
And last but no means least, Brad Grey and Rob Moore seem to like to play hardball in every negotiation they do, hence not getting Bond distribution rights from MGM, and not giving in to Jeffrey’s distribution fee demands. In fact reports are suggesting they want to increase the fee!
All in all, it seems tha there is realistically no way JK and DWA stay long term with Paramount. Maybe they extend 1 year at the curreent terms to buy a little time but the egos around the table suggest that no one will back down.
Here’s hoping that this new studio will get together with CBS Studios (yes, both Paramount & CBS Studios are still linked) to produces new Saturday-morning animation based on some of their classic franchises:
Star Trek
Mission: Impossible (somewhat iffy, but if it can be done..)
Mannix
The Mod Squad (wouldn’t you like to see Pete, Link and Julie kick but in CGI or anime style?)
The Brady Bunch (loads of fun)
The Magician (this show is a classic, and would be great as an animated movie and a follow-up TV show for Saturday morning-banish the similar show from 2001 out of your heads!)
My Living Doll (this would make a great comedy movie & TV show to be animated, cel or CGI)
There are a ton of others, but I won’t go into them; suffice to say, Paramount has some interesting old stuff to mine if they want to make any animated movies/TV shows.