
EXCLUSIVE: In competitive bidding, FilmNation Entertainment has acquired In the Event of a Moon Disaster, a Mike Jones spec script that re-imagines the first moon mission. In this version, disaster strikes and the astronauts find themselves up against insurmountable odds. Jones, a former colleague of mine at Variety, turned his attention to screenwriting and has been working steadily. Most recently, he has been collaborating with Henry Selick on an untitled Pixar project, and Jones also scripted a reboot of Popeye for Sony Pictures. FilmNation’s Aaron Ryder will produce the space mission film, and Glen Basner will handle international sales. It will be the largest-budget film so far for FilmNation, which has aggressively put together its slate of projects.
FilmNation is in talks with Matthew McConaughey and Reese Witherspoon to star in Mud, the next film by Jeff Nichols, with whom FilmNation worked on Take Shelter. It also is fully financing Paranormal Activity helmer Oren Peli’s next untitled project, and recently completed the Jennifer Lawrence-starrer House at the End of the Street and The Raven, which stars John Cusack as Edgar Allan Poe; Relativity Media releases that James McTeigue-directed film early next year. FilmNation will be bringing to Toronto Take Shelter; Pedro Almodovar’s The Skin I Live In; the Hugh Laurie-starrer The Oranges; and Midnight’s Children, an adaptation of Salman Rushdie’s novel. Jones is repped by CAA and The Gotham Group.


I’ve seen this movie before, but I liked it better the first time, whenitwaswcalled “Apollo 13.”
havent read the script but of all the places for a space disaster, the moon? Yawwwwn
More Moon stuff. Transformers Dark Side of the Moon which deals with crashed ship on dark side. Apollo 19 which deals with secret mission to moon that was covered up. The movie Moon itself, with Sam Rockwell. The New World Order is sending us a message through fictionalized entertainment.
I remember a t.v. mini-series some year’s back that was based on the book ‘SPACE’ by James Michener. In that story a solar flare did in the crew of the first LEM as it was ascending back to lunar orbit. This type of story can really get you to think about how thing’s could have been very different, had the first lunar landing been a disaster. Those Apollo mission’s are one of the greatest thing’s Humanity has ever done, and something that make’s me dam proud to be a part of the U.S.A. I’m looking forward to a new version of this particular “what if”.
Wow. The snark is strong in the room. Instead of putting Mike Jones and his script on blast, replete with disses and negativity, how about we CELEBRATE that in this very moribund economic climate a newbie-ish writer just had a spec triumph?
Maybe Mr. Jones’s re-imagining of a trip to the moon isn’t the most cutting-edge sounding project around but I am happy anytime anyone with even a scintilla of talent succeeds (“writer” Allan Loeb being the exception, of course!)
As a side note, I just saw “Attack the Block” and can’t figure out why more people in the industry and out are not excited about it. Loosely, it has an alien invasion “Goonies” mixed in with “The Monster Squad” vibe going on. I was pleasantly surprised by its breathtaking freshness and nice scripting.
It went out three months ago and it just now sold in a competitive bidding situation? Really?
Three months is a long time for a good spec script to be on the market? What’s a normal length of time?
This is one of the best scripts of the year, and will get a high vote count on the year-end Blacklist for sure.
Because that is definitely a mark of quality.
I haven’t seen the script and know nothing about it, but I’m sure it features werewolves, zombies, vampires, pirates, second rate superheroes, mutants with special powers, super intelligent apes and Nazis. Everything no major movie should lack these days. In 3D. It’s also most likely a remake or reboot.
Take it easy. It’s a good script. No need to be a jerk about it. However, it is odd that it is referred to as a competitive bidding situation when it went out in April-May.
Okay, this just for you: I was actually having a go at our industry’s current inability to come up with something new and original, preferring to play it ultra safe. I doubt Mike Jones’ script has any of today’s ‘essential’ elements any yet it still got picked up.
On a completely different tack, for a thriller with brains, check out The Debt, with Helen Mirren. I have no ties with this film or its makers in any capacity. But that’s the kind of thing I’d like to see more of. Although, yes, it is a remake.
competitive? Who else wanted it?
Film Nation isn’t exactly know as a place that outbids. They usually just stick to unique stuff that nobody else has the balls to make.
The yawn goes to the idea of a Popeye reboot.
Have these producers learned nothing from this past weekend’s BO disasters???
Let me guess:
“Marooned” + “The Blair Witch Project” + “Poseidon Adventure” + “The Day The Fish Came Out” + “Snakes On A Plane” on the Moon.
Exciting!